Mary Heilmann

American, born 1940

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    Rain Reverse

    Mary Heilmann, Sam Carr-Prindle, Courtney Sennish, Crown Point Press

    2017

    Sugarlift aquatint and spitbite aquatint with black and tan with chine collé on somerset wove paper  Accession ID  2019.115.165

    Not on view
  • Two teal-colored spiral shapes set against square grids, creating a geometric and abstract composition. The spirals resemble whirlpools or galaxies, swirling within a soft teal background. Positioned within square and rectangular forms, the shapes create a contrast and evoke a sense of motion and balance.

    Undertow [working proof 2]

    Mary Heilmann

    2006

    Wp 2 – 2-panel, blue-green spit bite and aquatint, pencil drawing (2 plates printed side by side) [working proof 2]  Accession ID  2024.132.337

    Not on view
  • The image shows a series of tall, elongated shapes arranged side by side on a vibrant pink background. The colors progress from left to right: pink, dark brown, orange, deep pink, and purple. The shapes have irregular and organic silhouettes, resembling melted candle wax or dripping paint. The composition invites the viewer to explore visual connections to familiar forms.

    Joaquin's Close Out [working proof 1]

    Mary Heilmann

    2006

    Wp 1 – full color proof, similar to edition but missing a spit bite plate [working proof 1]  Accession ID  2024.132.338

    Not on view
  • The image portrays a series of horizontal, undulating dark blue shapes. The fluid, overlapping forms suggest rippling waves or elongated bodies of water meandering across the canvas. The shapes visually resemble elements found in nature, such as ink spills or fabric folds catching a breeze. The organic movement in the shapes contributes to a sense of natural yet abstract rhythm.

    Weather Report

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite and sugarlift aquatints on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.37

    Not on view
  • An abstract composition featuring a swirling, dark teal spiral at the center of a lighter teal square. The spiral moves from left to right, creating a dynamic sense of movement. The edges of the spiral blend into the background, forming wispy trails. White rectangular areas in the corners contrast with the teal, anchoring the image. A dark teal dot near one of the white areas adds a point of interest to the geometric composition.

    Undertow [working proof 1]

    Mary Heilmann

    2006

    Wp 1 – blue-green double layer spit bite aquatints  Accession ID  2024.132.336

    Not on view
  • The image showcases geometric shapes and fluid lines. Two beige rectangles are placed in the top left and bottom right corners, overlapping a central swirling shape. The design is set against a vibrant teal-colored background.

    Undertow

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite aquatint on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.35

    Not on view
  • The image features a green spiral shape at the center enclosed within a lightly sketched square on a plain background. The spiral gives a sense of motion and fluidity, similar to a wave or a fern. The surrounding space emphasizes the abstract nature of the spiral design.

    Study for "Undertow"

    Mary Heilmann

    2006

    Pastel in blue and green with graphite on somerset wove paper  Accession ID  2014.116.21

    Not on view
  • The image shows horizontal wavy lines of varying colors with fluid and slightly irregular shapes. The colors include lime green, red, orange, teal, and aqua blue, forming distinct bands that bleed into each other slightly.

    Acid Line Up

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite and sugarlift aquatints on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.30

    Not on view
  • The image displays large, irregular, horizontal bands or blobs of color stacked one above the other. The colors transition from deep purple, pinkish-red, red-orange, to black or very dark brown against a pink background, creating an abstract layering effect.

    Joaquin's Close Out

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint and sugarlift aquatint on wove somerset paper  Accession ID  2011.119.32

    Not on view
  • The image shows intersecting lines creating a grid pattern on a soft green background. Above the grid, there is an abstract gray shape resembling a dripping or melting form.

    Passage

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color aquatint with spitbite aquatint, sugarlift aquatint, and drypoint on wove somerset paper  Accession ID  2011.119.33

    Not on view
  • The image shows a large, irregular red shape at the top, with faint linear patterns creating a grid-like appearance below it. The background has hints of lighter shades, resembling a backdrop with subtle, cloud-like forms.

    Valentine

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color sugarlift aquatint, spibite aquatint, and drypoint with gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.36

    Not on view
  • The image shows elongated and wavy grey shapes that stretch horizontally across the canvas. The abstract composition suggests familiar objects like fog banks or a river seen from above. The lines have a fluid and organic quality with slightly uneven edges, conveying a sense of natural motion. The variations in tone add depth and texture.

    Clear Day

    Mary Heilmann, Crown Point Press, Catherine Brooks, Emily York

    2006

    Color spitbite and sugarlift aquatints in silver on gampi paper chine collé, mounted onto wove somerset paper  Accession ID  2011.119.31

    Not on view