Lilah Toland

American

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The image consists of geometric and curvilinear shapes within a rectangular frame. A yellow teardrop shape is on the left, intersecting with a swirling red circular form on the right. Above, a blue triangular structure with parallel lines sits at the top center. The background is mostly black with a small lighter curved area.
Richard Diebenkorn, Crown Point Press, Lilah Toland, Tri-color Spade [trial proof B], 1982, aquatint with etching and drypoint on wove Rives paper [trial proof B], Gift of Lynn K. Altman Family Trust, 2020.169.17

Tri-color Spade [trial proof B]

Richard Diebenkorn, Crown Point Press, Lilah Toland · 1982 · aquatint with etching and drypoint on wove Rives paper [trial proof B] ·  Accession ID  2020.169.17

The image is a close-up portrait of a person, showing only their face. The person's head is turned slightly to the side. They have a mustache, neatly combed hair, and wear large, round glasses that magnify their eyes. The image is in a simple line art style with sparse lines outlining the facial features. The background is plain.
Richard Diebenkorn, Lilah Toland, Crown Point Press, Self-Portrait, 1980, drypoint on wove paper, Joshua P. Smith Collection, 1985.76.3

Self-Portrait

Richard Diebenkorn, Lilah Toland, Crown Point Press · 1980 · drypoint on wove paper ·  Accession ID  1985.76.3

The image shows a large, curving shape intersected by a straight horizontal line and a pair of perpendicular vertical lines. The lines create a structured abstract appearance. The design is minimalist, using simple lines and a sepia tone.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [bottom row, panel F], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.18

2 Wings for Wall and Person [bottom row, panel F]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.18

The image features a large, rounded shape in a light peach color in the lower right portion, contrasted against an off-white background.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [top row, panel A], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.7

2 Wings for Wall and Person [top row, panel A]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.7

The image shows a large, curved line in the lower left corner that separates a pale peach-colored area from a cream-colored background. The shape resembles the corner of a folded piece of paper or fabric. The simplicity of the design highlights the contrast between the two colors and the smooth curve that connects them.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [top row, panel F], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.12

2 Wings for Wall and Person [top row, panel F]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.12

The image shows a large, curved, triangular shape intersected by a horizontal line, creating an abstract composition. The texture along the surface adds an impression of softness, contrasting with the straightness of the line.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [bottom row, panel A], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.13

2 Wings for Wall and Person [bottom row, panel A]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.13

The image shows soft, vertical and horizontal lines creating a pattern in muted pink and peach colors. The composition resembles architectural elements, with a scalloped edge at the bottom.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [bottom row, panel E], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.17

2 Wings for Wall and Person [bottom row, panel E]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.17

The image shows a large horizontal rectangle divided into two sections by subtle vertical lines. The top section is off-white, while the bottom section is peach-pink with faint vertical divisions.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [top row, panel E], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.11

2 Wings for Wall and Person [top row, panel E]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.11

The image contains large rectangular shapes, divided horizontally into two sections. The upper part is light cream, while the lower section is a soft peach color, separated by vertical lines. The lower rectangles resemble drapes or paper sheets lined up next to each other.
Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press, 2 Wings for Wall and Person [top row, panel B], 1979-1981, photo-etching on Arches Satine wove paper, Gift of Kathan Brown, 1997.8.8

2 Wings for Wall and Person [top row, panel B]

Vito Acconci, Nancy Anello, Lilah Toland, Paul Singdahlsen, Crown Point Press · 1979-1981 · photo-etching on Arches Satine wove paper ·  Accession ID  1997.8.8

The image shows a pattern of parallel horizontal and vertical lines resembling a ladder structure. The lines are arranged in a minimalistic and abstract composition. The shading creates the illusion of metallic bars, playing with light and shadow. The focus is on the simplicity and repetition of form.
Vito Acconci, Nancy Anello, Lilah Toland, Peter Pettengill, Crown Point Press, 20 Foot Ladder for any Size Wall [II], 1979, photo-etching on Rives BFK wove paper, Gift of Kathan Brown, 1997.8.20

20 Foot Ladder for any Size Wall [II]

Vito Acconci, Nancy Anello, Lilah Toland, Peter Pettengill, Crown Point Press · 1979 · photo-etching on Rives BFK wove paper ·  Accession ID  1997.8.20