Paul Mullowney

American, active late 20th century

Displaying 1 - 12 of 51

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  • ""

    Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Portfolio of eight color aquatints and etchings (one with drypoint) on wove somerset paper  Accession ID  2006.122.156.1-8

    Not on view
  • The image shows an arrangement of shapes and lines on a mostly blank canvas. In the upper center, there is an abstract composition with a lavender semicircle adjacent to a grey square, linked by a lighter grey horizontal line. Towards the bottom of the canvas, there is a small abstract pyramid shape comprised of stacked rectangular blocks.

    No. 4 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Paul Mullowney, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.4

    Not on view
  • The image features simple geometric shapes such as rectangles, lines, and triangles arranged on a white background. In the top section, a pink vertical rectangle intersects with a yellow horizontal rectangle. Below this, towards the bottom of the image, there is a triangular arrangement of gray blocks. The minimalistic design focuses on color and form.

    No. 5 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.5

    Not on view
  • The image shows a semi-circular shape in muted brown tones on a horizontal plane, intersected by a dark and textured formation in the center. A bright blue diagonal strip extends from this formation, resembling a waterfall. At the bottom, there is a small pyramid-like arrangement of light gray blocks. The composition is abstract and open to interpretation.

    No. 1 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    Color aquatint, drypoint, and etching from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.1

    Not on view
  • This is a painting of an abstract composition featuring a primary white form with red dots and a green leaf-like element. The artwork shows a central white form dotted with red circles and a green leaf-like shape below. The background is plain white, emphasizing the contrasting colors and simple composition. At the bottom, there is a small stepped design element. The style is reminiscent of Ellsworth Kelly.

    No. 8 from Up, to 7

    Richard Tuttle, Crown Point Press, Dena Schuckit, Rachel Fuller, Paul Mullowney, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.8

    Not on view
  • The image displays a green triangular shape with a rounded top. Below it, there are gray stacked blocks arranged symmetrically. The composition is minimalistic with ample negative space.

    No. 2 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Paul Mullowney, Case Hudson, Dena Schuckit

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.2

    Not on view
  • The image depicts an abstract composition with geometric shapes placed at the top and bottom of the canvas. Shapes at the top include layered forms in various colors and a diagonal black line. Near the bottom, there is a pyramid-like arrangement of small gray squares. The composition features ample white space surrounding the shapes, highlighting its abstract quality.

    No. 3 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Rachel Fuller, Case Hudson

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.3

    Not on view
  • The image features a large white background with abstract shapes and lines. In the upper right area, a bright yellow square partially overlaps a soft gray form, intersected by a diagonal, pale yellow line. At the bottom of the image, small, gray, pixel-like squares form a pyramid shape. The composition is abstract and sparse, with much of the canvas open.

    No. 6 from Up, to 7

    Richard Tuttle, Crown Point Press, Rachel Fuller, Dena Schuckit, Case Hudson, Paul Mullowney

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.6

    Not on view
  • This image features a small vertical strip of vibrant yellow and purple intersecting shapes near the center of its top portion. Below is a minimalistic arrangement of gray squares creating an ascending step-like form.

    No. 7 from Up, to 7

    Richard Tuttle, Crown Point Press, Paul Mullowney, Dena Schuckit, Case Hudson, Rachel Fuller

    2000

    One from a from a portfolio of eight color aquatints and etchings on wove somerset paper  Accession ID  2006.122.156.7

    Not on view
  • This is a photograph of a presentation cover for a publication. The cover features the title "WHY DRAW A LANDSCAPE?" followed by a list of names including Sylvia Plimack Mangold, Jane Freilicher, Pat Steir, Ed Ruscha, and others, printed in a serif font in a centered format. Surrounding the text is a thin rectangular border. At the bottom is the information "Crown Point Press, 1999."

    Why Draw a Landscape?

    Various Artists, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit, Paul Mullowney

    1999

    Portfolio of eleven intaglio prints with title page  Accession ID  2001.142.114.1-11

    Not on view
  • The image displays a landscape with rolling hills or mountains, a low horizon, misty distance, soft brushstrokes, pale sky transitioning to pastel colors meeting the land, gentle and muted color palette, and a calm atmosphere.

    Process Landscape

    Tom Marioni, Crown Point Press, Paul Mullowney

    1999

    Color spitbite aquatint on wove paper  Accession ID  2001.142.114.6

    Not on view
  • This abstract composition features a long, vertical, deep blue rectangle intersecting with a large, translucent square in a muted beige hue. A smaller, vibrant green square protrudes from the right side of the blue rectangle.

    Mandevilla 7

    Richard Tuttle, Crown Point Press, Daria Sywulak, Paul Mullowney, Case Hudson, Dena Schuckit

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.112

    Not on view