Robert Hanning

American

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The image contains horizontal and vertical lines, a textured pattern in the upper half, streaks, and drips. Below these elements are rows of blurry text on a dark background. The style of the text may resemble an old typewriter or worn-out print.
Pat Steir, John Yau, Marcia Brown, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Yoon Mi Nam, Graphicstudio, Horizon's Levitation, 2000, color lithograph on Somerset Satin paper, Gift of Graphicstudio/University of South Florida, 2002.111.27

Horizon's Levitation

Pat Steir, John Yau, Marcia Brown, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Yoon Mi Nam, Graphicstudio · 2000 · color lithograph on Somerset Satin paper ·  Accession ID  2002.111.27
The image shows golden-orange irregular shapes and lines on a white background. There is a prominent streak resembling a brushstroke at the top, with scattered droplets suggesting fluid splattering. Staggered text in the same color aligns with the shapes, resembling rain, poetry, or words falling.
John Yau, Pat Steir, Robert Hanning, Jill Lerner, Hank Hine, Yoon Mi Nam, Tom Pruitt, Eric Vontillius, Graphicstudio, Sky's First Poem, 2000, color lithograph on Somerset Satin paper, Gift of Graphicstudio/University of South Florida, 2002.111.29

Sky's First Poem

John Yau, Pat Steir, Robert Hanning, Jill Lerner, Hank Hine, Yoon Mi Nam, Tom Pruitt, Eric Vontillius, Graphicstudio · 2000 · color lithograph on Somerset Satin paper ·  Accession ID  2002.111.29
The image displays abstract shapes and lines on a gradient background transitioning from light to deep blue. The form resembles a flowing brushstroke that can be perceived as a silhouette of a bird in flight. Words and phrases are positioned throughout the image in various orientations and overlapping patterns. The text creates a complex play of language on the canvas.
John Yau, Pat Steir, Jill Lerner, Robert Hanning, Marcia Brown, Hank Hine, Tom Pruitt, Chris Ballantyne, Eric Vontillius, Graphicstudio, Sky's Four Sides, 2000, color lithograph and waxtype on Somerset Satin paper, Gift of Graphicstudio/University of South Florida, 2002.111.30

Sky's Four Sides

John Yau, Pat Steir, Jill Lerner, Robert Hanning, Marcia Brown, Hank Hine, Tom Pruitt, Chris Ballantyne, Eric Vontillius, Graphicstudio · 2000 · color lithograph and waxtype on Somerset Satin paper ·  Accession ID  2002.111.30
The artwork titled "Double Feature" features two black-and-white photographic images. The top image depicts an ocean wave crashing, with a partially visible human figure submerged beneath it. The wave's frothy texture is captured as it surges forward. The bottom image shows a person lying in shallow water, with their upper body visible. They are wearing a dark, wet garment, and their mouth is open. The background is composed of swirling water.
Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton, Double Feature, 2000, photolithograph in black on Arches Cover white paper, Gift of Graphicstudio/University of South Florida, 2002.111.1

Double Feature

Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton · 2000 · photolithograph in black on Arches Cover white paper ·  Accession ID  2002.111.1
The image displays a series of uneven, vertical lines and shapes on a vivid red background. This abstract composition creates an impression of streaks or smudges. White text is partially visible under the abstract lines, resembling letters that are partially washed away.
Pat Steir, John Yau, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Deli Sacilotto, Graphicstudio, Rain Pillow, 2000, color lithograph, Gift of Graphicstudio/University of South Florida, 2002.111.28

Rain Pillow

Pat Steir, John Yau, Jill Lerner, Robert Hanning, Hank Hine, Tom Pruitt, Deli Sacilotto, Graphicstudio · 2000 · color lithograph ·  Accession ID  2002.111.28
The image shows bold, sweeping black lines forming an abstract composition. There are curved lines and loops at the top, resembling eye-like shapes. Below them are two forms resembling clenched fists.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio, Untitled, 1999, drypoint in black on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.6

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio · 1999 · drypoint in black on Somerset paper ·  Accession ID  2002.111.35.6
The image shows intersecting lines radiating from clusters of bright points arranged in a grid pattern against a dark background. The design forms the shape of the number "60," reminiscent of neon signs or digital clock displays. The lines link each point, creating a web-like effect that appears to emanate from the centers of the numbers.
Ellen Lupton, Abbott Miller, Robert Hanning, Tim Baker, Erika Greenberg-Schneider, Chris Ballantyne, Hank Hine, Marcia Brown, Deli Sacilotto, Graphicstudio, on/off, 1999, photogravure in black on two panels on Somerset Satin white paper, Gift of Graphicstudio/University of South Florida, 2002.111.16.1

on/off

Ellen Lupton, Abbott Miller, Robert Hanning, Tim Baker, Erika Greenberg-Schneider, Chris Ballantyne, Hank Hine, Marcia Brown, Deli Sacilotto, Graphicstudio · 1999 · photogravure in black on two panels on Somerset Satin white paper ·  Accession ID  2002.111.16.1
The image showcases a collection of intertwined lines and shapes forming an abstract composition. Bold black lines create contours resembling hands and arms, with red circular shapes resembling flowers and green pointed lines suggesting leaves and stems. The overall effect is a visual representation blending human-like forms with floral elements in an abstract and striking manner.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black and color aquatint on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.5

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black and color aquatint on Somerset paper ·  Accession ID  2002.111.35.5
The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio, Untitled, 1999, drypoint in black and color aquatint on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.4

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio · 1999 · drypoint in black and color aquatint on Somerset paper ·  Accession ID  2002.111.35.4
The image shows a pair of feet in a black line drawing on a white background. The feet are depicted with intricate details and minimalistic line work, positioned so the soles face each other with toes pointing slightly inward. There are no additional elements in the image.
Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio, Untitled, 1999, drypoint in black on Somerset paper, Gift of Graphicstudio/University of South Florida, 2002.111.35.8

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio · 1999 · drypoint in black on Somerset paper ·  Accession ID  2002.111.35.8