Jennifer Melko

American

Displaying 1 - 12 of 13

Results

  • ""

    Rice

    Liset Castillo, Marcia Brown, Erika Greenberg-Schneider, Hank Hine, Brian Mullen, Chris Ballantyne, Jill Lerner, Jennifer Melko, Robert Hanning, Deli Sacilotto, Graphicstudio

    2000

    Photogravure on somerset textured white paper  Accession ID  2002.111.4

    Not on view

  • Double Feature

    Burt Barr, Graphicstudio, Sarah Howard, Robert Hanning, Marcia Brown, Jennifer Melko, Jill Lerner, Hank Hine, Tim Baker, Tom Pruitt, William Lytch, Walter Morton

    2000

    Photolithograph in black on arches cover white paper  Accession ID  2002.111.1

    Not on view
  • The image shows swirling black lines in an abstract shape resembling a face with exaggerated features. Above are red circular forms with jagged edges and green lines suggesting stems and leaves. The abstract face is intertwined with elements resembling hair or facial features.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.7

    Not on view
  • The image shows bold, sweeping black lines forming an abstract composition. There are curved lines and loops at the top, resembling eye-like shapes. Below them are two forms resembling clenched fists.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.6

    Not on view
  • The image showcases a collection of intertwined lines and shapes forming an abstract composition. Bold black lines create contours resembling hands and arms, with red circular shapes resembling flowers and green pointed lines suggesting leaves and stems. The overall effect is a visual representation blending human-like forms with floral elements in an abstract and striking manner.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.5

    Not on view
  • The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.4

    Not on view
  • The image shows a pair of feet in a black line drawing on a white background. The feet are depicted with intricate details and minimalistic line work, positioned so the soles face each other with toes pointing slightly inward. There are no additional elements in the image.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.8

    Not on view
  • The image contains distinct shapes and lines in two contrasting sections. On the left are abstract outlines resembling a human form on a white background. On the right, there is a dense area of overlapping lines creating abstract patterns on a white background. These sections highlight the contrast between soft shapes and intricate patterns.

    Title Page

    Robert Creeley, Georg Baselitz, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.1

    Not on view
  • The image shows a dense network of thin black lines on the left side, forming an intricate web-like pattern. On the right side, the lines are sparser and more curvilinear, outlining a human arm and hand, with a hint of a torso and head. This juxtaposes the abstract and representational elements in the image.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.10

    Not on view
  • Curving lines intersect with bold, red circular shapes. The shapes resemble large roses with detailed green leaves. Black lines are intertwined with the floral elements, suggesting a tactile connection to the abstract composition.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.3

    Not on view
  • Black linear shapes resembling two human forearms and hands are elevated upwards against a vivid backdrop. These lines curve and bend, while below them, two red circular forms with green appendages suggest tomatoes with leafy tops.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black and color aquatint on somerset paper  Accession ID  2002.111.35.9

    Not on view
  • The image displays bold, black swirling lines creating abstract shapes resembling a human figure. The top features circular lines twisting into spiral forms. Below, dense lines construct a form possibly connected to the human body, suggesting a torso, foot, or leg. The intricate, overlapping lines convey movement and complexity, alluding to familiar anatomical elements in an abstract way.

    Untitled

    Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

    1999

    Drypoint in black on somerset paper  Accession ID  2002.111.35.2

    Not on view