Heinrich Hoerle

German, 1895 - 1936

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The image depicts two stylized figures from the waist up, embracing each other. One figure has a topknot or bun hairstyle with curly details, an elongated face with distinct facial features. The other figure has a bald head, a wrinkled face with a beard and furrowed brow, wearing a suit with a tie. Both are holding a common object between their hands. The art style is sketch-like with minimal shading on a plain background.
Heinrich Hoerle, Das Ehepaar (The Married Couple), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.2

Das Ehepaar (The Married Couple)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.2

The image contains swirling and looping lines that flow across the canvas. In the center, the lines morph into a form resembling a gnarled tree trunk with branch-like extensions. Nearby, a shape resembling a human face or mask appears, adding a sense of familiarity. The curves and shapes suggest natural forms such as rivers or roots, enhancing the abstract composition.
Heinrich Hoerle, Am Wegende (End of the Road), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.12

Am Wegende (End of the Road)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.12

The image shows flowing, curvilinear lines depicting an abstract representation of a figure lying down with long, wavy hair. Above them, a tree-like shape grows with branches extending upward from where the head touches the ground. A smaller figure on the right side appears to reach towards the branches dotted with circular forms resembling fruit. The composition blends organic motifs with human-like forms.
Heinrich Hoerle, Freundlicher Träum (Friendly Dreams), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.8

Freundlicher Träum (Friendly Dreams)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.8

The image shows an illustration of a man from the torso up. The man is positioned upright and slightly leaning forward, with his head tilted downward. His facial features are exaggerated, with deeply furrowed brows, downturned eyes, a large nose, and pursed lips. His hair appears sparse and close to the scalp. He is wearing a buttoned jacket with an Iron Cross emblem on the chest, and his hands are clenched into fists at his sides. A cap is tucked under his left arm. The background is plain and unadorned, emphasizing the figure against a simple beige backdrop.
Heinrich Hoerle, Der Erwerbslose (The Unemployed Man), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.4

Der Erwerbslose (The Unemployed Man)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.4

The image shows several figures in different poses and perspectives. One figure is leaning at a corner, with a round face and short hair. Two other figures stand facing each other at the corner, one wearing a hat. Two more figures are seen through windows, one leaning out with their head on their arm and the other facing forward. There is also a seated figure facing forward, wearing a long shirt-like garment and short pants, with hands on an invisible surface. The background is a plain, tan color.
Heinrich Hoerle, Der Immerwährendeschmerz (Perpetual Pain), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.6

Der Immerwährendeschmerz (Perpetual Pain)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.6

The image features two figures shown from the waist up. The individual on the left is an older, balding man with deep-set eyes, pronounced cheekbones, and a frown line above pursed lips. He is wearing a collared shirt and is holding a small child facing him. The child has curled hair and is shown in profile. The older individual's hands are supporting the child. The background is a plain, light-colored surface.
Heinrich Hoerle, Der Vater (The Father), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.5

Der Vater (The Father)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.5

The image shows a curving, elongated shape forming the outline of a chair. On it sits a figure with exaggerated, distorted features. Several arms and hands rise from small pots on the left of the seated figure, resembling plants growing from soil.
Heinrich Hoerle, Hällucinationen (Hallucinations), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.10

Hällucinationen (Hallucinations)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.10

This image shows a full-body sketch of a person in a kneeling position. The person's head is slightly tilted downward, and they have large, rounded eyes, a prominent nose, and protruding ears. The person is bald and wearing a button-up coat with an upturned collar and elongated sleeves. They are holding a flat object in their left hand and a rounded cap in their right hand. The background is plain and untextured.
Heinrich Hoerle, Der Ernährer (The Bread Winner), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.3

Der Ernährer (The Bread Winner)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.3

The image displays a series of flowing, curving lines forming an abstract composition. A central figure with exaggerated features stands against an abstract background resembling a warped, grid-like structure. The scene also includes a peculiar three-legged piece of furniture with serpentine legs.
Heinrich Hoerle, Hällucinationen (Hallucinations), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.9

Hällucinationen (Hallucinations)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.9

The image displays an abstract wave-like line on the left, with tendrils curving upwards. On the right, there is a figure with a round head and simple body sitting on an abstract formation. In the center, there are abstract forms implying the movement of a fish-like creature. The artwork blends organic and abstract elements, creating a dreamlike landscape with a whimsical twist.
Heinrich Hoerle, Der Baum der Sehnsucht (The Tree of Longing), 1920, lithograph on pale brown paper, Gift of the Collectors Committee, 2006.24.11

Der Baum der Sehnsucht (The Tree of Longing)

Heinrich Hoerle · 1920 · lithograph on pale brown paper ·  Accession ID  2006.24.11