Andy Goldsworthy

British, born 1956

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We look down onto nine gray stone domes that melt into each other in the space of a patio enclosed with a pink marble wall opposite floor-to-ceiling windows. Each dome is nearly as tall as the ceiling over the windows, and each is made of stacked pieces of slate. At the top center of each dome is a collar of gray slate to create a pupil-like opening. The stone collar creating the openings is lighter gray around the ink-black centers, which are the shaded interiors of the domes. The domes meld and stack like a handful of bubbles.
Andy Goldsworthy, Roof, 2004-2005, Buckingham Virginia slate, Patrons' Permanent Fund, 2005.86.1

Roof

Andy Goldsworthy · 2004-2005 · Buckingham Virginia slate ·  Accession ID  2005.86.1

The image shows a close-up view of a rocky wall with green foliage and leaves at the top. A dark vertical fissure runs along the rock, with earthy greenish-brown tones and a rough texture. Thin white lines stretch across the rock. Soft natural light illuminates the scene, creating a balanced color palette of greens, browns, and neutrals. Dense greenery in the background serves as a natural backdrop.
Andy Goldsworthy, Washington Diary, October 11-19, 2003, silver dye bleach print, graphite, The Nancy Lee and Perry Bass Fund, 2004.74.2.7

Washington Diary

Andy Goldsworthy · October 11-19, 2003 · silver dye bleach print, graphite ·  Accession ID  2004.74.2.7

This is a photograph of a mixed media composition featuring two abstract images and text. The composition consists of two abstract images placed horizontally and a square image showing a yellow object in a natural setting among leaves and rocks. The two horizontal images appear to depict a similar scene, possibly showing textures or a linear feature. Adjacent to the images, there is a hand-written passage dated "Oct 19, 2003."
Andy Goldsworthy, Washington Diary, October 11-19, 2003, 3 silver dye bleach prints, graphite, The Nancy Lee and Perry Bass Fund, 2004.74.2.9abc

Washington Diary

Andy Goldsworthy · October 11-19, 2003 · 3 silver dye bleach prints, graphite ·  Accession ID  2004.74.2.9abc

This is a photograph of a small hillside covered with green foliage and a bright red patch beneath a tree trunk. The scene captures a small natural environment with a focus on the contrast between the lush green and the striking red. The photograph is mounted on a piece of paper with a handwritten text below it. The text appears to be an entry dated October 11, 2003.
Andy Goldsworthy, Washington Diary, October 11-19, 2003, silver dye bleach print, graphite, The Nancy Lee and Perry Bass Fund, 2004.74.2.1

Washington Diary

Andy Goldsworthy · October 11-19, 2003 · silver dye bleach print, graphite ·  Accession ID  2004.74.2.1

This is a photograph of a textured stone surface partially covered by a slatted wooden structure, set in a natural environment. The stone is dappled with sunlight and surrounded by foliage. The wooden structure contrasts with the natural elements, creating an interplay between organic shapes and linear design. The lighting highlights the textures and adds depth to the scene. A tree trunk on the right side frames the composition.
Andy Goldsworthy, Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia, October 16, 2003, silver dye bleach print, Patrons' Permanent Fund, 2004.74.1.5

Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia

Andy Goldsworthy · October 16, 2003 · silver dye bleach print ·  Accession ID  2004.74.1.5

The image shows large moss-covered rocks on a forest floor. A dark rock with green moss stands out in the center. The ground is covered with fallen leaves and sparse vegetation. Tree trunks rise vertically in the background, alongside a slope. The color palette consists of earth tones like green, brown, and gray.
Andy Goldsworthy, Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia, October 16, 2003, silver dye bleach print, Patrons' Permanent Fund, 2004.74.1.1

Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia

Andy Goldsworthy · October 16, 2003 · silver dye bleach print ·  Accession ID  2004.74.1.1

The image shows a high viewpoint looking down on a large, moss-covered rock surface. The rock is textured and greenish in color, occupying the central portion of the photograph. There is no visible horizon line. On the right side, the rock surface transitions into a dark area with some linear grooves. The color palette consists of muted greens and earthy tones, with variations in light. Some small plants and leaves are visible against the rock. The photograph captures the rugged texture and natural erosion patterns of the stone, emphasizing light and shadow.
Andy Goldsworthy, Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia, October 16, 2003, silver dye bleach print, Patrons' Permanent Fund, 2004.74.1.4

Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia

Andy Goldsworthy · October 16, 2003 · silver dye bleach print ·  Accession ID  2004.74.1.4

The sculpture in the image is a triangular shape placed between large, moss-covered rocks and a tree. It is made of a polished bronze or a similar metal, with parallel ridges creating a pattern of light and shadow. The surface reflects light, giving it a shiny appearance. The sculpture harmonizes with the natural setting, complementing the rocks and tree.
Andy Goldsworthy, Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia, October 16, 2003, silver dye bleach print, Patrons' Permanent Fund, 2004.74.1.3

Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia

Andy Goldsworthy · October 16, 2003 · silver dye bleach print ·  Accession ID  2004.74.1.3

The image shows a wooded area with a mix of shadows and light. A tree trunk is prominently featured on the right side of the image, with light filtering through the canopy creating patches of illumination on the ground. The color palette consists of deep greens and browns, with sharp contrasts between light and dark areas.
Andy Goldsworthy, Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia, October 16, 2003, silver dye bleach print and graphite, Patrons' Permanent Fund, 2004.74.1.7

Clay/ Worked into a Stone/ Edges to Catch the Passing Light/ Government Island, Virginia

Andy Goldsworthy · October 16, 2003 · silver dye bleach print and graphite ·  Accession ID  2004.74.1.7

This is a photograph of a textured stone surface with accompanying handwritten text. The photograph captures a close-up of a textured, moss-covered stone or rock with varying shades of green, brown, and patches of light filtering through foliage above, creating shadowed patterns on the surface. The text surrounding the image appears to be a reflective journal entry dated October 12, 2003, and mentions observations related to the quarry in which the stone is located, the interplay of light and shadow, and the writer's thoughts and contemplations of the natural scene. The document combines elements of visual art with personal written expression, providing insight into both the aesthetic and emotional experiences associated with the captured image.
Andy Goldsworthy, Washington Diary, October 11-19, 2003, silver dye bleach print, graphite, The Nancy Lee and Perry Bass Fund, 2004.74.2.2

Washington Diary

Andy Goldsworthy · October 11-19, 2003 · silver dye bleach print, graphite ·  Accession ID  2004.74.2.2

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