German 16th Century

Anonymous German 16th Century

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The image shows a circular medallion made of metal with an embossed design. The design features an eagle with its wings spread wide, detailed feathers, a beak, and holding a shield. The shield has horizontal bands, and the eagle's talons are grasping the edges. Around the eagle, there is an inscription in stylized capital letters. The medallion is a metallic silver color, likely made of silver or a similar alloy. The relief sculpture is designed for display and has a regal and historic aesthetic.
Austrian 16th Century, German 16th Century, Eagle Displayed, Charged with Shield [reverse], 1541, silver//Cast after a struck original, Samuel H. Kress Collection, 1957.14.1217.b

Eagle Displayed, Charged with Shield [reverse]

Austrian 16th Century, German 16th Century · 1541 · silver//Cast after a struck original ·  Accession ID  1957.14.1217.b

The image shows a detailed coin featuring an embossed depiction of a mounted armored knight on a horse. Surrounding the central image, there are engraved inscriptions in an ornate font. The knight and horse are intricately detailed, with elaborate armor and saddle design. The coin conveys a sense of regality and historical significance.
German 16th Century, Austrian 16th Century, Ferdinand I, 1503-1564, Archduke of Austria 1519, Holy Roman Emperor 1556 [obverse], 1541, silver//Cast after a struck original, Samuel H. Kress Collection, 1957.14.1217.a

Ferdinand I, 1503-1564, Archduke of Austria 1519, Holy Roman Emperor 1556 [obverse]

German 16th Century, Austrian 16th Century · 1541 · silver//Cast after a struck original ·  Accession ID  1957.14.1217.a

German 16th Century, Portrait of a Lady, 1532, tempera on panel, Chester Dale Collection, 1942.16.3

Portrait of a Lady

German 16th Century · 1532 · tempera on panel ·  Accession ID  1942.16.3

The sculpture is a coin featuring a profile portrait of a figure, likely King Maximilian, as suggested by the inscription. The figure wears a laurel wreath on their head. The coin is metallic and silver in color. The engravings on the surface include inscriptions surrounding the portrait. The coin is displayed in a flat, round form with intricate engravings showing artistic and historical elements.
Austrian 16th Century, German 16th Century, Maximilian I, 1459-1519, Archduke of Austria, Holy Roman Emperor 1494 [obverse], 1500 or after, struck silver, Samuel H. Kress Collection, 1957.14.1212.a

Maximilian I, 1459-1519, Archduke of Austria, Holy Roman Emperor 1494 [obverse]

Austrian 16th Century, German 16th Century · 1500 or after · struck silver ·  Accession ID  1957.14.1212.a

This is a photograph of an ancient coin featuring an engraved portrait. The coin displays a detailed profile of a figure with elaborate headwear adorned with floral motifs. The design includes finely engraved details on both the headdress and attire. The coin's border is inscribed with lettering. The overall craftsmanship reflects a careful attention to detail characteristic of such coinage.
Austrian 16th Century, German 16th Century, Maria of Burgundy, 1457-1482, First Wife of Maximilian I 1477 [reverse], 1500 or after, silver//Struck, Samuel H. Kress Collection, 1957.14.1212.b

Maria of Burgundy, 1457-1482, First Wife of Maximilian I 1477 [reverse]

Austrian 16th Century, German 16th Century · 1500 or after · silver//Struck ·  Accession ID  1957.14.1212.b

This is a drawing of a biblical scene. The image features figures in a dark and dramatic representation, with a central figure kneeling and gesturing upwards towards a winged figure in the clouds holding a chalice and a cross. The background includes a landscape with rocks and buildings, amplifying the tension of the scene. Figures in the foreground may be asleep or unconscious. The image uses chiaroscuro, with the play of light and shadow emphasizing the figure in a state of prayer or supplication.
German 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, Rosenwald Collection, 1943.3.4710

Christ in the Garden of Gethsemane

German 16th Century · c. 1600 · pen and brush and black ink with gray wash heightened with white on gray prepared paper ·  Accession ID  1943.3.4710

The image shows three figures facing an angel figure above. The angel is perched on a tomb with light rays emanating from its head. The figures wear long robes with cloaks covering their heads. One figure has their back turned, another holds a container, and the third holds a circular object. All figures have halos. The background consists of rocky terrain with vegetation and a cloudy sky with rays of light. The style is detailed with shading for depth and texture.
German 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, Rosenwald Collection, 1943.3.844.a

The Three Women at the Tomb [recto]

German 16th Century · c. 1600 · pen and brush and black ink with gray wash heightend with white on gray prepared paper ·  Accession ID  1943.3.844.a

This is a painting of a group of figures in a historical setting. The scene depicts a gathering of individuals in an architectural interior with columns and arches. The figures are dressed in flowing robes and distinctive headwear. The painting uses a monochromatic palette dominated by shades of grey and black with white highlights. The figures are engaged in various poses, suggesting conversation or interaction.
German 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, Rosenwald Collection, 1943.3.844.b

The High Priest before Pilate [verso]

German 16th Century · c. 1600 · pen and brush and black ink with gray wash heightened with white on gray prepared paper ·  Accession ID  1943.3.844.b

This is a drawing of a seated figure surrounded by lions. The scene shows a bearded figure reclining amidst seven lions in an architectural setting with arches and columns. The lions and the figure are detailed with shading and lines to add texture. Above the figure, there are two additional figures on a higher architectural level. The use of light and shadow, along with architectural details, gives the composition depth and complexity.
German 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, Rosenwald Collection, 1943.3.1619.a

Daniel in the Lions' Den [recto]

German 16th Century · c. 1600 · pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper ·  Accession ID  1943.3.1619.a

This is a drawing of two figures beside a well with distant figures and buildings in the background. The scene is depicted in a monochromatic style using shades of gray with highlights and shadows. The figures are elaborately dressed, one leaning on the well and the other sitting on its edge holding a large jug. Architectural elements such as columns frame the well, and variations in the drawing strokes add texture. In the background, there are lightly sketched figures engaged in an activity, with buildings and a mountainous landscape extending into the distance. The drawing captures a sense of interaction and setting, with attention to fabric flow and natural scenery.
German 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, Rosenwald Collection, 1943.3.1619.b

Christ and the Woman of Samaria [verso]

German 16th Century · c. 1600 · pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper ·  Accession ID  1943.3.1619.b