Shahzia Sikander

American, born Pakistan, 1969

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  • The image shows swirling lines and abstract shapes flowing throughout. The shapes create a red structure resembling flowers or organic growth. The background has swirls of grey, black, and brown, contrasting with the red elements. The overall effect suggests a vibrant and chaotic garden with blossoming flowers.

    Oil and Poppies

    Shahzia Sikander

    2019-2020

    Ink and gouache on paper  Accession ID  2025.40.1

    Not on view
  • ""

    Predatory Systems 1

    Shahzia Sikander

    2005

    Ink and gouache on prepared paper  Accession ID  2025.16.50

    Not on view
  • The image features a series of horizontal and vertical lines forming geometric shapes, such as rectangles and curves, creating an abstract composition. The design includes elements reminiscent of a railing or balcony, and the forms suggest the outline of a building with domed rooftops in the background. There are also faint, delicate shapes that could be interpreted as mythical creatures, resembling a figure with wings.

    Fright from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching and aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.8

    Not on view
  • This is a painting depicting surreal imagery involving a scorpion and an abstract shape. The composition features two distinct sections placed vertically. The top section displays an abstract, organic shape resembling an elongated form with tendrils, rendered in a monochromatic, sepia-like palette. The lower section presents a mythical or surreal scene with a person-like figure with long hair crouched in an unusual position on top of a large creature resembling a scorpion with exaggerated features. The style is reminiscent of Frida Kahlo, known for surreal and symbolic imagery. The overall tone is muted, with earthy colors and a textural, painterly effect creating a dream-like and other-worldly mood.

    Heist from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.3

    Not on view
  • The image shows abstract shapes and lines, including concentric circles radiating from a central point and intersecting with stepped, jagged lines. The design resembles a sun with rays and gears. Below, a smaller shape resembling a winged figure appears in flight.

    Flight from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.9

    Not on view
  • This is a painting of a silhouette performing a balancing pose with a hoop. The artwork features a dark silhouette of a figure stretching into a balancing pose, holding a hoop with both hands. The background is filled with intricate designs and sketches in soft, warm tones, featuring abstract shapes and figures that create a dynamic sense of movement. The contrast between the stark silhouette and the lighter, complex background enhances the visual interest and focus on the central pose with the hoop. The style is reminiscent of Kara Walker.

    Traffic Jam from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.6

    Not on view
  • The image shows an abstract shape in dark red color against a plain gray background. The shape has curves and angles that convey energy and motion.

    No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press, John DeMerritt, Crown Point Press

    2001

    Portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.1-9

    Not on view
  • This is a painting of an abstract composition with mirrored figures. The artwork showcases two mirrored figures facing each other with abstract strokes of blue and brown colors connecting them. The background is neutral, highlighting the contrast and interaction between the rendered elements and the abstract forms.

    Entangled from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.2

    Not on view
  • The image shows two individuals facing each other in profile. Both have long, brown hair and wear brown clothing with visible collars. Above them is a complex geometric design with flowing lines connecting to a circular, star-like pattern of alternating orange and muted brown tones. Below, there are rectangular grid-like patterns beneath both figures. The background is a textured, neutral canvas.

    Metro from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint, etching, and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.4

    Not on view
  • The image features overlapping and intersecting lines and shapes creating an abstract composition. In the center, there are concentric oval lines over an image resembling a staircase with a person. Surrounding this figure, abstract motifs resemble parts of a human figure, potentially an arm and hand. A circular pattern with floral-like elements is positioned at the lower right. The composition suggests a frozen moment, resembling a surreal dreamscape and a collage of familiar objects.

    Bound from No Parking Anytime

    Shahzia Sikander, Dena Schuckit, Rachel Fuller, Case Hudson, Crown Point Press

    2001

    Color photogravure with etching and aquatint on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.7

    Not on view
  • The image displays an array of swirling lines and organic shapes that come together to form an abstract composition. At the top, the shapes suggest forms of figures in motion. Below the figures, more defined patterns emerge, resembling stylized creatures with elaborate, plume-like forms. These elements combine to create an abstract scene blending familiar silhouettes with imaginative depictions of textured mounds and feathered patterns.

    Reflect from No Parking Anytime

    Shahzia Sikander, Rachel Fuller, Dena Schuckit, Case Hudson, Crown Point Press

    2001

    Color photogravure with aquatint, etching, and chine collé on wove somerset paper from a portfolio of nine photogravures, one with etching, one with aquatint, one with aquatint and chine collé, two with etching and aquatint, two with etching and chine collé, and two with etching, aquatint, and chine collé  Accession ID  2006.122.114.5

    Not on view