Max Slevogt

German, 1868 - 1932

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This is a drawing of a scene depicting a gathering of people near a waterfront with a prominent tower structure. The drawing features a group of figures situated on a sloped terrain. One figure, positioned prominently in the foreground, appears to be leaning with a walking cane or stick. In the background, the outline of a large body of water is visible, suggestive of a river or sea, with a detailed architectural structure that resembles a series of buildings or a tower resting at the water's edge. The sketch is executed with a focus on lines and shadings, providing a contrast between the figures and the environment, capturing a moment of interaction and atmospheric perspective.
Max Slevogt, Faust and the Ditchdigging Workers, 1926, etching and drypoint printed in black on wove paper, Gift of Christopher and Beverly With in memory of Karl and Gerda With, 2020.167.12

Faust and the Ditchdigging Workers

Max Slevogt · 1926 · etching and drypoint printed in black on wove paper ·  Accession ID  2020.167.12

This is a drawing of a desert scene. The image shows a group of riders and their mounts in motion, against a textured background. Several animals, possibly camels, are depicted racing forward with riders on their backs. The drawing is done in a loose, expressive style, with energetic lines that convey movement. The figures show determination and focus. Shadows and shading are used to give form to the figures, while the background remains minimalistic.
Max Slevogt, Camel Rider, 1924, lithograph in black on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.479

Camel Rider

Max Slevogt · 1924 · lithograph in black on wove cream paper ·  Accession ID  2012.92.479

This is a painting of an abstract cover illustration with humanoid figures depicted in a simple, stylized manner alongside text. The figures are arranged in various poses and interact with minimal line-drawn landscape elements on a brown background using blue ink. Hand-drawn text in German is placed at the top and bottom of the image. The style is expressive and emotive, reminiscent of Henri Matisse.
Various Artists, Kurt Pfister, Lovis Corinth, Max Liebermann, Käthe Kollwitz, Max Slevogt, August Gaul, Hans Meid, Alfred Kubin, Emil Nolde, Paul Klee, George Grosz, Ernst Barlach, Christian Rohlfs, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Max Pechstein, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Oskar Kokoschka, Unknown, Klinkhardt & Biermann Verlag, Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions, Gift of Ingrid Rose in memory of her husband Milton Rose, 2014.7.3.1-24

Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Various Artists, Kurt Pfister, Lovis Corinth, Max Liebermann, Käthe Kollwitz, Max Slevogt, August Gaul, Hans Meid, Alfred Kubin, Emil Nolde, Paul Klee, George Grosz, Ernst Barlach, Christian Rohlfs, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Max Pechstein, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Oskar Kokoschka, Unknown, Klinkhardt & Biermann Verlag · 1920 · bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions ·  Accession ID  2014.7.3.1-24

The image is an etched portrait of a man seated on a chair. The man has a rugged facial appearance with prominent facial hair and short, wavy hair. He is dressed in a suit with a jacket and trousers, along with a bow tie. He is holding something in his hands, and appears to be focused on it. The background has vertical and diagonal lines, creating a textured, indoor setting, with some furniture sketch details visible.
Max Slevogt, Bruno Cassirer, Self-Portrait (sketching in his studio), 1911, etching with drypoint on wove paper, Gift of Ruth Cole Kainen, 2012.92.478

Self-Portrait (sketching in his studio)

Max Slevogt, Bruno Cassirer · 1911 · etching with drypoint on wove paper ·  Accession ID  2012.92.478

This print displays swirling lines and shapes creating an abstract composition. The lines converge and diverge to form outlines resembling abstract human figures engaged in dynamic motion. The central people are bent and twisted, suggesting movement akin to dancers or people in a lively gathering. Behind them seems to be a large light source, as if they are dancing in front of a bonfire, creating patterns of light and dark lines in the background.
Max Slevogt, Witches' Dance, 1903, etching and drypoint in black on wove paper, Gift of Jacob Kainen, 2002.98.334

Witches' Dance

Max Slevogt · 1903 · etching and drypoint in black on wove paper ·  Accession ID  2002.98.334

The image is a black and white sketch showing a portrait of a man's upper body. He is positioned facing slightly to the right with a direct gaze towards the viewer. The man has a strong jawline, a full mustache, and beard. He has wavy hair styled upwards and wears eyeglasses. He is dressed in a suit with a bow tie, conveying formality. The background is minimal with simple line shading.
Max Slevogt, Self-Portrait, drypoint on Japan paper, Rosenwald Collection, 1951.10.412

Self-Portrait

Max Slevogt · · drypoint on Japan paper ·  Accession ID  1951.10.412

This is a drawing of a cover page. The image features a greenish colored paper with hand-written text and a small sketch. The text written in an elegant cursive style reads "Trabrennen" followed by the phrase "13 Lithographien von M. Slevogt". Below this, there is a simple line drawing of a horse pulling a vehicle. The bottom of the image includes more hand-written text "bei Bruno Cassirer" and a circular stamp at the lower right corner.
Max Slevogt, Trabrennen, portfolio with thirteen lithographs, Rosenwald Collection, 1951.10.168-180

Trabrennen

Max Slevogt · · portfolio with thirteen lithographs ·  Accession ID  1951.10.168-180

This is an image of a group of horses and riders in a sketch-like style. The artwork features minimalistic lines and a light background, suggesting motion and activity. The composition includes a structure in the background.
Max Slevogt, Trabrennen X, lithograph, Rosenwald Collection, 1951.10.177

Trabrennen X

Max Slevogt · · lithograph ·  Accession ID  1951.10.177

This is a drawing of a horse-drawn cart in motion. The image shows a depiction of two horses pulling a small cart. The sketch is minimalistic, using only a few lines to convey the speed and motion of the horses and cart. The horses are drawn in mid-gallop, with their legs extended, and the driver is seated at the back, holding the reins. The simplicity and fluidity of the lines emphasize the dynamic movement of the scene. The overall composition suggests a sense of urgency and energy.
Max Slevogt, Trabrennen XII, lithograph, Rosenwald Collection, 1951.10.179

Trabrennen XII

Max Slevogt · · lithograph ·  Accession ID  1951.10.179

This is a drawing of a horse pulling a cart with a person and another horse's head drawn separately. The drawing features a simple sketch using minimal lines to depict a scene where a horse is harnessed to a cart on which a person is seated. The horse appears to be in motion, as indicated by its extended legs. Off to the right side, there is a separate depiction of a horse's head. The entire composition is created using light pencil or charcoal lines on a blank background.
Max Slevogt, Trabrennen I, lithograph, Rosenwald Collection, 1951.10.168

Trabrennen I

Max Slevogt · · lithograph ·  Accession ID  1951.10.168