Rachel Stevenson

American

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  • The image displays an abstract composition with two circular clusters of black spots on a white canvas. Around these clusters are smaller splatters and dots. Speech bubbles with text are scattered throughout the composition.

    Arise!

    Fred Wilson, Crown Point Press, Case Hudson, Rachel Stevenson

    2004

    Spitbite aquatint in black with direct gravure on wove somerset paper  Accession ID  2006.122.157

    Not on view
  • The image shows a cluster of dark round shapes with varying sizes radiating outward from the center on an orange background. The composition resembles an explosion effect, with the central mass densely packed with black circular forms that gradually decrease in size and density as they spread outward.

    Bang

    Fred Wilson, Crown Point Press, Case Hudson, Rachel Stevenson

    2004

    Color aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.158

    Not on view
  • The image consists of circular shapes and dots of different sizes spread across the canvas. The arrangement transitions from darker edges to a lighter center. The composition evokes a cosmic night sky or a cluster of pebbles. The patterns suggest similarities to starry universes or microscopic cellular structures.

    We Are All in the Gutter, But Some of Us are Looking at the Stars

    Fred Wilson, Crown Point Press, Rachel Stevenson, Case Hudson

    2004

    Spitbite aquatint in black on wove somerset paper  Accession ID  2006.122.162

    Not on view
  • The image displays circular shapes and dots of different sizes scattered on a turquoise background. The pattern creates a gradient effect towards the center.

    Convocation

    Fred Wilson, Crown Point Press, Rachel Stevenson, Case Hudson

    2004

    Color aquatint, spitbite aquatint and direct gravure on wove somerset paper  Accession ID  2006.122.159

    Not on view
  • The image shows a central cluster of black shapes, consisting mainly of small circles and irregular forms. They create an explosive pattern with splatters radiating outward. The composition uses contrast against a minimal background to highlight the central motif.

    Dawn

    Fred Wilson, Crown Point Press, Rachel Stevenson, Case Hudson

    2004

    Spitbite aquatint in black with gampi paper chine collé on wove somerset paper  Accession ID  2006.122.160

    Not on view
  • The image showcases two large rectangular shapes side by side, one in a muted light grayish beige and the other in a rich warm brown on a plain white background.

    Verona Variation # 3

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.15

    Not on view
  • The image features two large rectangles side by side on a plain background. The left rectangle is brownish in color, while the right one is a cool gray shade. Both rectangles have soft edges that blend slightly into the surrounding area.

    Verona Variation # 14

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.12

    Not on view
  • The image contains two large rectangular shapes side by side. One shape is a muted gray and the other is a rich olive green, set against a white background. The composition appears abstract, resembling viewing through frosted glass or misty windows, emphasizing simplicity and subtle color variations.

    Verona Variation # 1

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.7

    Not on view
  • There are two large, vertically aligned rectangles side by side. Both rectangles have soft gradients of color, giving an abstract quality to the artwork. The rectangles resemble window panes or screens, with one edge lined in a different color, hinting at a transition or border.

    Verona Variation # 4

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on wove paper  Accession ID  2006.122.16

    Not on view
  • The image shows two large vertical rectangles standing side by side with soft, blurred edges. One rectangle is warm, rusty brown, while the other is muted, pale green. They are set against a plain white background.

    Verona Variation # 13

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.11

    Not on view
  • The image shows two large rectangular shapes on a white background. The left rectangle is a muted yellowish-green, while the right rectangle is dark teal.

    Verona Variation # 6

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.18

    Not on view
  • The image contains two large vertical rectangles, side by side. One rectangle is deep teal and the other is burnt orange. The rectangles are set against a neutral background.

    Verona Variation # 10

    Anne Appleby, Dena Schuckit, Rachel Stevenson, Crown Point Press

    2003

    Color aquatint with burnishing on somerset paper  Accession ID  2006.122.8

    Not on view