Richard Wilke

American, active late 20th century

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The image shows an elongated oval shape with a dark outline in the center. An irregular diamond-like shape intersects the oval on the left side. Earthy tones and textures are used throughout the piece, with a washed-out effect in the surrounding area. Horizontal brush strokes and splatters at the lower edge of the oval suggest a base or foundation for the forms.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], 1970, lithograph in gray and yellow on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2004.167.71

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · 1970 · lithograph in gray and yellow on Arjomari wove paper [trial proof] ·  Accession ID  2004.167.71

The image shows a large oval shape made of expressive brushstrokes and dark washes. The oval is layered with shades of black and gray, creating texture and depth. It is enclosed within a rectangular boundary, resembling a weathered plaque or ancient stone tablet. The composition evokes the rugged surface of objects like a stone pathway or vintage printing block.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], 1970, lithograph in black and gray on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2004.167.69

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · 1970 · lithograph in black and gray on Arjomari wove paper [trial proof] ·  Accession ID  2004.167.69

The image features a large, bold, oval shape with a vertical orientation, surrounded by various black and gray tones. This abstract artwork prominently displays a form resembling the letter 'U' or the number '0'. Various smudges and splatters within the piece contribute to its textured appearance. The overall composition is filled with a chaotic interplay of light and dark areas.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], 1970, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2004.167.70

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · 1970 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2004.167.70

The image displays bold, sweeping lines and erratic scribbled shapes forming a large oval-like structure in the center. Dark irregular forms float within and around the central shape, resembling fragmented letters or musical notes. Surrounding strokes and splatters suggest a chaotic city skyline or cluttered desk with various tools.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], 1970, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2004.167.68

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · 1970 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2004.167.68

The image shows an abstract composition with a large, central oval shape bordered by irregular, organic forms and patches of varying dark and light shades. The central shape appears hollow and is surrounded by patterns that resemble shadows or reflections. The artwork uses contrasting shades and undefined lines to create a visually engaging piece with familiar forms.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], 1970, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2004.167.67

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · 1970 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2004.167.67

The image displays a large, vertical, oval shape bordered by thick black lines. The abstract design has uneven, textured surfaces and is set against a lighter background.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], 1969, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.7

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · 1969 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2005.153.7

The image shows swirling lines and curves forming an abstract design. The dominant arc-like shapes are in orange and yellow transitioning into red. The background features crosshatched lines, adding texture. The curves and colors evoke a sense of warmth and growth.
Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L., Figure 6 [working proof], 1969, color lithograph with gouache on Arjomariwove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.35

Figure 6 [working proof]

Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L. · 1969 · color lithograph with gouache on Arjomariwove paper [working proof] ·  Accession ID  2005.153.35

The image consists of bold, overlapping, and intersecting dark shapes and lines. These elements create a dense and textured composition. The lighter areas interspersed with the darker patches suggest an interplay of light and shadow. The use of shading and texture adds depth to the artwork.
Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L., Figure 4 [trial proof], 1969, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.24

Figure 4 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L. · 1969 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2005.153.24

The image displays a bold shape resembling the number four outlined against a background of smoothly transitioning colors. The top is bright yellow, the middle is green, and the bottom is deep blue. The outlines and gradients create an abstract impression, resembling a sunset over the ocean with the number four as a central focal point. The artwork combines shapes and colors to offer a blend of natural and numerical elements.
Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L., Figure 4 [experimental trial proof], 1969, color lithograph on Arjomari wove paper [experimental trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.27

Figure 4 [experimental trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L. · 1969 · color lithograph on Arjomari wove paper [experimental trial proof] ·  Accession ID  2005.153.27

The image displays an abstract composition with two large, rounded shapes with pointed ends. The upper shape is filled with green and purple hues, while the lower shape transitions from blue to red. Both shapes are enclosed within a rectangular border on a neutral background.
Jasper Johns, James Webb, Richard Wilke, John Dill, Charles Ritt, Gemini G.E.L., Figure 8 [working proof], 1969, color lithograph with pen and ink on Arjomari wove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.22

Figure 8 [working proof]

Jasper Johns, James Webb, Richard Wilke, John Dill, Charles Ritt, Gemini G.E.L. · 1969 · color lithograph with pen and ink on Arjomari wove paper [working proof] ·  Accession ID  2006.136.22