Richard Wilke

American, active late 20th century

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The image shows swirling lines and curves forming an abstract design. The dominant arc-like shapes are in orange and yellow transitioning into red. The background features crosshatched lines, adding texture. The curves and colors evoke a sense of warmth and growth.
Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L., Figure 6 [working proof], 1969, color lithograph with gouache on Arjomariwove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.35

Figure 6 [working proof]

Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L. · 1969 · color lithograph with gouache on Arjomariwove paper [working proof] ·  Accession ID  2005.153.35

The image consists of bold, overlapping, and intersecting dark shapes and lines. These elements create a dense and textured composition. The lighter areas interspersed with the darker patches suggest an interplay of light and shadow. The use of shading and texture adds depth to the artwork.
Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L., Figure 4 [trial proof], 1969, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.24

Figure 4 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L. · 1969 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2005.153.24

The image displays a bold shape resembling the number four outlined against a background of smoothly transitioning colors. The top is bright yellow, the middle is green, and the bottom is deep blue. The outlines and gradients create an abstract impression, resembling a sunset over the ocean with the number four as a central focal point. The artwork combines shapes and colors to offer a blend of natural and numerical elements.
Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L., Figure 4 [experimental trial proof], 1969, color lithograph on Arjomari wove paper [experimental trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.27

Figure 4 [experimental trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, John Dill, James Webb, Gemini G.E.L. · 1969 · color lithograph on Arjomari wove paper [experimental trial proof] ·  Accession ID  2005.153.27

The image displays an abstract composition with two large, rounded shapes with pointed ends. The upper shape is filled with green and purple hues, while the lower shape transitions from blue to red. Both shapes are enclosed within a rectangular border on a neutral background.
Jasper Johns, James Webb, Richard Wilke, John Dill, Charles Ritt, Gemini G.E.L., Figure 8 [working proof], 1969, color lithograph with pen and ink on Arjomari wove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.22

Figure 8 [working proof]

Jasper Johns, James Webb, Richard Wilke, John Dill, Charles Ritt, Gemini G.E.L. · 1969 · color lithograph with pen and ink on Arjomari wove paper [working proof] ·  Accession ID  2006.136.22

The artwork consists of a swirling, bold curvilinear shape at the center of the composition. It is surrounded by red, orange, and yellow hues. There is a circular motion within the shape. The abstract nature of the piece allows for varied interpretations, with familiar forms such as crescents or spirals subtly suggested by the dynamic lines and colors embedded in the artwork.
Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L., Figure 6 [working proof], 1969, color lithograph with crayon and paint on newsprint [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.68

Figure 6 [working proof]

Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L. · 1969 · color lithograph with crayon and paint on newsprint [working proof] ·  Accession ID  2005.153.68

The image shows an abstract composition with a large, central oval shape bordered by irregular, organic forms and patches of varying dark and light shades. The central shape appears hollow and is surrounded by patterns that resemble shadows or reflections. The artwork uses contrasting shades and undefined lines to create a visually engaging piece with familiar forms.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L., Figure 0 [trial proof], started 1968, published 1969, lithograph in black on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2004.167.67

Figure 0 [trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, Daniel Freeman, Gemini G.E.L. · started 1968, published 1969 · lithograph in black on Arjomari wove paper [trial proof] ·  Accession ID  2004.167.67

The image shows crisscrossing lines in a rectangular space. The lines transition from dark red on the left, through orange in the center, to bright yellow on the right. The colors are layered to create a gradient effect.
Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L., Figure 6 [color trial proof], 1969, color lithograph on Arjomari wove paper [color trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.38

Figure 6 [color trial proof]

Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L. · 1969 · color lithograph on Arjomari wove paper [color trial proof] ·  Accession ID  2005.153.38

The image shows a large numeral '9' made of smooth, curving lines within a rectangular border. The design features a gradient transition of colors, including orange, green, and purple. The contrasting bold contour of the numeral against the softer gradients creates a sense of depth.
Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L., Figure 9 [color trial proof], 1969, color lithograph on Arjomari wove paper [color trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2006.136.29.a

Figure 9 [color trial proof]

Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L. · 1969 · color lithograph on Arjomari wove paper [color trial proof] ·  Accession ID  2006.136.29.a

The image shows a dense patchwork of intersecting lines creating a rectangular shape. The interior is filled with dark lines intersecting in various directions. The abstract composition resembles a tangled forest or woven fabric, with irregular line thickness and direction adding texture and complexity. Small patches of lighter tones are scattered within the web. Thin, sweeping lines extend beyond the dark rectangle, reaching towards the edges of the canvas.
Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L., Figure 6 [proof], 1969, lithograph in black and tan with paint and pen and blue ink on Arjomari wove paper [proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.15.b

Figure 6 [proof]

Jasper Johns, James Webb, Richard Wilke, Charles Ritt, Gemini G.E.L. · 1969 · lithograph in black and tan with paint and pen and blue ink on Arjomari wove paper [proof] ·  Accession ID  2005.153.15.b

The image depicts a number "1" painted with a gradient of colors transitioning from deep purple to bright yellow. Surrounding the number are splashes and smudges that imply movement, resembling fluid spreading. The color gradient evokes themes of sunsets and rainbows. The texture of the image gives it an artistic quality similar to modern art.
Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L., Figure 1 [color trial proof], 1969, color lithograph on Arjomari wove paper [color trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2005.153.13

Figure 1 [color trial proof]

Jasper Johns, Daniel Freeman, Richard Wilke, James Webb, Dan Gualdoni, Gemini G.E.L. · 1969 · color lithograph on Arjomari wove paper [color trial proof] ·  Accession ID  2005.153.13