Experimental Printmaking Institute

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Audrey Flack, Experimental Printmaking Institute, Print Club of New York, Une Bouchée d'Amour (A Mouthful of Love), 2013, color digital print with screenprint on Canson Infinity wove paper, Gift of Bob Stana and Tom Judy, 2019.109.37

Une Bouchée d'Amour (A Mouthful of Love)

Audrey Flack, Experimental Printmaking Institute, Print Club of New York · 2013 · color digital print with screenprint on Canson Infinity wove paper ·  Accession ID  2019.109.37

Quentin Mosley, Experimental Printmaking Institute, Venus Figures and Batons de Commandment, 2004, color screenprint on two sheets of black wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.15.a-b

Venus Figures and Batons de Commandment

Quentin Mosley, Experimental Printmaking Institute · 2004 · color screenprint on two sheets of black wove paper ·  Accession ID  2008.82.1.15.a-b

Grace Hartigan, Alfonso Corpus, Experimental Printmaking Institute, Marie Antoinette and Cleopatra, 2004, color lithograph on two sheets of Rives BFK wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.10.a-b

Marie Antoinette and Cleopatra

Grace Hartigan, Alfonso Corpus, Experimental Printmaking Institute · 2004 · color lithograph on two sheets of Rives BFK wove paper ·  Accession ID  2008.82.1.10.a-b

Sam Gilliam, Wayne Crothers, Experimental Printmaking Institute, Untitled, 2004, cut and sewn color relief prints on wove paper, fabric, and felt, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.3

Untitled

Sam Gilliam, Wayne Crothers, Experimental Printmaking Institute · 2004 · cut and sewn color relief prints on wove paper, fabric, and felt ·  Accession ID  2008.82.1.3

Emma Amos, Quentin Mosley, Experimental Printmaking Institute, How Time Flies, 2004, color silk aquatint and screenprint with collage on two sheets of Rives BFK wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.9.a-b

How Time Flies

Emma Amos, Quentin Mosley, Experimental Printmaking Institute · 2004 · color silk aquatint and screenprint with collage on two sheets of Rives BFK wove paper ·  Accession ID  2008.82.1.9.a-b

Shown from the waist down, two pairs of legs, silhouetted in matte gold, float to our left of center from top edge of the composition against a streaks and smears of cobalt blue and muted mint green in this abstract, horizonal print. The image spans two pieces of paper, so there is a narrow white margin down the center. The legs seem to face each other in profile, knees touching or overlapping. One foot in the pair to our right is lifted behind the body and the person to the left stands up on the toes of both feet. A network of stylized stems, leaves, palm fronds, and perhaps narrow tree trunks in rust brown overlays the blue and green field. In pencil under the image in the lower left, an inscription reads, “il sogno del cortile 14/50,” and to the right, “Kay WalkingStick 2004,” though not all the letters are fully articulated.
Kay WalkingStick, Experimental Printmaking Institute, Allan Edmunds, il sogno del cortile (The Courtyard Dream), 2004, screenprint, collagraph, and lithograph on two sheets of Rives BFK wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.12.a-b

il sogno del cortile (The Courtyard Dream)

Kay WalkingStick, Experimental Printmaking Institute, Allan Edmunds · 2004 · screenprint, collagraph, and lithograph on two sheets of Rives BFK wove paper ·  Accession ID  2008.82.1.12.a-b

Allan Edmunds, Experimental Printmaking Institute, Family Series, 2004, color lithograph with collage on two sheets of Somerset wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.14.a-b

Family Series

Allan Edmunds, Experimental Printmaking Institute · 2004 · color lithograph with collage on two sheets of Somerset wove paper ·  Accession ID  2008.82.1.14.a-b

John Dowell, Experimental Printmaking Institute, The Bridge, 2004, color lithograph on Rives BFK wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.13

The Bridge

John Dowell, Experimental Printmaking Institute · 2004 · color lithograph on Rives BFK wove paper ·  Accession ID  2008.82.1.13

Wayne Crothers, Emma Amos, Grace Hartigan, Bodo Korsig, Kay WalkingStick, John Dowell, Allan Edmunds, Quentin Mosley, Experimental Printmaking Institute, Various Artists, Richard Anuszkiewicz, David C. Driskell, Sam Gilliam, Faith Ringgold, Curlee Raven Holton, John Phillips, Robert Beckman, Ian Short, Master Artists Master Printmakers, 2003 - 2004, portfolio of fifteen prints with two title pages, two colophons, and one photo-documentation page, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.1-15

Master Artists Master Printmakers

Wayne Crothers, Emma Amos, Grace Hartigan, Bodo Korsig, Kay WalkingStick, John Dowell, Allan Edmunds, Quentin Mosley, Experimental Printmaking Institute, Various Artists, Richard Anuszkiewicz, David C. Driskell, Sam Gilliam, Faith Ringgold, Curlee Raven Holton, John Phillips, Robert Beckman, Ian Short · 2003 - 2004 · portfolio of fifteen prints with two title pages, two colophons, and one photo-documentation page ·  Accession ID  2008.82.1.1-15

Experimental Printmaking Institute, Wayne Crothers, Emotional Space/Anatomical Space, 2003, color reduction woodcut on two sheets of wove paper, Gift of Jon D. Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.8.a-b

Emotional Space/Anatomical Space

Experimental Printmaking Institute, Wayne Crothers · 2003 · color reduction woodcut on two sheets of wove paper ·  Accession ID  2008.82.1.8.a-b