Peter Takal

American, 1905 - 1995

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The image contains three floral illustrations with delicate, fine lines. The largest flower head is in the top right corner, with a slightly smaller one on the left. The color scheme is black ink on a light beige background. The tallest flower is on the right side, with a curved stem bending to the left. There is a smaller flower head on the middle left of the image, and some leaves sketched on the right side.
Peter Takal, Aris Koutroulis, Tamarind Institute, Queen Anne's Lace from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove Arches paper, Rosenwald Collection, 1964.8.1587.2

Queen Anne's Lace from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove Arches paper ·  Accession ID  1964.8.1587.2

The image shows a barn interior viewed through partially open wooden doors. The doors are depicted with simple black vertical and horizontal lines. Through the opening, a landscape with fields, hills, and trees is visible. The horizon is low in the composition, emphasizing the landscape. The image is monochromatic, using black ink on a creamy background. Line art is used to enhance the simplicity of the scene.
Peter Takal, Robert Gardner, Tamarind Institute, Open Barn Door from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on BFK Rives wove paper, Rosenwald Collection, 1964.8.1587.7

Open Barn Door from Of Nature, Of Man

Peter Takal, Robert Gardner, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on BFK Rives wove paper ·  Accession ID  1964.8.1587.7

The image shows a sparse, snowy landscape dominated by intricate black ink lines. A tree with gnarled branches stands out in the foreground. The landscape appears empty, with an indeterminate horizon. The tree is detailed with fine brushstrokes, standing out against the open ground. The color palette is monochromatic, with black contrasting against the soft cream of the paper. Faint shadows in the distance suggest more trees.
Peter Takal, Aris Koutroulis, Tamarind Institute, Snow Fields from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.19

Snow Fields from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.19

This image features an ink drawing viewed from a low angle. The scene includes sparse, expressive lines suggesting grass, with thicker strokes closer and lighter strokes in the distance. The drawing contrasts black ink with beige paper, creating a monochromatic palette. The artwork depicts nature through dynamic use of ink.
Peter Takal, Aris Koutroulis, Tamarind Institute, Winter Weeds from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove Arches paper, Rosenwald Collection, 1964.8.1587.11

Winter Weeds from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove Arches paper ·  Accession ID  1964.8.1587.11

The image contains flowing, swirling lines and dots that create an intricate pattern across the canvas. The shapes resemble movement and may evoke imagery of birds in flight or a flowing river. The lines and curves suggest outlines of clouds or smoke drifting through an open space. On the right side, a pattern of tiny dots forms a vertical shape resembling a tree or cascading water down a mountainside.
Peter Takal, Aris Koutroulis, Tamarind Institute, Landscape from Of Nature, Of Man, 1963/1964, lithograph in brown and black from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.17

Landscape from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · lithograph in brown and black from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.17

The image shows an array of thin, intersecting lines and geometric shapes creating an intricate web across the canvas. The composition resembles a densely filled environment, with the lines forming shapes reminiscent of blades of grass or cityscape outlines. The upper section of the artwork contains short, curved lines that could be interpreted as abstract representations of clouds or waves. Moving downward, the lines become more concentrated and fragmented, suggesting a complex network or a busy, active area with tall, spire-like structures.
Peter Takal, John Dowell, Tamarind Institute, City Windows from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.13

City Windows from Of Nature, Of Man

Peter Takal, John Dowell, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.13

The image shows an abstract composition with soft, undulating lines and shapes that converge towards the right side of the canvas. The sinuous form suggests the outline of a draped fabric or a flowing curtain. The delicate texture of the lines adds depth, reminiscent of tree bark or a woven textile, creating a pattern that covers the entire surface. The abstract forms draw the viewer's eye in curvilinear paths across the artwork. In the lower right, an elegant script is incorporated into the composition.
Peter Takal, Aris Koutroulis, Tamarind Institute, Title Page from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.1

Title Page from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.1

The image shows a complex pattern of lines and shapes that intersect and overlap, forming an abstract design. The lines curve and crisscross, creating a dense and textured composition. The intricate patterns suggest natural elements like tree bark or an elephant's skin. The design resembles textures found in geological formations or the surface of a seashell.
Peter Takal, Kenneth Tyler, Tamarind Institute, Wood from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.10

Wood from Of Nature, Of Man

Peter Takal, Kenneth Tyler, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.10

This image is a minimalist line drawing featuring a person lying down in a reclining position. The drawing shows the upper body of the figure with emphasis on the head and hand. The facial features are depicted with simple lines, with curly or wavy hair falling around the head. The clothing is suggested with a few lines against the body. There are no visible jewelry or objects being held, and the background is plain with a suggestion of a corner in the top right quadrant. The composition uses negative space and sparse lines to create a serene and uncluttered look.
Peter Takal, Kenneth Tyler, Tamarind Institute, Reclining Nude from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove Arches paper, Rosenwald Collection, 1964.8.1587.3

Reclining Nude from Of Nature, Of Man

Peter Takal, Kenneth Tyler, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove Arches paper ·  Accession ID  1964.8.1587.3

The image presents a monochromatic line drawing of swirling lines and intricate patterns that suggest a natural setting, possibly vegetation or a forest. The color palette is soft and muted, with a beige background and rust or sepia-colored lines. The composition includes dense arrangements of lines resembling plant shapes closer to the viewer, while the lines become sparser towards the distance, creating a sense of depth.
Peter Takal, John Dowell, Tamarind Institute, Wave from Of Nature, Of Man, 1963/1964, lithograph in orange from a portfolio of 20 lithographs on wove Arches paper, Rosenwald Collection, 1964.8.1587.4

Wave from Of Nature, Of Man

Peter Takal, John Dowell, Tamarind Institute · 1963/1964 · lithograph in orange from a portfolio of 20 lithographs on wove Arches paper ·  Accession ID  1964.8.1587.4