Walter Tittle

Tittle, Walter Ernest

American, 1883 - 1966

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The sketch depicts a man seated in a side profile position, wearing a suit with a vest, tie, and jacket with a boutonniere. He has a mustache, short hair, and is holding eyeglasses in one hand while the other hand rests near the armchair's edge. The sketch has no distinct background.
Walter Tittle, Judge Medina, 1950, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1429

Judge Medina

Walter Tittle · 1950 · drypoint in black on wove paper ·  Accession ID  2015.19.1429

The image depicts an elderly woman from the waist up, seated in a slightly turned position. She has short, curly hair under a wide-brimmed hat with a small ribbon. The woman wears layered clothing, including a high-collared blouse and a textured shawl. She holds a cane in her right hand while her left arm rests on the chair. The background features a simple textured gradient from light to dark.
Walter Tittle, Early American, 1947, drypoint in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1434

Early American

Walter Tittle · 1947 · drypoint in black on laid paper ·  Accession ID  2015.19.1434

The sculpture depicts a standing figure, likely female, dressed in flowing garments and a decorative headdress framing the face. The figure is part of a larger architectural element, potentially functioning as a column or support structure. It seamlessly integrates with ornate carved patterns running vertically beside it. The sculpture is depicted in monochrome, emphasizing textures and shadow play, hinting at a stone material. Positioned vertically, the figure stands with a classical posture aligned closely with similar decorative pillars. Above the figure, additional small figures are carved into a decorative frieze, adding complexity to the composition, in harmony with the architectural details.
Walter Tittle, Gothic Lady, 1946, drypoint in black on gray laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1436

Gothic Lady

Walter Tittle · 1946 · drypoint in black on gray laid paper ·  Accession ID  2015.19.1436

The image shows a sculpture of several human figures standing side by side as part of an architectural facade. The figures are depicted in long robes with elongated proportions and halos around their heads. The sculpture is made of a beige or light stone color with intricate details on the figures' garments, facial features, and expressions. The figures are mounted on a column with decorative patterns, surrounded by smaller figures and carvings.
Walter Tittle, The Glory that is Chartres, 1942, drypoint in black on gray laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1437

The Glory that is Chartres

Walter Tittle · 1942 · drypoint in black on gray laid paper ·  Accession ID  2015.19.1437

This image shows an upper-body portrait of an elderly man facing forward and looking directly at the viewer. The man has distinct facial features, including a prominent upward-curling mustache, deep-set eyes, and arched eyebrows. His light, slightly wavy hair adds to his distinguished appearance. He is dressed in a formal suit with a collared shirt, a dark tie with a light spot pattern, and a layered waistcoat. The background is a tonal gradient with some textures. The drawing style emphasizes the man's features and clothing with fine lines and shading, giving the image a classical sketch-like quality.
Walter Tittle, Justice Oliver Wendell Holmes, 1938, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1439

Justice Oliver Wendell Holmes

Walter Tittle · 1938 · drypoint in black on wove paper ·  Accession ID  2015.19.1439

The image depicts a nighttime cityscape with tall buildings. The horizon is not visible due to the towering structures. The buildings are illuminated in low light, highlighting their architectural details, especially the crown and spire on the central building. The artwork features detailed linework, providing texture to the buildings and rising smoke. The color scheme is monochromatic, with dark shades contrasting against bright lights. A silhouetted figure is shown sitting on a rooftop.
Walter Tittle, Manhattan Minarets, 1931, drypoint in black on gray laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1440

Manhattan Minarets

Walter Tittle · 1931 · drypoint in black on gray laid paper ·  Accession ID  2015.19.1440

The image displays a portrait of a man showing only his head and upper chest. The man is positioned at the top portion of the image, with a slightly turned position and a thoughtful expression. His facial features are detailed, including a furrowed brow, deep-set eyes, a full mustache, and a beard. His hair is neatly combed back and appears dark. The man is dressed in a formal suit and tie, with broad shoulders suggesting a jacket. There is a faint shading technique around the man's head and shoulders, emphasizing the portrait against the simple background. The word "CONRAD" is inscribed below the image in capital letters, with an outline framing the composition.
Walter Tittle, Joseph Conrad, No. 3, 1931, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1432

Joseph Conrad, No. 3

Walter Tittle · 1931 · drypoint in black on wove paper ·  Accession ID  2015.19.1432

The image displays a cityscape with tall buildings reaching into the night sky. A figure is seated on the edge of a rooftop. The architectural details and lighting effects are captured through intricate linear etching techniques, emphasizing vertical lines. The color palette consists of black, white, and grey, with bright highlights showing windows and lights. The tallest building stands out, and wisps of smoke and clouds add movement. The scene conveys atmospheric depth through the layering of buildings, depicting an urban environment at night.
Walter Tittle, Manhattan Minarets, 1931, drypoint in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4747

Manhattan Minarets

Walter Tittle · 1931 · drypoint in black ·  Accession ID  2008.115.4747

The image displays a Gothic-style cathedral under construction, viewed from a slightly low angle. The horizon is high, revealing a grey sky above the cathedral's intricate roof and scaffolding. The detailed etching technique emphasizes architectural elements like flying buttresses and pointed arches. The monochromatic color scheme uses black and white shades to play with light and shadow. Figures walk on the street in the foreground, providing scale, while trees and ongoing construction highlight the cathedral's dominance.
Walter Tittle, Cathedral of St. John the Divine, 1929, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1430

Cathedral of St. John the Divine

Walter Tittle · 1929 · drypoint in black on wove paper ·  Accession ID  2015.19.1430

The image shows a man in a seated position. His arm is rested on what appears to be an armrest or surface. The man's posture is relaxed, with a slight tilt to his head. His facial features include defined cheekbones and a slightly furrowed brow, and he has full lips. His hair is tousled and medium length. He is dressed in a formal suit with a bow tie. The artwork is a monochromatic etching with prominent lines detailing the folds and contour of the suit. There is no visible jewelry or objects being held. The background is plain, with shading and a soft gradient.
Walter Tittle, James McBey, 1929, drypoint in black, Rosenwald Collection, 1943.3.8115

James McBey

Walter Tittle · 1929 · drypoint in black ·  Accession ID  1943.3.8115