George Tsutakawa

American, 1910 - 1997

Explore selected works

The image shows a settlement near a river from a bird's-eye view. The river narrows toward the horizon where it seems to fade away. The style resembles a woodcut print, with sharp lines creating a pattern of light and shadow. The forefront includes building rooftops, trees with defined foliage, and a monochromatic color palette of black and white. Structures and the river recede towards the horizon, with atmospheric lines in the sky.
George Tsutakawa, Union Bay Cannery, Alaska, 1932, linocut, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4770

Union Bay Cannery, Alaska

George Tsutakawa · 1932 · linocut ·  Accession ID  2008.115.4770

The image shows a waterfront pathway lined with buildings. The perspective leads the eye towards a vanishing point where the path and structures diminish in size. The style is reminiscent of a woodcut, with bold lines and high contrast. Small boats are docked, and two figures are walking along the path. Stairs lead further back amidst the buildings. The color scheme is primarily black and cream, enhancing the detailed line work.
George Tsutakawa, Fisherman's Wharf, 1932, linocut, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4768

Fisherman's Wharf

George Tsutakawa · 1932 · linocut ·  Accession ID  2008.115.4768

The image displays a series of vertical and diagonal lines in black and white, creating a sense of perspective and movement towards the center. The abstract composition suggests an industrial scene, with human-like figures engaging in work. The vertical lines imply tall structures or machinery, while the slanted lines suggest beams of light or a metallic texture, evoking a workshop or warehouse setting.
George Tsutakawa, Long Shore, 1931, linocut, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4769

Long Shore

George Tsutakawa · 1931 · linocut ·  Accession ID  2008.115.4769

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