A prominent African American sculptor and printmaker, Elizabeth Catlett created art dedicated to aesthetic rigor, human dignity, and freedom for all. Born in 1915, in Washington, DC, she graduated from Howard University then earned a master of fine arts from the University of Iowa—the first student in the US to do so. African art and the works of the Mexican muralists became early—and lifelong—inspirations.

After earning a prestigious Rosenwald Fellowship, Catlett moved to Mexico in 1946, where she became a member of the Taller de Gráfica Popular (TGP, People’s Graphic Workshop). She became a citizen there in 1962.

Catlett’s work reflects the strengths and struggles of Black and Mexican people—in her words, her “two peoples.” She portrayed the dignity and resilience of her subjects, addressing challenges surrounding race, gender, and class. Although small, her prints exude strength and power—particularly those from the Black Woman (1946–1947) series. Her sculptures convey a stately presence and quiet beauty, whether portraying public figures such as Sojourner Truth or anonymous women, friends, and family.

A lifelong teacher, Catlett mentored many artists and emphasized the importance of education. Her works and her life continue to inspire artists and audiences today.