Nicolas Beatrizet

French, 1515 - 1565 or after

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Nicolas Beatrizet, Castello S. Angelo di Roma [Castel Sant'Angelo in Rome], 1560-1565, engraving, The Ahmanson Foundation, 2012.46.1.17

Castello S. Angelo di Roma [Castel Sant'Angelo in Rome]

Nicolas Beatrizet · 1560-1565 · engraving ·  Accession ID  2012.46.1.17

Nicolas Beatrizet, The Statue of Oceanus, 1560, engraving, The Ahmanson Foundation, 2012.46.1.43

The Statue of Oceanus

Nicolas Beatrizet · 1560 · engraving ·  Accession ID  2012.46.1.43

Printed with black ink on white paper, this map shows a bird’s-eye views of a river winding through a town surrounded by empty fields and hills, all encased in city walls. The buildings and fields are spaced over several hills, many of which are labeled in Latin in all capital letters. The hills are finely crosshatched to suggest depth, and the buildings are drawn roughly in perspective, as if looking across the city from a high vantage point. Near the center of the engraving, densely packed buildings are separated by thin gaps to create irregular city blocks. The crowded blocks give way to open space and hills dotted with buildings, steeples, and ruins. Fragments of free-standing rows of arches in the fields to the south are the remains of aqueducts. The city wall is punctuated by arched openings framed by abutments that project above the top of the walls. The river winds from the top left corner of the paper to the center of the right edge, intersecting with the city walls in two places. Dozens of hills, features, landmarks, and buildings are labeled, including the round, domed “PANTEON” in the middle of the town, “CAPITOLINVS” a few blocks to our left, and “PALANTINVS” to our left of center. Near the upper right corner of the paper, several building-lined streets lead up to a hill labeled “VATICANVS.” Beyond the city walls the page is almost entirely blank. The page is folded vertically up the center. In the lower right corner, an inscription in a tablet-like cartouche reads, “RECENS RVRSVS POST OMNES OMNIVM DES CRIPTION. VRB, ROMAE TOPOGRAPHIA. CVM VALLIS. FOSSIS AGGRISVS CAETERISQ. QVAE AD HOSTI VM IMPEDIEND. IRRVPTION. PER VNIVERSVM VRB.AMBITVM INTRA EXTRAQ. MOEN. PVB LIC. IMPEN. FIERI CVRAVIT PAVL. IIII. PONT. MAX. DVM BELLO PARTHENOP. PREMERETVR. FORMIS ANTON.LAFRE RIL. SEQVAN. DILIGENTISS. EXPRESS. AN. D. LVII. CON GRA ET PREVILEGIO.” A thin, line border frames the map near the edge of the paper.
Nicolas Beatrizet, Topographical Map of Ancient Rome, 1557, engraving, Gift of Lois and Robert Erburu, 2000.119.1.c

Topographical Map of Ancient Rome

Nicolas Beatrizet · 1557 · engraving ·  Accession ID  2000.119.1.c

The image is an engraving depicting the profile of a man's head and upper torso, framed in an ornate oval border. The man wears a laurel wreath and armor with detailed designs and emblems. His facial features are finely etched, showing a serious expression with a beard and styled hair. Surrounding the central portrait are winged angels, warriors, and decorative elements. Two angels hold a crown above a crest above the portrait. Warrior figures and draped fabrics are on either side of the frame. Below the oval, two lounging figures are depicted. The composition is detailed with intricate elements, classical architectural features, and decorative patterns.
Nicolas Beatrizet, Henri II, King of France, 1556, engraving, Ailsa Mellon Bruce Fund, 1973.34.1

Henri II, King of France

Nicolas Beatrizet · 1556 · engraving ·  Accession ID  1973.34.1

Nicolas Beatrizet, The Roman Capitol, c. 1560, engraving, The Ahmanson Foundation, 2012.46.1.20

The Roman Capitol

Nicolas Beatrizet · c. 1560 · engraving ·  Accession ID  2012.46.1.20

This is a depiction of a battle scene with armored warriors and horses. The image shows warriors engaging in combat, some on horseback and others on foot. The warriors are detailed, showcasing their armor, helmets, shields, and weapons like spears and swords. Horses are rearing and charging, adding to the dynamic movement of the scene. The background indicates chaos and action, with figures in the midst of battle. The composition is dense with figures, creating a sense of urgency and conflict.
Nicolas Beatrizet, Roman Soldiers Fighting the Dacians, 1553, engraving, Ailsa Mellon Bruce Fund, 1975.34.11

Roman Soldiers Fighting the Dacians

Nicolas Beatrizet · 1553 · engraving ·  Accession ID  1975.34.11

Nicolas Beatrizet, Tommaso Barlacchi, Templum Fortunae Virilis [The Temple of Portunus], 1550, engraving, The Ahmanson Foundation, 2012.46.1.4

Templum Fortunae Virilis [The Temple of Portunus]

Nicolas Beatrizet, Tommaso Barlacchi · 1550 · engraving ·  Accession ID  2012.46.1.4

Nicolas Beatrizet, Italian 16th Century, Antonio Lafreri, Pantheum Romanum [The Roman Pantheon], 1549, engraving, The Ahmanson Foundation, 2012.46.1.3

Pantheum Romanum [The Roman Pantheon]

Nicolas Beatrizet, Italian 16th Century, Antonio Lafreri · 1549 · engraving ·  Accession ID  2012.46.1.3

Nicolas Beatrizet, Antonio Lafreri, Palazzo Farnese, 1549, engraving, The Ahmanson Foundation, 2012.46.1.21

Palazzo Farnese

Nicolas Beatrizet, Antonio Lafreri · 1549 · engraving ·  Accession ID  2012.46.1.21

Nicolas Beatrizet, Antonio Lafreri, Roma Victrix [The Roma of Cardinal Cesi], 1549, engraving, The Ahmanson Foundation, 2012.46.1.38

Roma Victrix [The Roma of Cardinal Cesi]

Nicolas Beatrizet, Antonio Lafreri · 1549 · engraving ·  Accession ID  2012.46.1.38