Hugh Mesibov

Mesibov, Hubert Bernard

American, 1916 - 2016

Explore selected works

The image shows intersecting and overlapping shapes and lines on a canvas. Bold strokes and lines twist and curve across the textured background. Teal and turquoise hues are dominant, with accents of orange and black. Circular and triangular elements are present.
Hugh Mesibov, Marine, 1953, color screenprint, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2604

Marine

Hugh Mesibov · 1953 · color screenprint ·  Accession ID  2008.115.2604

The image displays intersecting lines and geometric shapes creating an intricate pattern on the canvas. The composition resembles an urban skyline or a bridge, with angular forms suggesting buildings and a sweeping curve similar to a suspension bridge. The arrangement of lines could also be interpreted as a cityscape reflected on water, capturing the structured chaos of metropolitan architecture through simplicity and abstraction.
Hugh Mesibov, East River, 1951, woodcut in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2608

East River

Hugh Mesibov · 1951 · woodcut in black ·  Accession ID  2008.115.2608

The image displays a variety of curved shapes and intersecting lines, forming an abstract composition. The arrangement of forms resembles mechanical or industrial equipment, with hints of gears and levers. The structures within the image evoke cranes or scaffolding, along with circular and angular components that suggest control panels or engines. Viewers can imagine familiar objects like machinery or construction sites in the dense layers of shapes.
Hugh Mesibov, Shipyard, 1942, carborundum etching in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2610

Shipyard

Hugh Mesibov · 1942 · carborundum etching in black ·  Accession ID  2008.115.2610

The image contains sharp, angular shapes and curved lines forming an abstract representation of a human figure. The lines create a skeletal face with hollow eyes and prominent cheekbones, resembling a mask. Chains hang overhead, and a loosely defined brick structure is in the background. In the distance, there are fragmented forms suggesting a desolate landscape or horizon, contributing to the abstract nature of the piece.
Hugh Mesibov, Europa, 1942, carborundum etching in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2603

Europa

Hugh Mesibov · 1942 · carborundum etching in black ·  Accession ID  2008.115.2603

The image features a series of geometric shapes and lines on a blue and gray background, creating an abstract composition. Among these shapes, there is a red and black curved form with a hook, a coiling structure, and an archway with a figure on top. The overall scene is a collection of abstract forms.
Hugh Mesibov, Nocturne, 1942, color screenprint, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2607

Nocturne

Hugh Mesibov · 1942 · color screenprint ·  Accession ID  2008.115.2607

The image features angular shapes and bold, sharp lines intersecting in an intricate pattern. The composition appears dynamic and chaotic. Triangular forms with window-like details are on the left side, resembling a building facade, and fragmented face-like shapes are scattered throughout. Curved lines and arrow-like shapes suggest movement and figures. Swirling lines at the top allude to an eye. The elements create a disorienting scene, with fragmented human-like figures in an abstract and turbulent environment.
Hugh Mesibov, The Dictators, 1942, linocut in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2602

The Dictators

Hugh Mesibov · 1942 · linocut in black ·  Accession ID  2008.115.2602

The image shows five men in a room, gathered around a table. Only their upper bodies are visible. The first man, seated at the left, faces the rest, who are on the opposite side of the table. This man has wavy hair and is leaning forward with his hands clasped. The other four men are standing or leaning over the table, with varying expressions. They have distinct facial features. All are dressed in suits with ties. Some hold papers or rest their arms on the table, which is cluttered with documents or ledgers. In the background, there are square frames or doors, a couple of wall hangings, and a mounted fish.
Hugh Mesibov, Federal Art Project (Pennsylvania), Draft Board, 1940, etching in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2611

Draft Board

Hugh Mesibov, Federal Art Project (Pennsylvania) · 1940 · etching in black ·  Accession ID  2008.115.2611

This is a drawing of a busy subway terminal with a diner next to it. The scene depicts a moment in an early to mid-20th-century urban environment with people in motion. The drawing is in shades of graphite or charcoal, creating a dim, bustling atmosphere. Signs for "SUBWAY" and "DINER" are visible, guiding pedestrians. People are shown in period-appropriate attire, with hats and coats. The composition conveys motion and activity, with an angular perspective adding to the energy of the scene. Light and shadow are used to create depth.
Hugh Mesibov, Subway Terminal, 1938, lithograph in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2609

Subway Terminal

Hugh Mesibov · 1938 · lithograph in black ·  Accession ID  2008.115.2609

This drawing shows passengers inside a subway train. The scene depicts a crowded subway car with people wearing coats and hats. Some passengers are standing and holding onto poles, while others are seated, reading newspapers. The use of black and white emphasizes the details of the figures, creating a dynamic atmosphere. The composition conveys movement and the hustle of urban life.
Hugh Mesibov, Subway Station, 1938, lithograph in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2606

Subway Station

Hugh Mesibov · 1938 · lithograph in black ·  Accession ID  2008.115.2606

The image depicts geometric shapes and intersecting lines, creating an abstract composition. The sharp angles and fragmented forms suggest a bustling scene, reminiscent of a social gathering. The figures have exaggerated and distorted features, conveying a dynamic environment. The abstract forms resemble objects like bottles and hats, creating a lively atmosphere. The overlapping figures and lines add depth to the composition.
Hugh Mesibov, Federal Art Project (Pennsylvania), The Shed, 1938, carborundum etching in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.2605

The Shed

Hugh Mesibov, Federal Art Project (Pennsylvania) · 1938 · carborundum etching in black ·  Accession ID  2008.115.2605