Wilhelm Morgner

German, 1891 - 1917

Explore selected works

The image displays sharp, angular shapes and bold lines in an abstract composition. On one side, there are shapes resembling a canine standing on its hind legs surrounded by elongated figures that resemble hooded or robed people. The scene suggests an interaction between these figures, creating a tableau that resembles a gathering or ritualistic setting.
Wilhelm Morgner, Crucifixion I, 1913, linocut printed in blue on laid tissue paper, Gift of Ruth Cole Kainen, 2012.92.393

Crucifixion I

Wilhelm Morgner · 1913 · linocut printed in blue on laid tissue paper ·  Accession ID  2012.92.393
The image features fluid, interlocking shapes and lines in an abstract composition. Swirling forms and jagged edges create a dynamic visual, reminiscent of tree branches or pathways on a map viewed from above. Dark, bold outlines define the shapes, while lighter spaces within suggest a continuous flow. Triangular patterns appear in the top right corner.
Wilhelm Morgner, Flagellation, 1913, linocut printed in blue on laid tissue paper, Gift of Ruth Cole Kainen, 2012.92.392

Flagellation

Wilhelm Morgner · 1913 · linocut printed in blue on laid tissue paper ·  Accession ID  2012.92.392
The image shows swirling lines and bold shapes in a mix of vivid colors. In the center, interwoven blue lines create a figure-like silhouette with outstretched limbs. To the left, brown sinuous forms resemble large clawed hands or roots. The background consists of smoky grays and reds, suggesting movement and chaos. The composition suggests a struggle or interaction between recognizable forms resembling an embrace or tussle.
Wilhelm Morgner, Hölzfaller (recto), 1913, watercolor with pen and black ink on wove paper, Ruth and Jacob Kainen Memorial Fund, 2012.81.2.a

Hölzfaller (recto)

Wilhelm Morgner · 1913 · watercolor with pen and black ink on wove paper ·  Accession ID  2012.81.2.a
The image displays interconnected black lines and shapes forming a central circular pattern, with vertical extensions creating an impression of multiple humanoid figures. The composition suggests a gathering of figures in motion or engaged in a communal activity, maintaining a sense of abstraction through simplified outlines and a lack of detailed features.
Wilhelm Morgner, Christ before the High Council, 1913, linocut printed in blue on laid tissue paper, Gift of Ruth Cole Kainen, 2012.92.394

Christ before the High Council

Wilhelm Morgner · 1913 · linocut printed in blue on laid tissue paper ·  Accession ID  2012.92.394
The image depicts a series of jagged, swirling shapes and lines converging to form an abstract composition on a solid black background. The shapes resemble a face with wild, protruding hair, a beard, and facial contours. The lighter shapes against the dark backdrop give the impression of a face emerging from shadow.
Wilhelm Morgner, Bärtiger Mann, 1912, linocut in black on beige wove paper, Gift of Ruth Cole Kainen, 2012.92.395

Bärtiger Mann

Wilhelm Morgner · 1912 · linocut in black on beige wove paper ·  Accession ID  2012.92.395
Irregular, jagged black shapes are spread across a cream-colored background in this image. The abstract nature of the artwork resembles a network of cracks or veins. The composition appears dynamic, with sharp edges and scattered formations creating a sense of movement and depth.
Wilhelm Morgner, Acker mit Weib (Woman in a Field), 1912, woodcut on Japan tissue, Gift of Ruth Cole Kainen, 2012.92.389

Acker mit Weib (Woman in a Field)

Wilhelm Morgner · 1912 · woodcut on Japan tissue ·  Accession ID  2012.92.389
The artwork features an abstract composition with bold, jagged black lines against a cream background. The shapes create a dynamic, swirling pattern embedded within a chaotic landscape. The strong contrasts and irregular forms evoke movement and energy, drawing connections to elements like branches or waves.
Wilhelm Morgner, Lastträgerin, 1912, woodcut on laid tissue paper, Gift of Ruth Cole Kainen, 2012.92.391

Lastträgerin

Wilhelm Morgner · 1912 · woodcut on laid tissue paper ·  Accession ID  2012.92.391
The artwork features a series of bold, abstract shapes and lines that form a composition. Central to the piece is a figure with outstretched arms, surrounded by other abstract human forms. To the left, there is a shape with a horse-like form and a figure extending forward. The black and white contrast creates an effect, with the figures and forms appearing to emerge from the background. The overall composition includes objects but remains abstract.
Wilhelm Morgner, Crucifixion with Horseback Rider, c. 1913, woodcut on laid tissue paper, Gift of Ruth Cole Kainen, 2012.92.390

Crucifixion with Horseback Rider

Wilhelm Morgner · c. 1913 · woodcut on laid tissue paper ·  Accession ID  2012.92.390
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A Horse (verso)

Wilhelm Morgner · 1913 · pen and black ink on wove paper ·  Accession ID  2012.81.2.b