Shiundo Print Shop

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  • The image shows red, curved lines intersecting with pink rectangular blocks on a bright yellow background. The shapes connect in a dynamic and abstract composition.

    Trans Asian

    Richard Tuttle, Qin Yun Hu, Jiang Ming, Shiundo Print Shop, Crown Point Press

    1993

    Color woodcut on silk and xuan zhi paper  Accession ID  1998.40.483

    Not on view
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    Ursula

    Alex Katz, Shiundo Print Shop, Crown Point Press

    1990

    Color woodcut on echizen kozo wove paper  Accession ID  1998.40.290

    Not on view
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    Swimmer

    Alex Katz, Shiundo Print Shop, Crown Point Press

    1990

    Color woodcut on echizen kozo wove paper  Accession ID  1998.40.289

    Not on view
  • The image shows a central shape resembling a human silhouette with its arms akimbo, outlined in vibrant orange against a plain, off-white background. The artwork features a lack of detailed facial features, creating a simplified human form evoking a confident stance commonly seen in depictions of human figures.

    Swimmer [working proof 4]

    Alex Katz, Shiundo Print Shop

    1990

    Color woodblock on wove echizen-kozo paper [working proof 4]  Accession ID  2024.132.386

    Not on view
  • The image features a variety of blue shades creating an abstract composition with shapes and lines. There are geometric forms at the top in black and white, with a red strip in the center. The background resembles a deep ocean, while the bottom suggests a horizon line with layers of gray and blue.

    Blue with Red [working proof 4]

    Richard Diebenkorn, Shiundo Print Shop

    1987

    Color woodcut on echizen kozo moshi paper [working proof]  Accession ID  1996.94.2

    Not on view
  • The image features geometric shapes and broad, sweeping lines in shades of blue, with hints of gray and black. In this abstract piece, there are areas resembling envelopes or folded paper, especially in the top portion with interplay of light and dark suggesting depth and layers. The central blue section, partially outlined and overlaid with fine streaks, might evoke a smooth surface or a sky. Meanwhile, the horizontal stripe near the bottom and the thin rectangle of red contrast the blue tones.

    Blue with Red [working proof 3]

    Richard Diebenkorn, Shiundo Print Shop

    1987

    Color woodcut on echizen kozo moshi paper [working proof]  Accession ID  1996.94.3

    Not on view
  • The image shows a collection of bold black lines zigzagging and intersecting across the canvas, forming an abstract composition. A large triangle-like form dominates the lower portion of the image, with intersecting lines creating shapes resembling a stylized arrow or pyramid. The lines also suggest a geometric figure such as a trapezoid, evoking the outline of objects like a bird in flight or a mountain peak.

    Double X [artist's proof]

    Richard Diebenkorn, Shiundo Print Shop, Crown Point Press

    1987

    Woodcut in black on mitsumata paper [artist's proof]  Accession ID  1996.77.81

    Not on view
  • The image contains a blue rectangle with scattered black and gray geometric shapes concentrated towards the top. The blue area could be seen as a sky or ocean, while the gray band at the bottom may suggest a horizon or shoreline. A red and white linear form runs horizontally across the upper portion. The artwork balances bold colors with smaller shapes and textures, creating an abstract landscape.

    Blue with Red

    Richard Diebenkorn, Shiundo Print Shop, Shunzo Matsuda

    1987

    Color woodcut on echizen kozo moshi paper  Accession ID  1996.77.82

    Not on view
  • The image shows a portrait of a person from the shoulders up, turned slightly to the side. They have a fair complexion, softly defined eyebrows, and delicate lips. The person wears a green swimming cap fastened under the chin and a red top visible at the shoulders. The background is plain bright turquoise.

    The Green Cap

    Alex Katz, Shiundo Print Shop, Crown Point Press

    1985

    Color woodcut on tosa kozo wove paper  Accession ID  1997.8.101

    Not on view
  • A vertical print that’s largely made up of the color blue. Made with color woodcut technique. A wood pattern is seen across all the colors. In the top-right portion of the composition, occupying almost a fourth of the paper, is an off-white vertical rectangle, with a smaller red vertical rectangle positioned within it to the right. A sheer white is layered over the red, creating a triangle on the top of the red, with the hypotenuse running from the top right corner of the red rectangle to the middle of the rectangle on the left. Another sheer stroke extends from this midpoint to the bottom of the red rectangle, creating half an “X” ; this “X” shape is reinforced by thin dark blue lines on the white rectangle. There is a thin, dark blue line running vertically through the white rectangle, connecting to the other dark blue lines. Two dark blue lines run horizontally under the white rectangle, and one an equal distance away from the first dark blue line as the first one was to the top, leaving a smaller, but still sizable piece at the bottom. These dark lines extend onto the left of the rectangle where a thin strip of a mix of light colors is, but not onto the right of the blue rectangle where a thin yellow strip is. On the paper itself under the blue rectangle, and these thin strips there is black text on the left and right, both are illegible.

    Blue

    Richard Diebenkorn, Shiundo Print Shop

    1984

    Color woodcut on mitsumata paper  Accession ID  1996.77.70

    Not on view
  • The image displays an arrangement of rectangular shapes and lines intersecting and overlaying across the canvas. Broad swathes of ochre and green are intersected by curves and straight lines. Smaller sections with hints of blue, pink, and red are also present.

    Ochre

    Richard Diebenkorn, Shiundo Print Shop, Crown Point Press

    1983

    Color woodcut on mitsumata paper  Accession ID  1996.77.69

    Not on view
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    Eerie Grotto? Okini

    William T. Wiley, Shiundo Print Shop, Crown Point Press

    1982

    Woodcut on echizen hosho paper  Accession ID  1997.8.223

    Not on view