William Brice

American, 1921 - 2008

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The image features abstract shapes and lines. On the left, a rectangular shape filled with mustard yellow is overlaid with blue shapes that resemble rivers or streams. To the right, a red, abstract form outlines a dome-like element with curves suggesting a figure or silhouette of a face. The background is a gentle gray.
William Brice, Pamela Paulson, Crown Point Press, Untitled #9 (Two Elements), 1990, color aquatint, soapground aquatint, and hardground etching on Somerset Satin paper, Gift of Kathan Brown, 1998.40.39

Untitled #9 (Two Elements)

William Brice, Pamela Paulson, Crown Point Press · 1990 · color aquatint, soapground aquatint, and hardground etching on Somerset Satin paper ·  Accession ID  1998.40.39

The image features a variety of geometric shapes and organic lines. On the left is a large elongated shape outlined in black, filled with a soft peach color. Beside it are two small circular forms with orange and yellow hues. In the center, a vertical shape filled with a red, wavy line is present. To the right, a collection of blue, green, and yellow elements are arranged in a vertical stack. An arch-like shape at the top is filled with concentric yellow bands. The scene is set against a textured background of black and white.
William Brice, Pamela Paulson, Crown Point Press, Untitled #8 (Color on Black and White Field), 1990, color soapground aquatint, hardground and softground etching on Somerset Satin paper, Gift of Kathan Brown, 1998.40.38

Untitled #8 (Color on Black and White Field)

William Brice, Pamela Paulson, Crown Point Press · 1990 · color soapground aquatint, hardground and softground etching on Somerset Satin paper ·  Accession ID  1998.40.38

The image displays two distinct abstract shapes on a red background. On the left, a blue outline creates a structure with bulbous ends. On the right, a dark gray outline forms an elongated oval shape with a wavy line inside and appendages resembling a figure. Above are two small yellow squiggles.
William Brice, Pamela Paulson, Crown Point Press, Untitled #11 (Two Forms, Red Ground), 1990, color aquatint with spitbite and soapground aquatint on Somerset Textured White paper, Gift of Kathan Brown, 1998.40.29

Untitled #11 (Two Forms, Red Ground)

William Brice, Pamela Paulson, Crown Point Press · 1990 · color aquatint with spitbite and soapground aquatint on Somerset Textured White paper ·  Accession ID  1998.40.29

The image displays an arrangement of curved and linear elements, creating an abstract theme reminiscent of natural topographies and maps. The upper section features a textured, horizontal rectangular shape in earthy tones, resembling a rugged terrain or geological surface. Below it, a variety of irregular forms rest on a blue background gradient, resembling islands in an oceanic landscape. The orange and brown shapes resemble driftwood or eroded rock, while the green and gray areas might evoke foliage or shadowed areas beside cliffs.
William Brice, Pamela Paulson, Crown Point Press, Untitled #12 (Floating Forms, Color), 1990, color aquatint with spitbite and soapground aquatint on Somerset Satin paper, Gift of Kathan Brown, 1998.40.30

Untitled #12 (Floating Forms, Color)

William Brice, Pamela Paulson, Crown Point Press · 1990 · color aquatint with spitbite and soapground aquatint on Somerset Satin paper ·  Accession ID  1998.40.30

The image shows bold, abstract shapes and forms outlined with a gradient of shading. At the top, a rectangular band filled with intricate, leaf-like patterns introduces rich texture, while below it, a series of softer, curving lines form an arch. Several irregularly shaped forms are distributed across the scene, creating a contrast between the orderly arches and the randomness of the shapes.
William Brice, Pamela Paulson, Crown Point Press, Untitled #13 (Two Forms, Black and White), 1990, spitbite and soapground aquatint in black on Somerset Satin paper, Gift of Kathan Brown, 1998.40.31

Untitled #13 (Two Forms, Black and White)

William Brice, Pamela Paulson, Crown Point Press · 1990 · spitbite and soapground aquatint in black on Somerset Satin paper ·  Accession ID  1998.40.31

The image shows bold, black abstract shapes on a textured gray and white background. The shapes are stylized and symmetrical, resembling figures or totem poles with rounded edges. They feature mechanical and organic elements, such as gears or vine-like forms. The background has scratched lines that suggest a rocky landscape or tree bark.
William Brice, Pamela Paulson, Crown Point Press, Untitled #10 (Two Forms, Black and White), 1990, softground etching and aquatint in black on Somerset off-white textured paper, Gift of Kathan Brown, 1998.40.28

Untitled #10 (Two Forms, Black and White)

William Brice, Pamela Paulson, Crown Point Press · 1990 · softground etching and aquatint in black on Somerset off-white textured paper ·  Accession ID  1998.40.28

The image displays irregular shapes and lines, creating a complex and layered visual effect. The abstract design resembles fragmented stone walls or intricate textures of tree bark. The interplay of dark and light areas gives it a rugged and textured appearance.
William Brice, Pamela Paulson, Crown Point Press, Untitled #7 (Illuminated Pattern), 1990, aquatint, soapground aquatint, and hardground etching in black and yellow on Somerset Satin paper, Gift of Kathan Brown, 1998.40.37

Untitled #7 (Illuminated Pattern)

William Brice, Pamela Paulson, Crown Point Press · 1990 · aquatint, soapground aquatint, and hardground etching in black and yellow on Somerset Satin paper ·  Accession ID  1998.40.37

The image displays irregular and geometric shapes scattered across the canvas, with lines and patterns hinting at a rocky texture. The forms resemble stones or pebbles and fragmented walls or structures. At the top, a rectangular element with flowing blue lines is present. The overall layout suggests a collection of natural and architectural elements unified in a scene.
William Brice, Tadashi Toda, Crown Point Press, Kyoto, 1987, color woodcut on Echizen Kozo paper, Gift of Kathan Brown, 1998.40.26

Kyoto

William Brice, Tadashi Toda, Crown Point Press · 1987 · color woodcut on Echizen Kozo paper ·  Accession ID  1998.40.26

The image contains an abstract composition of shapes and lines. There is a large grey textured area with circular patterns and curved lines. To the right, there is a structured abstract shape resembling a stylized figure with rectangular and oval shapes. Additionally, there are specks of yellow and blue areas in the design.
William Brice, Hidekatsu Takada, Crown Point Press, Untitled #1 (Grey Rock), 1985, color softground etching, soapground aquatint, and hardground etching on Somerset Satin paper, Gift of Kathan Brown, 1998.40.27

Untitled #1 (Grey Rock)

William Brice, Hidekatsu Takada, Crown Point Press · 1985 · color softground etching, soapground aquatint, and hardground etching on Somerset Satin paper ·  Accession ID  1998.40.27

The image features a mix of wavy and straight lines with various shapes. There are vertical wavy lines inside a tall rectangle on the left. In the center, there is a square filled with a blue swirling pattern, surrounded by yellow shaded bands. On the right, a curving red shape rises against a backdrop of black dots. Each element is outlined with black lines.
William Brice, Hidekatsu Takada, Crown Point Press, Untitled #2 (Three Elements), 1985, color softground etching, aquatint, and hardground etching on Somerset Satin paper, Gift of Kathan Brown, 1998.40.32

Untitled #2 (Three Elements)

William Brice, Hidekatsu Takada, Crown Point Press · 1985 · color softground etching, aquatint, and hardground etching on Somerset Satin paper ·  Accession ID  1998.40.32