Jonathan Fisher

American, 1768 - 1847

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The image shows silhouetted buildings against a round, warm beige shape. The architecture is in the middle of the circular form. The horizon is not clearly visible. The print technique uses flat brushstrokes. The color palette is limited to muted tan or beige against a lighter background. Faint text notes are in the lower right corner.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.74

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.74

The image features a minimalist view. The scene is placed in the upper center of the canvas, with a skyline silhouette on the horizon. The skyline is made up of subtle, indistinct shapes that suggest buildings, with smoothed edges for a soft feel. Above the skyline are wispy, cloud-like forms scattered across a circular expanse of sky. The color palette is soft blue and white, creating a serene and airy effect. The blue is applied with a transparent brushstroke style, enhancing the dreamlike quality. The space below and away from the skyline is untouched, emphasizing simplicity and focus on the distant horizon.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.66

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.66

The image features abstract elements dispersed across the canvas, including architectural components like the top of a building with small windows, a triangular roof, a chimney, and parts of a fence. These elements are shown in different shades of gray on a pale background, creating a minimalist and spacious composition. The artwork emphasizes sharp lines and clear shapes through a simple and precise use of brushstrokes. There is no specific horizon or setting, allowing the viewer to concentrate on the forms and arrangement of the architectural fragments.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.85

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.85

The image depicts irregular, elongated shapes or lines arranged in an arc pattern in muted brown on a blank background.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.71

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.71

The image shows a solitary abstract shape, a jagged, irregularly shaped brownish-orange blot, on a blank white canvas. The form resembles a rugged peninsula with scattered vegetation, similar to a landmass or island seen from above. The uneven edges suggest natural structures like clouds or waves breaking against a shore.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.97

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.97

The image shows an abstract composition with tan, block-like shapes arranged in a linear pattern within a circular boundary on a white background. The shapes appear like structures or landscape features, resembling silhouettes of buildings or cityscape elements.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.70

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.70

The image shows Massachusetts Hall at the University of Cambridge, New England, depicted in an oval frame. The view is slightly elevated, showcasing the building's architecture. The sky with fluffy clouds is above the building. The hall is a red brick building with chimneys, white-framed windows, a lawn, and a white picket fence. Other buildings and trees are visible, creating a campus setting. The brushstrokes are clean and precise, typical of printed work. The color palette includes earthy tones of red, brown, green, and blue, providing a historical look. The scene conveys a formal and structured appearance, fitting for an academic institution.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint, Rosenwald Collection, 1948.11.64

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint ·  Accession ID  1948.11.64

The image shows a minimalist composition with a building on the right and a plane in the distance. The perspective is slightly elevated, and the horizon line is implied. A rectangular building with windows and doorways is on the right, while an abstract airplane shape is on the upper left. The artwork features controlled brushstrokes in shades of gray. There are varied line densities suggesting texture, and notes written in pencil at the bottom corners. The color palette is neutral with an off-white background.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.84

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.84

The image features a collection of minimal black lines and shapes on a white background, forming an abstract composition. The lines and shapes create an impression of movement or structure with deliberate placement.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.91

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.91

The image depicts a minimalist view with faint architectural sketches. The viewpoint seems to be at eye level, capturing buildings and structural elements drawn with delicate strokes. The horizon is not clearly visible, hinting at an open and flat space. On the left, there is a light sketch of a building with a roof and windows. On the right, more structural details can be seen, including columns and an archway. The technique involves thin, sketch-like brushstrokes that give the piece an ethereal quality. The color palette is mostly white with hints of grey, creating a monochromatic effect. In the bottom right corner, there is faint handwritten text.
American 20th Century, Massachusetts Hall, Harvard College, 1948, screenprint [proof], Rosenwald Collection, 1948.11.90

Massachusetts Hall, Harvard College

American 20th Century · 1948 · screenprint [proof] ·  Accession ID  1948.11.90