Sam Francis

American, 1923 - 1994

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The image displays irregular, overlapping shapes and lines in an abstract arrangement. The shapes are varied in color and texture, with some resembling organic forms such as leaves or cellular structures. Circular shapes with layered centers are also present. The background contains splattered dots and thin lines, contributing to a dynamic atmosphere.
Sam Francis, Kenneth Farley, Gemini G.E.L., Untitled, 1993, color aquatint on Copperplate Deluxe wove paper, Gift of Lee and Ann Fensterstock, 2006.120.2

Untitled

Sam Francis, Kenneth Farley, Gemini G.E.L. · 1993 · color aquatint on Copperplate Deluxe wove paper ·  Accession ID  2006.120.2

This is a photograph of a book cover. The cover has a minimalist design with a solid black background and white text centered in the middle. The text reads "DUST", "DOBROS", and "DESERT FLOWERS," with each word presented on a separate line in a modern font. The design has a bold and striking visual effect due to the contrast between the black background and the white lettering. The texture of the book cover is subtly visible, adding depth to the solid color.
Richard Long, Jacob Samuel, Lapis Press, Sam Francis, Dust, Dobros, Desert Flowers, 1987, bound volume of seven etchings and 45 RPM record, Gift of Lannan Foundation, 2024.94.11.1-8

Dust, Dobros, Desert Flowers

Richard Long, Jacob Samuel, Lapis Press, Sam Francis · 1987 · bound volume of seven etchings and 45 RPM record ·  Accession ID  2024.94.11.1-8

The image consists of bold, sweeping lines and splatter patterns that intersect intricately across the canvas. This abstract work of art features swirling loops. The vivid, chaotic splatters of red, blue, green, and yellow paint add to the dynamic feel of the piece. The interconnected lines and shapes might remind one of the branches of a tree reaching outward, while darker patches resemble shadows cast upon a surface.
Sam Francis, Ron McPherson, Dirk Walter, James McGowan, Thomas Stubbs, Hope Weiss, Gemini G.E.L., King Corpse [special proof], 1986, color screenprint on Arches Cover wove paper [special proof], Gift of Gemini G.E.L. and the Artist, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.71.4

King Corpse [special proof]

Sam Francis, Ron McPherson, Dirk Walter, James McGowan, Thomas Stubbs, Hope Weiss, Gemini G.E.L. · 1986 · color screenprint on Arches Cover wove paper [special proof] ·  Accession ID  1990.71.4

The image contains various shapes and lines, including swirling curves, sharp angles, and splatters, forming a complex pattern. The abstract painting features vibrant colors such as red, blue, green, and yellow. Some elements suggest familiar objects, including a red flowing shape and a heart-like form in dark blue. The bold splashes and streaks create a dynamic and energetic expression.
Sam Francis, Stephanie du Tan, Kenneth Herrand, Ann Johnston, James McGowan, Edan McPherson, Ron McPherson, Kieth Stevens, Hope Weiss, Rush White, Gemini G.E.L., Untitled, started 1986, published 1987, color screenprint on Exeter wove paper, Gift of Gemini G.E.L. and the Artist, 1991.74.40

Untitled

Sam Francis, Stephanie du Tan, Kenneth Herrand, Ann Johnston, James McGowan, Edan McPherson, Ron McPherson, Kieth Stevens, Hope Weiss, Rush White, Gemini G.E.L. · started 1986, published 1987 · color screenprint on Exeter wove paper ·  Accession ID  1991.74.40

The image displays swirling and splattered shapes and lines in an abstract composition. Circular and blob-like forms are scattered across the canvas, with shades of gray, green, and black. The backdrop features fine lines and dots, creating an energetic web that connects the larger forms. Some circular shapes have a concentric pattern.
Sam Francis, Kenneth Farley, Gemini G.E.L., Untitled, started 1984, published 1993, color aquatint on Copperplate Deluxe wove paper, Gift of Lee and Ann Fensterstock, 2000.177.105

Untitled

Sam Francis, Kenneth Farley, Gemini G.E.L. · started 1984, published 1993 · color aquatint on Copperplate Deluxe wove paper ·  Accession ID  2000.177.105

The image showcases an array of amorphous shapes and bold lines, forming an abstract composition. The organic forms and splatters resemble cells seen under a microscope or ink blots on paper. Circular and elliptical shapes overlap, surrounded by thin, jagged lines and splattered dots. The composition suggests randomness, like raindrops or paint drips in motion. It highlights an exploration of pattern and form.
Sam Francis, Kenneth Farley, Gemini G.E.L., Untitled, started 1984, published 1986, sugarlift and spitbite aquatint on Copperplate Deluxe wove paper, Gift of Gemini G.E.L. and the Artist, 1991.74.37

Untitled

Sam Francis, Kenneth Farley, Gemini G.E.L. · started 1984, published 1986 · sugarlift and spitbite aquatint on Copperplate Deluxe wove paper ·  Accession ID  1991.74.37

The image displays an array of shapes and lines, with dark blue diagonal lines crossing over patches of vibrant color. A dominant yellow rectangle is centered, bordered by red and blue areas. The background has a textured appearance resembling wood grain. Scattered splashes of blue, yellow, and red are present, with small white rectangular snippets dispersed throughout the composition.
Sam Francis, Garner H. Tullis, Experimental Workshop, Untitled, 1983, woodcut monoprint on handmade paper, Gift of Sam Francis, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.234.55

Untitled

Sam Francis, Garner H. Tullis, Experimental Workshop · 1983 · woodcut monoprint on handmade paper ·  Accession ID  1991.234.55

In the image, there is a small rectangular section with bold, irregular shapes and lines creating an abstract composition. The shapes include curved and angular lines suggesting the outline of a face, with an eye and mouth within the form. The rest of the image is blank, white space surrounding the central design, emphasizing it.
Sam Francis, Self-Portrait, 1982, sugarlift aquatint in black on Fabriano Tiepolo wove paper, Gift of Sam Francis, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.234.49

Self-Portrait

Sam Francis · 1982 · sugarlift aquatint in black on Fabriano Tiepolo wove paper ·  Accession ID  1991.234.49

The image shows irregular black shapes on a white background, resembling shattered glass or fragments scattered across the canvas in an abstract manner. The sharp angular shapes and splatters create a pattern of disorder, evoking a disrupted surface or fractured structure.
Sam Francis, Serge Lozingot, James Reid, Gemini G.E.L., Double Room, started 1982, published 1984, lithograph on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1989.55.22

Double Room

Sam Francis, Serge Lozingot, James Reid, Gemini G.E.L. · started 1982, published 1984 · lithograph on Arches 88 wove paper ·  Accession ID  1989.55.22

Irregular, overlapping shapes and splatters in different shades of black and gray on a white background. The abstract composition includes rounded and angular forms, with lines and dots scattered throughout. Some shapes resemble shadows or silhouettes of common objects.
Sam Francis, Serge Lozingot, James Reid, Gemini G.E.L., Fragrant Breath, started 1982, published 1984, lithograph in black and silver on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1989.55.24

Fragrant Breath

Sam Francis, Serge Lozingot, James Reid, Gemini G.E.L. · started 1982, published 1984 · lithograph in black and silver on Arches 88 wove paper ·  Accession ID  1989.55.24