Richard Hamilton

British, 1922 - 2011

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This seems to be a collage of fragmented shapes forming an abstract composition. In the center is a blend of facial features, with mismatched eyes, lips, and three different sections of hair, giving the impression of a woman's face. Surrounding this are elements suggesting a photography studio, such as spotlights and an umbrella near the top left corner. Around the central face are abstract shapes in pale blue and pale peach. The background is white, with some black rectangular shapes on the left and right sides and behind the umbrella at the top.
Richard Hamilton, Petersburg Press, Fashion-plate, 1969/1970, color photo-offset lithograph, collage, screenprint from two stencils, pochoir and retouching with cosmetics, Gift of William M. Speiller, 1976.65.4

Fashion-plate

Richard Hamilton, Petersburg Press · 1969/1970 · color photo-offset lithograph, collage, screenprint from two stencils, pochoir and retouching with cosmetics ·  Accession ID  1976.65.4
The image contains a white Braun electric toothbrush with a set of dentures attached to it. The color palette is primarily soft blues and greens, with accents of pastel pink and beige on the dentures and pops of yellow and white present. The toothbrush is centered, with the denture standing on top of it, alongside a shadow or reflection to the left and a blurred vertical object to the right.
Richard Hamilton, Kelpra Studio, Documenta IV Foundation, Kassel, The critic laughs, 1968, lithograph laminated with plastic film, screenprint, collage additions, and touches of enamel paint added by hand, Gift of William M. Speiller, 1976.65.3

The critic laughs

Richard Hamilton, Kelpra Studio, Documenta IV Foundation, Kassel · 1968 · lithograph laminated with plastic film, screenprint, collage additions, and touches of enamel paint added by hand ·  Accession ID  1976.65.3
The image shows intersecting geometric shapes like rectangles and lines, creating a sense of depth. A vintage TV displays a monochrome image while a cutout of a woman in retro clothing stands nearby. The composition includes bold colors like yellow and red against a grayscale background, connecting elements like a table, door, and wall panels.
Richard Hamilton, Kelpra Studio, Editions Alecto, Interior, 1964/1965, color screen print from eight stencils, Gift of William M. Speiller, 1977.56.2

Interior

Richard Hamilton, Kelpra Studio, Editions Alecto · 1964/1965 · color screen print from eight stencils ·  Accession ID  1977.56.2
The image displays intersecting lines and geometric shapes arranged in a detailed design. A large triangular shape with a textured pattern is on the left, surrounded by overlapping lines resembling frames or scaffolding. Two circles, one solid and one partially filled, are on the right. Small triangles edge the bottom in a sawtooth pattern. The composition suggests a futuristic vehicle or mechanism in motion.
Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton, Reaper (j), 1949, etching and roulette, Rosenwald Collection, 1980.45.788

Reaper (j)

Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton · 1949 · etching and roulette ·  Accession ID  1980.45.788
The image shows angular and curved lines forming an abstract composition. Intersecting lines create shapes resembling a staircase or a fragmented ladder in the foreground. A circular shape with spokes suggests a wheel at the bottom right. An oval shape with smaller markings is located at the upper right. The arrangement gives an impression of industrial or mechanical components assembled abstractly, connecting to objects like machinery or creative tools.
Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton, Reaper (m), 1949, drypoint and roulette, Rosenwald Collection, 1980.45.787

Reaper (m)

Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton · 1949 · drypoint and roulette ·  Accession ID  1980.45.787
The image showcases various geometric shapes and lines, including diagonals intersecting a large rectangle with parallel lines. A circular shape resembling a wheel with spokes is in the foreground. The composition is abstract, with elements that suggest a mechanical or industrial theme, such as a paddle-like shape with holes and steps descending from the rectangle.
Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton, Reaper (e), 1949, etching and roulette, Rosenwald Collection, 1980.45.789

Reaper (e)

Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton · 1949 · etching and roulette ·  Accession ID  1980.45.789
The image depicts intersecting lines and geometric shapes, such as triangles, circles, and ellipses, forming a complex web of forms. The arrangement of shapes could be interpreted as machine-like structures or mechanics, similar to gears and pulleys in industrial machinery. There is a circular form on the left that resembles a wheel or sprocket, while an elongated oval connected to a triangular section may suggest a basic vehicle or device in motion. The composition combines sharp angles and curved lines in an intricate pattern.
Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton, Reaper (b), 1949, drypoint and etching, Rosenwald Collection, 1980.45.786

Reaper (b)

Richard Hamilton, Slade School of Fine Art, University College London, Richard Hamilton · 1949 · drypoint and etching ·  Accession ID  1980.45.786
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By the waters of Miers

Richard Hamilton, Petersburg Press, Maurice Payne · 1972 · aquatint, etching, soft-ground etching and drypoint on German Museum paper ·  Accession ID  1976.65.2
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By the waters of Miers

Richard Hamilton, Petersburg Press, Maurice Payne · 1972 · aquatint, etching, soft-ground etching and drypoint on German Museum paper ·  Accession ID  1976.65.1
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Release

Richard Hamilton, Kelpra Studio, Petersburg Press · 1972 · color screen print from one photographic and seventeen hand-cut stencils, with collage ·  Accession ID  1976.65.6