George Elgar Hicks

British, 1824 - 1914

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The drawing depicts a pastoral landscape with figures and animals. The left side shows an older man seated with a dog, playing a pipe. In the center, four figures are dancing. On the right, a younger figure is seated, playing a pipe with another dog. In the background, there are grazing animals and trees. The artwork features light, delicate line work emphasizing flow and rhythm.
Edward Webb, Art Union of London, Thomas Campbell, Delightful Wyoming!, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3581

Delightful Wyoming!

Edward Webb, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3581

This is a drawing featuring two human figures and a ghostly presence. The scene shows the figures sitting on the ground in a peaceful setting with grass. A large ghostly figure with a wide cloak hovers overhead, giving an ominous aura. The background is minimalist with light cloud details. The image includes an inscription that reads "COMPOSITIONS FROM CAMPBELL'S GERTRUDE OF WYOMING BY G. E. HICKS" at the top and a mention of "ART-UNION OF LONDON MDCCCXLVI" at the bottom. The drawing is done in a line style, emphasizing contours and outlines for depth and dimension.
H. G. Watkins, Art Union of London, Thomas Campbell, Title Page, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3579

Title Page

H. G. Watkins, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3579

The image shows two individuals and a horse in an outdoor setting. The first person, an adult male, is standing beside the horse. He wears a hat that casts a shadow over his eyes, a tailored jacket, knee-length trousers, and boots, and holds the horse's reins. The second individual is seated on the ground, leaning against a tree or bush, with a book on her lap. She has long, wavy hair adorned with flowers and wears a flowing gown with long sleeves. The background features trees, shrubs, and a waterfall cascading down a cliffside into a body of water.
Edward Webb, Art Union of London, Thomas Campbell, Close He Had Come..., 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3582

Close He Had Come...

Edward Webb, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3582

The image shows a group of figures inside a tent-like structure. The figures are seated or kneeling, with some adorned with feathers and simple clothing. They are gathered around a central figure covered by a cloth on the ground. Two figures seem to be engaged in a ritual over the central figure, with one holding a bowl and the other performing an act of touching or blessing. The setting includes plants and symbolic items, creating a contemplative and ceremonial atmosphere.
H. W. Collard, Art Union of London, Thomas Campbell, And Take, She Said, This Token Far Away..., 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3571

And Take, She Said, This Token Far Away...

H. W. Collard, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3571

The image depicts four figures in a drawing. In the center, there is a Native American man standing upright, holding a long spear in one hand and resting his other hand on the head of a child next to him. He is wearing traditional attire, including a feathered headdress and a cloth draped over his shoulder. Beside him, on the left, is a man in colonial-style clothing, bending slightly forward with one arm extended towards the Native American man. Kneeling beside the colonial man is a young girl holding onto his leg, dressed in a long, modest dress. Another child stands to the right of the Native American man, looking downwards. The background features a simple, pastoral setting with lines indicating trees or foliage, a wooden structure on the right, and a picket fence that recedes into the distance.
Ferdinand Joubert, Art Union of London, Thomas Campbell, The Little Nurseling, Take Him to Thy Love, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3574

The Little Nurseling, Take Him to Thy Love

Ferdinand Joubert, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3574

The illustration shows a woman sitting on a grassy rise. She is in a relaxed position with her arms and hands positioned in a specific way. The woman has long hair and is wearing a long dress with a sash at the waist. There is a piece of jewelry around her neck. In the background, there is a minimalist landscape with hills and sparse vegetation.
H. W. Collard, Art Union of London, Thomas Campbell, The Sunrise Drew Her Thoughts to Europe, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3572

The Sunrise Drew Her Thoughts to Europe

H. W. Collard, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3572

The image depicts four figures in a room. On the left, a man stands with one foot forward, holding a long weapon or stick, wearing 19th-century clothing. Beside him, a bald man is holding onto a woman. The woman has long hair and is dressed in a long dress. On the right, another man with a plumed headdress holds a shield and a bow. The room has wood slat walls, a table with pitchers and a cup, and a hanging item, with a suggestion of an open door or window on the right.
Ferdinand Joubert, Art Union of London, Thomas Campbell, A Form Has Rushed amidst Them from the Dark, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3576

A Form Has Rushed amidst Them from the Dark

Ferdinand Joubert, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3576

The image depicts a man sitting on a chair with a child sitting on his lap. The man has one arm resting on a large chest next to him and the other arm around the child. The man's facial features are subtle in a line drawing style, with his eyes looking downward and one hand partially covering his face. He has short, slightly wavy hair and is dressed in a period-style suit. The child, with long hair, wears a simple dress and is embracing the man. The background shows minimal details of paneled walls and a bed, suggesting a room interior. The illustration is a simple line drawing.
Ferdinand Joubert, Art Union of London, Thomas Campbell, Gertrude Climbed a Widowed Father's Knee, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3573

Gertrude Climbed a Widowed Father's Knee

Ferdinand Joubert, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3573

This is a drawing of a scene with multiple figures gathered in a room. The drawing captures a group of people standing and sitting within a space. One individual dressed in European-style clothing stands in the center, while others are gathered around, adorned in headdresses and holding spears. The figures are drawn with fine, precise lines, emphasizing outlines and forms rather than shading. The setting appears to be an interior space, with vertical and horizontal lines suggesting walls and a ceiling. The figures in the scene are depicted in a calm, composed manner.
H. G. Watkins, Art Union of London, Thomas Campbell, He for His Bleeding Country Prays to Heaven, 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3580

He for His Bleeding Country Prays to Heaven

H. G. Watkins, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3580

This is a drawing of several figures in a scene. The figures have varied poses and are depicted in a minimalistic and linear style. Some figures are holding spears, one is kneeling, and two are lying down. They are dressed in attire resembling historical or medieval clothing, suggesting a historical setting. The drawing portrays a moment of drama and tension, with one central figure reaching out and others observing.
Lumb Stocks, Art Union of London, Thomas Campbell, Mute, Gazing, Agonizing..., 1846, engraving in black on wove paper, Corcoran Collection, 2015.19.3578

Mute, Gazing, Agonizing...

Lumb Stocks, Art Union of London, Thomas Campbell · 1846 · engraving in black on wove paper ·  Accession ID  2015.19.3578