Prairie Print Makers

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  • This is a drawing of boats engaging in fishing in a rough sea with rugged cliffs in the background. The boats are depicted with several figures on board handling fishing nets. The water appears choppy with waves, and the sky is cloudy.

    Fishing off the Maine Coast

    Robert von Neumann, George C. Miller, Prairie Print Makers

    1959

    Lithograph in black on wove paper  Accession ID  2015.19.1338

    Not on view
  • This image shows a coastal landscape with sandy dunes leading towards a distant shoreline. The horizon is slightly above the center of the composition, where the sea meets the sky. The artwork features a textured brushstroke technique with fine, detailed lines depicting grass, dunes, and waves. The color palette is monochromatic, using shades of grey and black to emphasize light and shadow. Seagulls are depicted flying over the dunes and sparse vegetation, with shrub-like clusters on the right side. The composition conveys a serene coastal environment.

    The Far Shore

    Stow Wengenroth, George C. Miller, Prairie Print Makers

    1957

    Lithograph in black on wove paper  Accession ID  2015.19.1468

    Not on view
  • The image shows a dense stand of birch trees, some close to the viewer, with their distinctive speckled bark patterns. The horizon line is visible through the trunks, revealing a serene landscape with gentle, undulating terrain. In the distance, low hills or mountains stretch across the background. The style is highly detailed, capturing the texture of bark and foliage with precise brushstrokes. The color palette is monochromatic, focusing on shades of black, white, and gray. Light and shadow play on the tree trunks and ground, highlighting the detailed work.

    Theme in White

    Luigi Lucioni, James Swann, Prairie Print Makers

    1954

    Etching in black on wove paper  Accession ID  2015.19.1291

    Not on view
  • The image shows a willow tree from a viewpoint slightly below and to the side. The tree's trunk and branches are highlighted, with the horizon in the upper third. The horizon features small structures and trees blending into the distance. The brushstroke technique includes intricate lines and cross-hatching for texture and depth in the foliage and bark. The color palette is black and white, with varying shades of gray for contrast. The shaded area under the tree appears cool, while an open field leads to structures in the distance.

    Willow

    James Swann, Prairie Print Makers

    1953

    Drypoint in black on wove paper  Accession ID  2015.19.1410

    Not on view
  • Two individuals are shown pulling corn, with one figure upright reaching for a corn stalk, and the other figure bending over, potentially gathering the produce. The background features rolling hills, layered fields, clusters of trees, and small buildings. The style consists of bold lines, light and shadow contrast, and a monochromatic color palette of black and white. The image utilizes wood engraving techniques, emphasizing texture and depth. The composition guides the viewer's gaze from the foreground to the distant landscape.

    Corn Pulling

    Clare Leighton, James Dexter Havens, Prairie Print Makers

    1952

    Wood engraving in black on wove paper  Accession ID  2015.19.1268

    Not on view
  • The image displays detailed drawings of large flowers with frilly petals and large, textured leaves in shades of black and white. The flowers are positioned in the forefront surrounded by leaves that fill most of the background space.

    Gloxinias

    Elizabeth Saltonstall, George C. Miller, Prairie Print Makers

    1950

    Lithograph in black  Accession ID  2008.115.4227

    Not on view
  • The image portrays two men pushing a boat from a low, eye-level point of view. The horizon is at the upper third of the composition, displaying an expanse of water with sailboats in the distance. The boat is prominent in the foreground with one man on each side. Both men are dressed in casual work attire. The etching technique uses precise lines to depict the figures, boat, and environment in detail. The sky shows light clouds and a few flying birds. The color palette is monochromatic, using shades of gray and black for a classic aesthetic.

    Heave and Haul

    Gordon Grant, Ernest D. Roth, Prairie Print Makers

    1947

    Etching in black on wove paper  Accession ID  2015.19.1199

    Not on view
  • The image shows a man playing a grand piano while sitting on a chair. The man is positioned with his body slightly turned to the side, hands on the keyboard, leaning forward while playing. His face is not clearly visible, and he appears to have short or neatly styled hair. He is wearing a suit with a small portion of his shirt visible at the cuffs. The piano occupies a large part of the scene next to the man. There are no visible jewelry or notable objects besides the piano and chair. The background is a simple, unadorned space. The image is rendered in a monochromatic palette.

    The Pianist

    Grant Tyson Reynard, Ernest D. Roth, Prairie Print Makers

    1946

    Etching in black  Accession ID  2008.115.4087

    Not on view
  • The image shows a village with adobe-style buildings on a rocky terrain. A mountain rises in the background, accompanied by trees along the horizon. The artwork features soft brushstrokes or etching techniques for shading, defining the architectural and natural elements. The color palette is subdued with shades of beige, brown, and darker tones for contrast. Figures are visible in the village, and expressive cloud formations fill the sky, adding depth to the scene.

    Southwestern Summer

    Gene Kloss, Prairie Print Makers

    1945

    Etching, drypoint, and aquatint in black on wove paper  Accession ID  2015.19.1251

    Not on view
  • The image shows a church and surrounding landscape. The scene is viewed from a slightly elevated vantage point, with the church centrally located. The mountains dominate the upper portion of the scene, blending into the horizon. The church has a gabled roof and a small bell tower. Fine brushstrokes create texture, especially on the mountains and nearby foliage. The color palette is monochromatic, using shades of black, white, and gray. Additional structures and vegetation are faintly visible in the distance.

    Church at Canyoncito

    William Judson Dickerson, George C. Miller, Prairie Print Makers

    1942

    Lithograph in black on wove paper  Accession ID  2015.19.1159

    Not on view
  • The image displays a street scene showing a winding road surrounded by white-washed buildings. The style of the scene is detailed with fine brushstrokes, giving texture to the buildings and street. A corner of a building is seen with an arched doorway, barred windows, and an overhanging sign. The road extends into the distance, lined with more buildings decreasing in size. The distant mountains dominate the upper part of the image, and the horizon line is not clearly defined. The color palette consists of subdued earth tones, including soft browns and beiges, with the mountains depicted in a slightly darker shade.

    Mexican Barbershop

    Charles M. Capps, Charles M. Capps, Prairie Print Makers

    1938

    Etching and aquatint in black on wove paper  Accession ID  2015.19.1122

    Not on view

  • The Prairie Rider

    Levon West, Ernest D. Roth, Prairie Print Makers

    1933

    Etching in black on laid paper  Accession ID  2015.19.1488

    Not on view