American Art Review

Explore selected works

See all 42 works of art
The image displays a landscape seen from a slightly elevated perspective. A winding dirt path leads towards a small bridge near a marshy body of water. The horizon is located about one-third from the top of the image where a line of hills, trees, and a vast sky can be seen. In the sky, the sun is either setting or rising, casting rays that fan out gently against the clouds. The sky is depicted with expressive, dynamic brushstrokes, suggesting a gentle breeze. The color palette is monochromatic, mainly sepia tones, creating a serene atmosphere. The composition balances darker earth tones with lighter tones in the water and sky, leading the viewer's gaze from the path through the landscape to the sky.
Thomas Moran, American Art Review, Sunrise—The Pond, Easthampton, Long Island, 1881, etching and drypoint in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2463

Sunrise—The Pond, Easthampton, Long Island

Thomas Moran, American Art Review · 1881 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.2463

The engraving depicts a dirt path leading to a bridge over water, surrounded by reeds and grass. The horizon is low with a sun and clouds in the sky. The image is detailed, featuring fine lines and shading. The color scheme is sepia and black, creating an antique atmosphere. In the distance, there is marshland and trees leading to the horizon.
Thomas Moran, American Art Review, Sunrise—The Pond, Easthampton, Long Island, 1881, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow), 2015.19.1318

Sunrise—The Pond, Easthampton, Long Island

Thomas Moran, American Art Review · 1881 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.1318

This is a drawing of a street scene in front of an elaborately decorated building. The scene depicts architectural details and natural elements surrounding the figures. In the image, a white donkey stands on the left with its tack accentuated. Next to a detailed arched doorway, there are two people cloaked in long robes; one is leaning against the building while another is seated on the ground with bowls. The stone building features carvings around the doorframe and latticework on its balconies and windows. The shading and crosshatching techniques bring out the textures of stone and fabric, casting a warm glow over the scene.
James David Smillie, American Art Review, A Lady of Cairo Visiting, 1881, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2469

A Lady of Cairo Visiting

James David Smillie, American Art Review · 1881 · etching in black on laid paper ·  Accession ID  2015.19.2469

The image shows a beach scene with a pair of oxen pulling a cart on the rocky shore. A figure guides the animals. The terrain is uneven with rocks and patches of grass. A hillside covered in foliage is on the left, captured with detailed etchings. The sky has light clouds, and small distant sailboats are on the horizon. The color palette is monochromatic with shades of brown.
Edmund Henry Garrett, American Art Review, Near Mattakeesett, 1881, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2451

Near Mattakeesett

Edmund Henry Garrett, American Art Review · 1881 · etching in black on laid paper ·  Accession ID  2015.19.2451

Frederic Stuart Church, American Art Review, The Mermaid, 1881, etching in green on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2442

The Mermaid

Frederic Stuart Church, American Art Review · 1881 · etching in green on laid paper ·  Accession ID  2015.19.2442

The image shows a busy dockside scene viewed from a waterfront perspective. The horizon is low with distant land visible across the water. The dock area to the right is filled with wooden structures on piles, including buildings with signs like "SPARS" and "BOATS TO LET." Tall masts from docked vessels rise vertically. The style appears to be an etching with fine, intricate lines. The color palette is muted and monochromatic with sepia tones. Rocks and small ripples are visible on the calm water, with people in small boats further out. The background blends into the pale sky.
Charles A. Platt, American Art Review, Old Boat-House, 1881, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2465

Old Boat-House

Charles A. Platt, American Art Review · 1881 · etching in black on laid paper ·  Accession ID  2015.19.2465

The image features a dock with a large ship close by, surrounded by wooden pilings. The horizon is low in the background, with calm seas stretching outwards. Smaller sailing vessels, including a steamboat, can be seen on the horizon. The brushstrokes are fine, capturing the water's texture and ship details. The color palette consists of sepia tones, creating an antiquated feel. The sky is overcast with wispy clouds, enhancing the scene's serene yet industrial atmosphere.
Henry Farrer, American Art Review, Sunset—Gowanus Bay, 1880, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2444

Sunset—Gowanus Bay

Henry Farrer, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.2444

The image shows a cluster of tall, slender trees from a slightly lower perspective. The horizon is low in the frame, partially obscured by the dense foliage and tree trunks. The trees reach up with delicate leaves creating a lacy effect against the sky. The artwork features detailed brushstrokes resembling a line drawing or etching, enhancing the texture and form of the trees. The color palette is monochromatic with sepia tones, creating a vintage look with varying shades of brown defining the patterns in the landscape. In the distance, there are more trees and shrubs, adding depth to the scene while the foreground paths and clearings are intricately detailed, inviting exploration.
Mary Nimmo Moran, American Art Review, Solitude, 1880, etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow), 2015.19.1316

Solitude

Mary Nimmo Moran, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.1316

The image shows a rural landscape with trees and rustic buildings. The view is from a slightly elevated angle, with the horizon high in the image and tall trees marking the boundary against the sky. The etching technique creates intricate lines for the trees, buildings, and foliage. The color scheme is black and white. A figure walks on a path, and wooden houses are seen in the distance, partially hidden by vegetation. Linear cloud formations decorate the sky.
C. F. Kimball, American Art Review, Old Houses at Stroudwater, 1880, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2456

Old Houses at Stroudwater

C. F. Kimball, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.2456

The image shows a wooded area with tall, slender trees in a cluster. The trees are vertical, bending slightly in one direction. The horizon is visible behind the trees, with more vegetation extending to the edge. The artwork features detailed textures of tree barks and foliage, with subtle shading around the roots. The color palette is mainly sepia and brown, giving a vintage and natural impression. In the distance, dense trees create a dark mass, enhancing the depth of the scene.
Mary Nimmo Moran, American Art Review, Solitude, 1880, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2460

Solitude

Mary Nimmo Moran, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.2460