Alan Holoubek

American, active late 20th century

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  • The image contains vertical panels with abstract shapes and lines. Skeleton-like figures are on the far left and right. The second panel from the left depicts an abstract face with large black eyes. In the center, a stylized tree is shown. The fourth panel from the left features another abstract face with swirling lines and textures. The composition combines anatomical studies and natural landscapes in an unconventional way.

    The Foreign Plowman

    Jim Dine, Alan Holoubek, Tom Pruitt, Patrick Foy, Greg Burnet, Graphicstudio

    1988

    Color heliorelief, woodcut, and spit-bite etching with acrylic on five sheets of arches cover wove paper  Accession ID  1991.75.78.a-e

    Not on view
  • The image shows an abstract composition of geometric shapes outlined in bold, black lines. The shapes form a figure resembling a human torso silhouette. The sections are filled with vibrant colors such as reds, greens, yellows, and blues. The background features large sweeping strokes and textured lines, adding to the abstract nature of the piece. The overall appearance is of a colorful, fragmented figure.

    The Oil of Gladness

    Jim Dine, Alan Holoubek, Tom Pruitt, Patrick Foy, Greg Burnet, Graphicstudio

    1988

    Color etching and woodcut on arches cover wove paper  Accession ID  1989.56.4

    Not on view
  • This image shows a collection of vertical panels with complex swirling lines and shapes dominated by shades of blue and black. In the center, there is a figure draped in cloth surrounded by skeletal forms. Tall tree-like forms are on either side, enhancing the verticality and suggesting a connection between nature and human figures. Smaller figures with braided textures are floating beside the central forms, resembling dolls or totems.

    Youth and the Maiden

    Jim Dine, Alan Holoubek, Tom Pruitt, Patrick Foy, Greg Burnet, Graphicstudio

    1988

    Color spitbite etching, heliorelief woodcut, softground etching, and drypoint with hand-painting on three sheets of arches cover wove paper  Accession ID  1990.72.2.a-c

    Not on view
  • The image shows diagonal lines slicing the canvas to form elongated triangles. A collage of vibrant colors and textures creates an abstract piece resembling an eye and facial features. The eye has a vivid blue iris peering through overlapping stripes. The blend of colors adds depth, like layers of a landscape through a fragmented lens. Shapes and colors combine to create a familiar yet abstract composition.

    Flowers and Females

    James Rosenquist, Alan Holoubek, Tom Pruitt, Graphicstudio

    1986 (published 1987)

    Cut-and-pasted color lithograph on arches 88 wove paper and color monoprint on t. h. saunders wove paper  Accession ID  1989.90.5

    Not on view
  • The image displays various irregular shapes and dark lines creating an abstract pattern. White and gray patches are scattered among dark brown and green hues, resembling small islands or rugged terrain. The formations give the impression of a satellite view of a densely forested landscape with areas cleared or developed.

    Mountain's Gate

    Sam Francis, Anthony Zepeda, Alan Holoubek, Gemini G.E.L.

    1985

    Color lithograph on two sheets of arches 88 paper  Accession ID  1989.55.21.a-b

    Not on view
  • The image features bold, wavy lines and large blocks of color that create an abstract composition. The shapes include broad strokes of blue, pink, and gray that intertwine across the canvas. Among the colorful swaths, there are suggestions of familiar elements such as trees with green and yellow hues, and small figures in the center suggestive of people walking on a landscape. The use of vivid colors and thick lines creates an animated, abstract representation that draws connections to natural scenery and human activity, while lines at the top and bottom could represent sky and ground.

    View from the Window

    Roy Lichtenstein, Alan Holoubek, Anthony Zepeda, Ron McPherson, James McGowan, Totti D'Angelo, Gemini G.E.L.

    1985

    Color lithograph, woodcut, and screenprint on arches 88 wove paper  Accession ID  2003.146.2

    Not on view
  • ""

    Road Before the Forest

    Roy Lichtenstein, Alan Holoubek, Anthony Zepeda, Kenneth Farley, Ron McPherson, James McGowan, Totti D'Angelo, Gemini G.E.L.

    1985

    Color lithograph, woodcut, and screenprint on arches 88 wove paper  Accession ID  1989.55.47

    Not on view
  • ""

    M

    Richard Diebenkorn, James Reid, Alan Holoubek, Serge Lozingot, Anthony Zepeda, Mari Andrews, Rachel Smookler, Chris Sukimoto, Gemini G.E.L.

    1984, published 1986

    Color lithograph on arches 88 wove paper  Accession ID  1991.74.21

    Not on view
  • ""

    Greyland

    Richard Diebenkorn, Serge Lozingot, Kevin Kennedy, Anthony Zepeda, Alan Holoubek, Richard Hammond, Alan Cheung, Gemini G.E.L.

    1984, published 1986

    Color lithograph on arches 88 wove paper  Accession ID  1989.55.17

    Not on view
  • The image shows an arrangement of straight lines and angular shapes forming a geometric composition on a textured background.

    Trip on the Ground

    Richard Diebenkorn, Alan Holoubek, Serge Lozingot, Gemini G.E.L.

    1984, published 1986

    Lithograph in black and gray on wove paper  Accession ID  1990.71.3

    Not on view
  • The image features a series of bold, black, rectangular and irregular shapes intersected by thin white lines, creating an abstract composition. The contrasts, textures, and arrangement suggest the appearance of a blueprint map or city grid from above, prompting viewers to search for familiar patterns such as city streets or architectural schematics.

    Serge [special proof]

    Richard Diebenkorn, Serge Lozingot, Alan Holoubek, Gemini G.E.L.

    1984, published 1986

    Lithograph on arches 88 wove paper [special proof]  Accession ID  1989.55.18

    Not on view
  • The image depicts an intricate pattern of dark, irregular shapes and lines creating an abstract texture. Lighter patches are scattered throughout the design, which features deep green and brown hues. The interplay of light and shadow suggests a moonlit landscape or city lights seen from above at night. The composition prompts viewers to consider their own interpretations and connections to distant sights.

    Indigo Wood

    Sam Francis, Anthony Zepeda, Alan Holoubek, Gemini G.E.L.

    1984

    Color lithograph on arches 88 wove paper  Accession ID  1986.90.10

    Not on view