Knickerbocker Machine & Foundry

KMF, Inc.

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The image displays a woman in a close-up portrait. She is smiling, with her head turned slightly to the side. Her facial features are well-defined and her hair is styled in a shoulder-length bob. She appears to be wearing a light-colored coat with a dark collar. Another person is partially visible behind her. The background is abstract and textured to highlight the woman in the foreground.
Andy Warhol, Knickerbocker Machine & Foundry, Original Editions, Jacqueline Kennedy I, 1966, screenprint in silver on wove paper, Print Purchase Fund (Rosenwald Collection), 1971.10.3

Jacqueline Kennedy I

Andy Warhol, Knickerbocker Machine & Foundry, Original Editions · 1966 · screenprint in silver on wove paper ·  Accession ID  1971.10.3

The image shows the upper part of a woman's body facing forward with a slight turn, smiling widely. She has short, voluminous, slightly curly hair and is wearing a light-colored hat. She is dressed in a coat with a darker collar. In the background, a man with short, dark hair is partially visible. The image has a grainy texture and a vintage print-like quality.
Andy Warhol, Knickerbocker Machine & Foundry, Original Editions, Jacqueline Kennedy I, 1966, screenprint in silver on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.2

Jacqueline Kennedy I

Andy Warhol, Knickerbocker Machine & Foundry, Original Editions · 1966 · screenprint in silver on wove paper ·  Accession ID  1991.239.1.2

This is a photograph of a book cover. The image shows an orange cover with two purple graphics: a circle with the number '11' on the left and a triangle with the text 'POP Artists' on the right. There is a black ribbon tied on the right edge of the book.
Various Artists, Tom Wesselmann, Andy Warhol, Roy Lichtenstein, Allan D'Arcangelo, Jim Dine, Peter Phillips, John Wesley, James Rosenquist, Mel Ramos, Gerald Laing, Allen Jones, Knickerbocker Machine & Foundry, Original Editions, 11 Pop Artists, Volume I, 1966, portfolio of eleven prints with title and colophon pages, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.1-11

11 Pop Artists, Volume I

Various Artists, Tom Wesselmann, Andy Warhol, Roy Lichtenstein, Allan D'Arcangelo, Jim Dine, Peter Phillips, John Wesley, James Rosenquist, Mel Ramos, Gerald Laing, Allen Jones, Knickerbocker Machine & Foundry, Original Editions · 1966 · portfolio of eleven prints with title and colophon pages ·  Accession ID  1991.239.1.1-11

The image shows rectangular and triangular shapes with clean lines. A large green rectangle is central with a black arrow pointing upward. Flanking the rectangle are thin vertical green panels with jagged edges on top. The background contrasts a blue sky at the top and bold black geometric forms below.
Allan D'Arcangelo, Knickerbocker Machine & Foundry, Original Editions, Landscape I, 1965 (published 1966), screenprint on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.4

Landscape I

Allan D'Arcangelo, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint on wove paper ·  Accession ID  1991.239.1.4

The image depicts a woman's upper body from her shoulders upwards. She is slightly turned to the side, with her head facing forward and looking directly at the viewer. Her facial features include large eyes, a straight nose, and full lips painted a bright pink. She has light blonde hair styled in voluminous waves cascading down around her shoulders. The woman appears to be without clothing, as her bare shoulders and arms are visible, suggesting a state of undress. Her arms are raised in front of her, with her hands beneath her chin. The background is a solid, vibrant pink with the word "CHIC" in orange letters. There are no visible accessories or objects in her hands, and the setting is purely graphic with no specific environmental context provided.
Mel Ramos, Knickerbocker Machine & Foundry, Original Editions, Chic, 1965 (published 1966), screenprint on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.9

Chic

Mel Ramos, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint on wove paper ·  Accession ID  1991.239.1.9

The image showcases bold shapes and lines intersecting across the canvas in a dynamic composition. It integrates a black-and-white halftone depiction of a woman and part of a classic car, with zigzag patterns, curved forms, and vibrant colors suggesting energy and motion. Black grid lines in the background add structure, resembling a blueprint or ornate window grid. The juxtaposition of abstract and familiar elements creates a lively visual narrative.
John Wesley, Knickerbocker Machine & Foundry, Original Editions, Maiden, 1965 (published 1966), screenprint on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.7

Maiden

John Wesley, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint on wove paper ·  Accession ID  1991.239.1.7

The artwork features three photographs arranged diagonally across the canvas showing desert landscapes with large cacti. Two photographs display a person in a cowboy hat leaning against a cactus. The background is minimalistic with a blue sky at the top and a white foreground. In the bottom right corner, there is an image resembling a postcard or form for writing. The top section shows stylized painted cacti on a blue background. This painting is in the style of David Hockney.
Allen Jones, Knickerbocker Machine & Foundry, Original Editions, Miss America, 1965 (published 1966), color lithograph on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.11

Miss America

Allen Jones, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · color lithograph on wove paper ·  Accession ID  1991.239.1.11

The image displays a composition of curved and angular shapes layered together in a fragmented manner. Shapes and lines create a collage of clothing, limbs, and accessories. At the center is a red Marlboro cigarette box against a grayscale pattern. Other fragments resemble fashion elements like garments, a high heel, and a gloved hand akin to magazine cutouts, blending real and stylized elements in this abstract artwork.
Jim Dine, Knickerbocker Machine & Foundry, Original Editions, Awl, 1965 (published 1966), screenprint in black and red on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.5

Awl

Jim Dine, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint in black and red on wove paper ·  Accession ID  1991.239.1.5

The image shows an abstract composition with a flat, even perspective. There is a horizon line one-third from the bottom, with deep black forms blending into swirling blues. A strip of orange-red polka-dots is in the upper quarter, with a circle to the right. Bold black shapes in the foreground suggest land or shadows. The style features smooth brushstrokes creating concentric patterns in blues and sharp lines in the black shapes. The color palette includes dark blues, black, and orange-red.
Roy Lichtenstein, Knickerbocker Machine & Foundry, Original Editions, Moonscape, 1965 (published 1966), color screenprint on blue Rowlux, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.3

Moonscape

Roy Lichtenstein, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · color screenprint on blue Rowlux ·  Accession ID  1991.239.1.3

The image shows overlapping circular shapes and lines in an abstract arrangement with colors such as pinks, purples, greens, and oranges. Small white circles with the letters "GE" in a script-like font are scattered throughout the composition.
James Rosenquist, Knickerbocker Machine & Foundry, Original Editions, Circles of Confusion, 1965 (published 1966), color screenprint on Beckett wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.8

Circles of Confusion

James Rosenquist, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · color screenprint on Beckett wove paper ·  Accession ID  1991.239.1.8