Master S

Monogrammist S
Sanders Alexander van Brugsal

Netherlandish, active 1516 - c. 1545

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This is a photograph of a red textured surface. The image shows a close-up view of a material that has a consistent, even crimson color with a subtle grid-like pattern. This pattern is reminiscent of a leather-like texture, characterized by its small, interconnected lines and natural-looking grooves that give it a realistic, tactile appearance. The surface appears to be smooth and slightly glossy, reflecting the light subtly to highlight the pattern throughout. The edges of the surface are slightly rounded.
Master S, The Passion, first quarter 16th century, bound volume with 18 engravings, Rosenwald Collection, 1943.3.7972.1-18

The Passion

Master S · first quarter 16th century · bound volume with 18 engravings ·  Accession ID  1943.3.7972.1-18

The image features a highly detailed engraving showing a group of figures clustered together, primarily depicting their upper bodies. The central figure has a halo around their head and is standing, while exchanging or receiving an object with a seated figure to the right. The seated figure is wearing a tall hat and voluminous robes, with distinct facial features, elongated beards, and detailed hair. Surrounding them are several other men in helmets and armor, some holding staffs or spears. The scene is framed with decorative motifs, including cherub-like figures at the top, archways, columns, and patterned borders along the edges. In the background, architectural details like arched windows and columns provide depth. The composition is bordered by ornate patterns, enhancing the historical and artistic theme of the engraving.
Master S, Christ Before Annas, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.10

Christ Before Annas

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.10

This is a drawing of a religious scene set in an architectural setting. The scene is enclosed within an ornate architectural border that includes intricate patterns and reliefs. Two perched figures sit above the frame with crossed arms. The central vignette depicts a group of figures standing in a room adorned with archways and decorative panels, possibly in a temple or grand hall. The figures seem to be engaged in some form of discussion or procession, with some of them having halos. The composition is detailed, highlighting the interaction between the figures and their architectural surroundings.
Master S, Christ Before Caiaphas, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.11

Christ Before Caiaphas

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.11

The image is a black and white illustration of the Crucifixion of Jesus. Jesus is depicted on a cross at the center, wearing a crown of thorns, with several figures gathered around. The figures are dressed in robes with hoods or head coverings, some have halos, and one is on a horse. They display expressions of grief or reverence. The scene is surrounded by an ornate border with decorative elements, cherubic figures at the corners, and architectural elements in the background.
Master S, Christ on the Cross with Saint Longinus, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.13

Christ on the Cross with Saint Longinus

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.13

This is a drawing of a religious scene in an elaborate frame. The central image contains a group of figures engaged in a religious activity, with a horizontal figure at the bottom surrounded by other figures in robes. Above them, a burst of light radiates from behind a skull encircled by a crown of thorns. The frame is adorned with intricate motifs and carvings, including foliage designs along the sides and cherubic figures in the corners.
Master S, The Lamentation of Christ, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.15

The Lamentation of Christ

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.15

This is a drawing showing a group scene within an architectural setting. Multiple figures are depicted in a detailed interior. The figures are closely gathered and engaged in action. The scene is enclosed within a decorated frame resembling an architectural archway. The drawing includes sculptural motifs and decorative elements. Cherubic or putti figures are depicted above the scene. The line work is detailed, capturing the textures of the architecture and figures' garments.
Master S, Christ Crowned with Thorns, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.17

Christ Crowned with Thorns

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.17

This is a detailed drawing within an ornate rectangular frame. In the center is a scene depicting figures in an interior setting surrounded by classical architectural elements like arches and columns. The figures are engaged in interaction with varying expressions. Above the scene is a decorative border with cherubic figures and intricate scrollwork. The background shows architectural structures and an urban landscape visible through an archway. The composition is framed by columns with floral and geometric patterns.
Master S, The Mocking of Christ (?), first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.14

The Mocking of Christ (?)

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.14

This is a drawing of an ancient architectural scene with figures in an ornate architectural setting. The image depicts a detailed environment that includes a group of figures gathered within, surrounded by arches, columns, and a decorative border. The scene is portrayed through a stylized style, with carvings and embellishments in the framing architecture, including floral and geometric patterns. The central figure is prominently placed on an elevated platform. The drawing's use of linework and shading techniques creates a sense of depth and complexity.
Master S, Ecce Homo, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.7

Ecce Homo

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.7

This is a drawing of a group of armed figures within a decorative frame. The detailed scene depicts individuals clustered tightly together. Some are holding weapons or shields. The central figure is depicted with a halo. The action is surrounded by an intricately designed border with ornate motifs and cherubic figures in the top corners. The style of the drawing is reminiscent of medieval or early Renaissance woodcuts, with fine lines and shading creating depth and texture.
Master S, The Betrayal of Christ, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.3

The Betrayal of Christ

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.3

This is a drawing of a religious scene within a decorative frame. The central image shows a group of figures in action. The background includes a mountain landscape with clouds. In the foreground, a figure is kneeling in prayer, surrounded by others. The artwork is enclosed by an ornate frame with floral and cherubic motifs, resembling a woodcut or engraving with intricate line work.
Master S, Christ on the Mount of Olives, first quarter 16th century, engraving on laid paper, Rosenwald Collection, 1943.3.7972.4

Christ on the Mount of Olives

Master S · first quarter 16th century · engraving on laid paper ·  Accession ID  1943.3.7972.4