Caversham Press

Christian, Malcolm

founded 1985

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The image displays abstract shapes and lines, including a circular, drum-like structure at the top with surrounding animal-like figures. A line connects this structure to a suitcase below it. Beneath the suitcase are intricate sketches of a marching band, a compass tool, a rifle, and a red area with the phrase "LEFT LUGGAGE."
Deborah Bell, Caversham Press, Left Luggage, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.13

Left Luggage, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.13

The image shows bold, curved lines and various forms in an abstract composition. At the top, there are human figures carrying an indistinct load. Below them, there is a sketch resembling a head or mask with circular eye-like shapes resting or leaning, in shades of black and blue. Abstract marks, lines, segments of writing, and geometric shapes fill the background, creating a chaotic scene. A sign labeled "AFRICA" anchors one part of the drawing.
Deborah Bell, Caversham Press, The Grand Tour, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.11

The Grand Tour, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.11

The image consists of bold, sweeping lines of varying thickness creating abstract shapes and forms. There is a large, dark, curved structure on the left and a hand clutching a stopwatch on the right. Other elements in the composition resemble familiar objects, such as a chair-like structure and various human-like figures. The lines and shapes combine to form a surreal landscape with the impression of a person holding an oversized stopwatch and a distorted chair with an arch overhead.
Deborah Bell, Caversham Press, Ma Ubu, Political Advisor, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.10

Ma Ubu, Political Advisor, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.10

The image displays abstract lines and forms. Three vertically oriented figures are at the top, with raised hands. Below them is a rifle. At the bottom, two hands are engaged in a handshake. The figures have simplified facial features. Additional faint shapes are scattered in the background.
Deborah Bell, Caversham Press, Salutations - Ubu Expands his Horizons, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.15

Salutations - Ubu Expands his Horizons, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.15

The image depicts various sketchy lines and shapes creating an abstract composition. In the center is a dark humanoid sculpture with a curving form. Surrounding it are smaller sketches: a bicycle with a figure, a cube-like structure, and a jar-like shape with spiral markings. Abstract humanoid figures with exaggerated limbs are also present. The scene is in neutral tones with accents of warm brown and dusty red.
Deborah Bell, Caversham Press, Ubu, Ma Ubu and Ma Ubu's Lover, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.12

Ubu, Ma Ubu and Ma Ubu's Lover, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.12

The image contains a series of lines and shapes forming an abstract composition. In the center, there is a shape resembling a chair or throne with a standing figure on it, arms extended. The use of curved lines and round shapes suggests familiarity with objects like a drum or pedestal. Several smaller sketches surround the main figure, including a hand holding a tool, contributing to the abstract nature of the piece. The artwork features elements vaguely resembling recognizable forms in an abstract presentation.
Deborah Bell, Caversham Press, Seat of Power, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.9

Seat of Power, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.9

The image shows the upper part of a person's body, focusing on the head and neck with a side profile view. The head is slightly tilted upwards. The facial features are abstractly rendered, emphasizing the eyes, nose, and minimal lip outline using black lines and shading, with red shading on the forehead and cheek area. The hair is not detailed. The clothing is abstractly depicted, with lines on the lower neck and a geometric shape resembling a shoulder pad on the top right edge. There are no visible jewelry or objects, and the background is predominantly white with faint abstract markings and shading.
Deborah Bell, Caversham Press, Ubu Potentate, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.16

Ubu Potentate, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.16

This is a photograph of a textual design. The image features the words "UBU centenaire" written in red ink towards the top center. Below, the text reads "Histoire d'un farceur criminel" in blue font. The design is set against an off-white background.
William Kentridge, Robert Hodgins, Deborah Bell, Caversham Press, UBU: ± 101, 1997, portfolio of eight intaglio prints on Fabriano paper plus title page, Gift of Thomas G. Klarner, 2005.64.1.1-24

UBU: ± 101

William Kentridge, Robert Hodgins, Deborah Bell, Caversham Press · 1997 · portfolio of eight intaglio prints on Fabriano paper plus title page ·  Accession ID  2005.64.1.1-24

The image depicts a combination of dynamic lines and sharp angular shapes overlaying softer, more fluid contours to create an abstract composition. In the center, there is a large figure with elongated ears. The use of monochrome lines blended with patches of reddish hue creates a striking, mask-like appearance. Below the figure, there are broad, horizontal strokes suggesting a neck adorned with layered adornments or a collar. The overall structure evokes patterns seen in art depictions of anthropomorphic figures.
Deborah Bell, Caversham Press, Ma Ubu, from Ubu in Africa, 1997, drypoint, aquatint, and roulette with chine collé on wove paper, Gift of Thomas G. Klarner, 2005.64.1.14

Ma Ubu, from Ubu in Africa

Deborah Bell, Caversham Press · 1997 · drypoint, aquatint, and roulette with chine collé on wove paper ·  Accession ID  2005.64.1.14

This is a drawing of an interrogation room setting. The artwork features a stylized figure sitting behind a desk. The figure is depicted with exaggerated features like an oval head and is wearing dark glasses and a coat. The desk displays various objects, including a blue folder or book labeled "DOSS.," a lipstick-like item, a band or ring, and a small box with a cross. There is a clock on the wall behind the figure, alongside a vertical blue textured stripe. The drawing combines line work, shading, and selective use of color, particularly black, blue, and red. The words "South Africa 197? - Interrogator" are inscribed at the bottom.
Robert Hodgins, Caversham Press, South Africa - 197? - Interrogator, from Ubu centenaire: Histoire d'un farceur criminel, 1996-1997, lithograph and screenprint on wove paper, Gift of Thomas G. Klarner, 2005.64.1.23

South Africa - 197? - Interrogator, from Ubu centenaire: Histoire d'un farceur criminel

Robert Hodgins, Caversham Press · 1996-1997 · lithograph and screenprint on wove paper ·  Accession ID  2005.64.1.23