H.C. Dickins

Dickins, Alec C.
Dickins, Harold W.
Dickins, Harry C.

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This is a drawing of a horse standing near trees. The image features a horse positioned in a wooded area, with dense foliage in the background and several trees providing a textured backdrop. The trees are intricately drawn with attention to the bark and leaves. The horse is displayed in a side profile, showcasing its muscular build. Shadows and shading techniques add depth to the horse's figure and the surrounding environment.
Charles Frederick Tunnicliffe, H.C. Dickins, The White Horse, 1927, etching in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1446

The White Horse

Charles Frederick Tunnicliffe, H.C. Dickins · 1927 · etching in black on wove paper ·  Accession ID  2015.19.1446

The image shows an elevated point of view of a densely packed townscape with a river cutting across the middle. The horizon, intricately drawn foliage, and a twin-domed structure near the center are visible. A stone bridge on the right links the town's banks. The etching technique is detailed with hatch marks for depth and texture. The sepia color palette enhances details. The rooftops create a bustling architectural rhythm in the foreground.
Leonard Beaumont, H.C. Dickins, Old Heidelberg, 1927, etching in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1373

Old Heidelberg

Leonard Beaumont, H.C. Dickins · 1927 · etching in black on wove paper ·  Accession ID  2015.19.1373

The image shows a pastoral scene with a rural farmyard. Cows are lying down in the foreground. Stone structures create a barrier in the background. The brushstrokes are fine and intricate, detailing the stone walls and cattle fur. The color palette is sepia-toned. A large tree extends upwards towards the textured sky.
Charles Frederick Tunnicliffe, H.C. Dickins, The Pasture Gate, 1926, etching in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1445

The Pasture Gate

Charles Frederick Tunnicliffe, H.C. Dickins · 1926 · etching in black on wove paper ·  Accession ID  2015.19.1445

This is a drawing of a large, circular arena with arches and figures moving about. The image depicts a grand architectural structure, likely an amphitheater or coliseum, with multiple archways along the perimeter, filled with numerous indistinct spectator shapes. The central arena holds abstract representations of figures and animals. The pen or pencil work is delicate and fine, capturing movement and grandeur. The perspective emphasizes the scale and activity within the setting.
William Walcot, H.C. Dickins, A Bull Fight, Seville, 1924, etching and drypoint in black, Rosenwald Collection, 1943.3.8347

A Bull Fight, Seville

William Walcot, H.C. Dickins · 1924 · etching and drypoint in black ·  Accession ID  1943.3.8347

The image shows an urban scene from an elevated perspective, depicting a lively area on a bridge. The horizon is high, with the city skyline in the distance. Horse-drawn carriages and various figures are visible on the bridge, including a woman with a basket. The artwork features expressive lines creating a sense of movement, with a color palette of soft tones such as brown and grey. Intricate details can be seen in the bridge's ornaments and the historical attire of the figures, highlighting the scene's historical nature.
William Walcot, H.C. Dickins, Segovia Bridge, Madrid, 1924, drypoint in black on laid paper, Corcoran Collection (Gift of E. Gerald Lamboley, 1993), 2015.19.2987

Segovia Bridge, Madrid

William Walcot, H.C. Dickins · 1924 · drypoint in black on laid paper ·  Accession ID  2015.19.2987

The image shows a street scene from an elevated point of view, capturing a busy urban square with various figures. The horizon features tall buildings with intricate architectural details. In the center, there is a fountain with a sculpted figure on multiple tiers. Surrounding the square are buildings with balconies and pillars. The style is defined by fine lines and a sketch-like technique, creating a sense of movement. The color palette is mainly monochromatic, with ochre and sepia tones. People in motion are visible in the foreground, along with a trolley and street carriage. Buildings in the distance fade, creating depth.
William Walcot, H.C. Dickins, Piccadilly Circus, with the Criterion Theatre, 1924, etching, aquatint, and roulette in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley, 1993), 2015.19.2984

Piccadilly Circus, with the Criterion Theatre

William Walcot, H.C. Dickins · 1924 · etching, aquatint, and roulette in black on wove paper ·  Accession ID  2015.19.2984

The image depicts a scene overlooking a river with historical buildings and boats. The horizon is high, showing a cityscape fading into the distance. The buildings have a hazy quality, and the artwork features sketch-like brushstrokes defining outlines and shading in a monochrome style. The color palette consists of sepia tones and light grays. A steamship is seen in the foreground on the water, and a bridge crosses the river with visible pedestrian activity. Various boats are present on the river, with industrial buildings along the water's edge.
William Walcot, H.C. Dickins, The Tyne, 1922, etching and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley, 1993), 2015.19.2989

The Tyne

William Walcot, H.C. Dickins · 1922 · etching and aquatint in black on wove paper ·  Accession ID  2015.19.2989

The scene depicts an industrial shipyard with cranes, scaffolding, and a large ship under construction. The composition is divided by the low horizon into sky and detailed structures. The artwork features sketch-like lines and precise strokes with a color palette of soft greys and beiges. A faint structure on the water, potentially a lighthouse, is visible on the left.
William Walcot, H.C. Dickins, The Clyde, 1922, etching and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley, 1993), 2015.19.2979

The Clyde

William Walcot, H.C. Dickins · 1922 · etching and aquatint in black on wove paper ·  Accession ID  2015.19.2979

The image presents a view of a Venetian scene with a canal filled with gondolas. The perspective is slightly elevated, showing architectural elements. The horizon is low, defined by the waterway and buildings. The brushstrokes are delicate, capturing architectural details and water reflections. The color palette is monochromatic with varying shades of black and gray. Statues and columns rise in the distance, adding to the scene's complexity and grandeur.
William Walcot, H.C. Dickins, Library of San Marco, 1921, etching, drypoint, and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2983

Library of San Marco

William Walcot, H.C. Dickins · 1921 · etching, drypoint, and aquatint in black on wove paper ·  Accession ID  2015.19.2983

The image shows an architectural facade with intricate detailing, including pointed arches and figures below them. The perspective is slightly angled. The horizon is unclear, with the facade and a distant line of buildings or a waterfront forming a boundary. Delicate brushstrokes capture fine details and suggest movement with lightly rendered figures. The color palette is monochromatic with shades of gray and sepia. A lamppost is visible in the distance on the right. Figures near the viewer add a sense of liveliness to the scene.
William Walcot, H.C. Dickins, The Doge's Palace, 1920, etching and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley, 1993), 2015.19.2980

The Doge's Palace

William Walcot, H.C. Dickins · 1920 · etching and aquatint in black on wove paper ·  Accession ID  2015.19.2980