Harry N. Abrams, Inc.

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  • The image shows four abstract panels with distinct shapes and patterns. The first panel features a grid of circular dots forming the outline of a house with a triangle roof against a background hinting at sky and grass. The second panel displays abstract shapes resembling two trees with trunks and layered leaves made of rounded forms. The third panel shows dots arranged to suggest a scene with a sandy beach meeting a body of water, with a clear horizon line in between. The fourth panel shows the silhouette of birds in flight against a yellow, textured background. Each panel uses a grid or repetitive pattern to create cohesive scenes that connect to familiar objects like a house, trees, a landscape, and birds.

    From Rhapsody: House, Trees, Beach, Bird

    Jennifer Bartlett, Patricia Branstead, Harry N. Abrams, Inc.

    1985

    Color photo-etching, sugarlift, aquatint, spitbite, and drypoint on four sheets of wove t. h. saunders paper  Accession ID  2016.22.28.1-4

    Not on view
  • ""

    Formulation: Articulation II

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Portfolio of thirty-three screenprints  Accession ID  2015.19.2850.1-33

    Not on view
  • The image shows geometric shapes with sharp angles and clean lines, primarily in shades of gray and black. The abstract design includes overlapping parallelograms and triangles that create a sense of depth and dimension. These forms are set against a pale background, emphasizing the contrast and interaction between the shapes.

    Folder 26

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.26

    Not on view
  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image shows two adjacent rectangles filled with geometric shapes forming an abstract design. Each rectangle has small white and grey parallelograms that interlock like origami paper folds. One rectangle is grey, while the other has a bold blue strip at the top edge. The design resembles architectural forms or open origami figures.

    Folder 23

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.23

    Not on view
  • The image shows a series of nested rectangular shapes aligned in a row, with each set composed of progressively smaller rectangles positioned within each other. The composition features dominant shades of red and orange with a pale background.

    Folder 27

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.27

    Not on view
  • The image shows two sets of nested rectangles positioned next to each other on a neutral background. Each set includes four rectangles of varying colors, creating an abstract shape composition. The left set transitions from deep brown to vibrant orange, while the right set mirrors this with the opposite color scheme. The stacked rectangles resemble layered frames or nested boxes, highlighting symmetry and balance in the image.

    Folder 19

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.19

    Not on view
  • The image shows two sets of nested rectangles. On the left, there are four rectangles in shades of gray and blue. On the right, the rectangles are in a warm color palette of yellow-orange, yellow, and light gray.

    Folder 8

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.8

    Not on view
  • There are two sets of nested rectangles in the image. The left side features green, teal, and blue rectangles, while the right side features blue, teal, and green rectangles. The composition is abstract and balanced, set against a light, neutral background.

    Folder 32

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.32

    Not on view
  • The image displays a framed composition of abstract shapes and lines against a blank background. Inside the frame, there are elongated, wavy forms that suggest the outline of vases or elongated bottles, interwoven with horizontal lines creating a striped effect. The abstract design combines earthy brown tones resembling interlocking wooden patterns or reflections on water. The bordered rectangle on the right contrasts with the stark white on the left, emphasizing the fluid interplay of shapes inside.

    Folder 22

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.22

    Not on view
  • The image shows nested rectangles in vibrant shades of red, orange, and pink arranged symmetrically on a plain backdrop. The design creates an optical illusion of depth, resembling stacked boxes or windows receding into the distance. The use of color-blocking and geometric shapes plays with spatial perception, creating a layered frame effect.

    Folder 28

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.28

    Not on view
  • The image displays an assembly of elongated oval and curved shapes intertwined within a rectangular form, predominantly in blue and white, set against a beige background. This composition presents an abstract design, wherein the curved forms loosely resemble a collection of overlapping leaves or petals. The arrangement of shapes creates a visual rhythm.

    Folder 3

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue-green on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.3

    Not on view