Phel Steinmetz

Steinmetz, Philip

American, 1944 - 2013

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This is a photograph of a film shooting set taking place outdoors. The image captures the scene where various pieces of film equipment, including a camera mounted on a tripod, are set up around a vintage car. There are multiple pairs of black boots lined up in the foreground. To the right, a hose is laid out on the ground next to a grassy area. In the background, there is abundant greenery with trees. A person is seen on horseback.
Eleanor Antin, Phel Steinmetz, 100 Boots in the Park. Central Park, New York City, May 16, 1973, 2:40 p.m., 1973, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.49

100 Boots in the Park. Central Park, New York City, May 16, 1973, 2:40 p.m.

Eleanor Antin, Phel Steinmetz · 1973 · halftone print (postcard) ·  Accession ID  2015.205.49

The image shows a view looking over a body of water towards a city skyline. Neat rows of rubber boots are placed in front of a wrought iron fence. The water leads towards the horizon where the cityscape is visible, with skyscrapers, a ferry, and the Statue of Liberty in the distance. The image is in black and white, creating high contrast between the foreground and background elements.
Eleanor Antin, Phel Steinmetz, 100 Boots on the Ferry. Upper Harbor, New York City. May 16, 1973, 11:20 a.m., 1973, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.46

100 Boots on the Ferry. Upper Harbor, New York City. May 16, 1973, 11:20 a.m.

Eleanor Antin, Phel Steinmetz · 1973 · halftone print (postcard) ·  Accession ID  2015.205.46

The image shows an urban scene seen from a street level, looking down a wide city avenue with tall buildings on either side. The buildings on the left have large window displays and detailed architectural features, casting shadows onto the sidewalk. On the right, the buildings are more modern with plain facades and prominent signage like the number "1370" running vertically. In the distance, the avenue narrows with buildings receding in perspective towards a tall skyscraper with a vertical sign. The image is in black and white, showcasing contrasts between shadows and highlights. Pedestrians and a car can be seen closer to the viewer, emphasizing the scale of the city environment.
Eleanor Antin, Phel Steinmetz, 100 Boots Cross Herald Square. 35th Street and Broadway, New York City. May 13, 1973, 8:10 a.m., 1973, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.47

100 Boots Cross Herald Square. 35th Street and Broadway, New York City. May 13, 1973, 8:10 a.m.

Eleanor Antin, Phel Steinmetz · 1973 · halftone print (postcard) ·  Accession ID  2015.205.47

This is a photograph of a city sidewalk with a line of black boots at the curb. The image shows a row of identical boots positioned along the edge of a sidewalk. A building facade, with posters and advertisements in the windows, forms the backdrop. The street is quiet, with an overcast atmosphere suggested by the shadows and lighting. The boots create a rhythmic pattern along the sidewalk, their uniformity contrasting with the rectilinear lines of the architecture. The photograph's composition includes both the horizontal lines of the building and the vertical lines of the boots.
Eleanor Antin, Phel Steinmetz, 100 Boots Enter the Museum. 11 West 53rd Street, New York City. May 15, 1973, 10:50 a.m., 1973, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.50

100 Boots Enter the Museum. 11 West 53rd Street, New York City. May 15, 1973, 10:50 a.m.

Eleanor Antin, Phel Steinmetz · 1973 · halftone print (postcard) ·  Accession ID  2015.205.50

A large tent is visible on the right side of the image. In front of the tent are two rows of boots arranged neatly on the ground. On the left side, a truck is parked near a tall spiral-shaped structure in the distance. The image is in black and white.
Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd., 100 Boots Try Again. Del Mar, California. June 24, 1972, 11:00 a.m., 1972, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.24

100 Boots Try Again. Del Mar, California. June 24, 1972, 11:00 a.m.

Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd. · 1972 · halftone print (postcard) ·  Accession ID  2015.205.24

The image shows an aerial view of a gently rolling landscape with a fence made of closely spaced, dark vertical posts. The fence creates a zigzag pattern across the hills. The horizon is not visible, emphasizing the continuous nature of the terrain. The surface texture is depicted with delicate brushstrokes or tones, simulating the natural pattern and contour of the ground. The color palette consists mainly of shades of grey, black, and white, enhancing depth and contrast on the land and fence. The subdued palette contributes to a serene and contemplative visual effect.
Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd., 100 Boots on the March. La Jolla, California. July 6, 1972, 11:45 a.m., 1972, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.35

100 Boots on the March. La Jolla, California. July 6, 1972, 11:45 a.m.

Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd. · 1972 · halftone print (postcard) ·  Accession ID  2015.205.35

The image shows a ground-level view of a barren landscape with pairs of rubber boots standing upright and partially buried in the dirt. In the distance, an industrial complex is visible, marked by chimneys and structures emitting smoke. Utility poles and cables line the horizon. The photograph is in black and white, emphasizing light and shadow contrasts. The composition focuses sharply on the details of the boots and becomes less distinct toward the horizon.
Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd., 100 Boots Out of a Job. Terminal Island, California. February 15, 1972, 4:45 p.m., 1972, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.22

100 Boots Out of a Job. Terminal Island, California. February 15, 1972, 4:45 p.m.

Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd. · 1972 · halftone print (postcard) ·  Accession ID  2015.205.22

The image shows a riverboat named "Reuben E. Lee" docked next to a boardwalk. In the background, there are structures and palm trees. The boat has arched windows, railings, and bunting decorations. The sky and water are depicted in monochrome tones. Overhanging leaves cast shadows on the scene, framing the boat and water. The overall color scheme is black and white.
Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd., 100 Boots Boarding. San Diego, California. June 13, 1972, 9:30 a.m., 1972, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.29

100 Boots Boarding. San Diego, California. June 13, 1972, 9:30 a.m.

Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd. · 1972 · halftone print (postcard) ·  Accession ID  2015.205.29

The image is a landscape captured from a slightly elevated vantage point, showing a hilly terrain with a building nestled among trees in the distance. The horizon is high in the image, with a building faintly visible against the sky, partly obscured by foliage. A series of small markers or posts are placed along one of the hillsides. Dry grasses and low bushes cover the ground leading uphill, where vegetation becomes denser. The scene is in black and white, creating a monochromatic palette emphasizing contrasts between sunlit open areas and dark shadows within the trees.
Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd., 100 Boots Taking the Hill (5). Lomas Santa Fe, California. June 13, 1972, 2:50 p.m., 1972, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.43

100 Boots Taking the Hill (5). Lomas Santa Fe, California. June 13, 1972, 2:50 p.m.

Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd. · 1972 · halftone print (postcard) ·  Accession ID  2015.205.43

The image shows a dimly lit gaming table with poker chips, playing cards, and a large bottle of Seagram's 7 Crown Whiskey. The color palette is primarily shades of grey. The largest pile of poker chips is in the center right, and the bottle of whiskey is in the lower right. Playing cards are spread out on the table, with glasses and ashtrays placed around the surface.
Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd., 100 Boots Ace High. San Diego, California. June 13, 1972, 10:40 a.m., 1972, halftone print (postcard), Pepita Milmore Memorial Fund, 2015.205.31

100 Boots Ace High. San Diego, California. June 13, 1972, 10:40 a.m.

Eleanor Antin, Phel Steinmetz, Frye & Smith, Ltd. · 1972 · halftone print (postcard) ·  Accession ID  2015.205.31