Charles A. Platt

Platt, Charles Adams
American, 1861 - 1933

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The image shows a tranquil body of water with a horizon line above the center. Clusters of bushes and a sailboat with its reflection are visible. The brushstrokes are soft and impressionistic, with lines suggesting textures. The color palette consists mainly of brown and beige. Close to us, textured ground leads to the water's edge with organic forms suggesting plant life. In the distance, the landscape stretches toward the horizon in a serene stillness.
Charles A. Platt, Untitled (River Scene with Boat), 1891, etching in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3957

Untitled (River Scene with Boat)

Charles A. Platt · 1891 · etching in black ·  Accession ID  2008.115.3957
The image shows a waterway with boats, rendered in fine line work. In the background, there is a cityscape with various buildings, including one with a dome and spires. The water takes up most of the image, with light strokes suggesting ripples. The color palette is monochromatic, using shades of black ink. Closest to the viewer is a rooftop and part of a boat or barge.
Charles A. Platt, Williamsburg from the Bridge (Sketch), 1889, etching in black, Gift of Addie Burr Clark, 1946.9.228

Williamsburg from the Bridge (Sketch)

Charles A. Platt · 1889 · etching in black ·  Accession ID  1946.9.228
The image shows a riverside with a view of a sailing ship docked next to a wharf on the left side. Smaller boats with visible masts are seen moving in the water on the right. In the distance, there is a long suspension bridge spanning the horizon. The cityscape lies beneath the bridge. The scene is depicted in a sketch-like style with fine brushstrokes, creating a textured and intricate depiction. The color palette is monochromatic with sepia tones and soft earth hues.
Charles A. Platt, Brooklyn Bridge, 1888, etching in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1357

Brooklyn Bridge

Charles A. Platt · 1888 · etching in black on wove paper ·  Accession ID  2015.19.1357
The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.
Charles A. Platt, Cape Ann Willows, 1887, drypoint in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3956

Cape Ann Willows

Charles A. Platt · 1887 · drypoint in black ·  Accession ID  2008.115.3956
The image shows an urban riverside scene. On the left, a bridge extends diagonally across the canvas, casting a shadow on the water below. Near us, two figures are by the water's edge on wooden planks. In the middle, small boats are docked along the water. The horizon has tall buildings with a church or clock tower. The image uses etching technique with fine lines to create texture and depth, in varying shades of sepia and dark brown. In the distance, more architectural details are visible.
Charles A. Platt, St. Gervais, Paris, 1887, etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1356

St. Gervais, Paris

Charles A. Platt · 1887 · etching in black on laid paper ·  Accession ID  2015.19.1356
The image shows a harbor scene with a view of a town from the water. A boat with sails, masts, and ropes is depicted on the right side, framing the image's edge. The horizon is where the buildings meet the water. The buildings along the waterfront have different architectural styles. The drawing uses fine lines and cross-hatching for detail and depth, showing reflections on the water. The colors are muted, primarily sepia tones, with light from the sky contrasting against the darker tones of the structures. In the distance, other small boats and structures fade into the background merging with the sky.
Charles A. Platt, Dordrecht (Old Warehouse), 1885, etching in black on wove paper, Corcoran Collection, 2015.19.943

Dordrecht (Old Warehouse)

Charles A. Platt · 1885 · etching in black on wove paper ·  Accession ID  2015.19.943
The image shows an etching of a riverside scene. A dock extends into the water on the left side, with a sailboat moored in the distance. Further back is a village with buildings and trees, mirrored on the calm river surface. The sky is expansive with fine, delicate lines. The etching style features precise, thin lines and a monochromatic color palette of gray and sepia.
Charles A. Platt, Connecticut River, 1885, etching in black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3958

Connecticut River

Charles A. Platt · 1885 · etching in black ·  Accession ID  2008.115.3958
The image shows a landscape with a large structure resembling a castle on the left. The horizon is in the upper half, lined with buildings and trees. A river flows through the lower part, with a wooden bridge crossing it. The scene is etched intricately, capturing reflections and textures. The color scheme is monochromatic sepia, emphasizing the historic feel.
Charles A. Platt, Hartford Bridge, 1885, etching in brownish-black, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.3959

Hartford Bridge

Charles A. Platt · 1885 · etching in brownish-black ·  Accession ID  2008.115.3959
The image shows various buildings with angled roofs, including a castle-like tower on the left side. The scene includes a cityscape in the background with spires and domes. The etching is detailed with fine lines, hatching, and cross-hatching, creating texture. The color scheme is mainly sepia with brown tones for depth and contrast. A curving path with a fence leads the eye into the scene. The architecture suggests a historical city setting.
Charles A. Platt, Oxford, 1883, etching in brown on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1355

Oxford

Charles A. Platt · 1883 · etching in brown on wove paper ·  Accession ID  2015.19.1355
The image depicts a harbor scene in an etching style. The view shows a dock with multiple ships, detailed with precise lines. The horizon is low, dividing the water from the sky and dock. The ships have tall masts and detailed rigging. The technique uses overlapping lines for depth and texture. The color scheme is sepia, giving an old-fashioned feel. The water reflects the ships and masts. More structures and vessels can be seen in the distance on the horizon.
Charles A. Platt, Loading Up, 1881, etching in black on laid paper, Corcoran Collection (Gift of Alice F. Williams, 1958), 2015.19.908

Loading Up

Charles A. Platt · 1881 · etching in black on laid paper ·  Accession ID  2015.19.908