Bruce Porter

American, active late 20th century

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  • The image showcases bold, thick black lines outlining large, flat shapes against a background of diagonal blue and white stripes. The shapes resemble lotus-like flowers with pointed petals outlined in black, alongside leafy forms. The floral elements feature a pattern of red dots on yellow, evoking pop art styles. The artwork integrates textures and colors to play with abstraction and representation, suggesting familiar objects such as flowers and leaves in a garden.

    Les Nymphéas

    Roy Lichtenstein, Bruce Porter, David Lantow

    1993

    Color linocut, woodcut, lithograph, and screenprint on 300-gram arches cover paper  Accession ID  1996.56.129

    Not on view
  • The image displays geometric shapes, including a large trapezoid on the left and nested pentagons on the right. The composition features angular and interlocking forms resembling a combination of a step ladder and shields. The colors include orange, blue, and muted brown.

    Ossipee

    Frank Stella, Bruce Porter, Robbin Geiger, Jeff Wasserman, Gemini G.E.L.

    1974

    Color lithograph and screenprint on arches wove paper  Accession ID  1983.71.32

    Not on view
  • ""

    Peach Branch

    Ellsworth Kelly, Bruce Porter, Robbin Geiger, Marie Porter, Gemini G.E.L.

    started 1973, published 1974

    Lithograph on arches wove paper  Accession ID  1985.47.75

    Not on view
  • The image shows bold, geometric shapes and prominent lines intersecting to form an abstract composition. A large curvilinear shape is on the left side against a vibrant yellow background. Above it, a small section of green with black lines resembles a cactus. Blue and white diagonal stripes are adjacent. The interplay of these elements creates an abstract outline, possibly representing a stylized face in profile. A light blue rectangle at the bottom right, bordered by a thick black line, resembles a window or television screen.

    Bull Head II

    Roy Lichtenstein, Bruce Porter, Ron McPherson, Jeff Wasserman, Robert Knisel, Gemini G.E.L.

    1973

    Color lithograph, screenprint, and line-cut on arjomari wove paper  Accession ID  1981.83.6

    Not on view
  • The image displays bold, geometric shapes and lines like rectangles, circles, and curved lines intersecting and overlapping in a structured composition. A vibrant palette of red, yellow, blue, and black against a white background is used. Diagonal red and yellow stripes fill some shapes. Elements like semi-circular cut-outs and flat color fields evoke a modern, industrial feel.

    Bull IV

    Roy Lichtenstein, Ron Olds, Ron McPherson, Bruce Porter, Gemini G.E.L.

    1973

    Color lithograph, screenprint, and line-cut on arjomari wove paper  Accession ID  1981.5.63

    Not on view
  • The image shows a rectangular area with abstract swirling shapes and lines overlapping. A jagged white line runs vertically through the center. Around this line are patches of red, white, and blue hues resembling clouds. The artwork depicts a scene reminiscent of a thunderstorm.

    Smaller Study of Lightning

    David Hockney, Bruce Porter, Gemini G.E.L.

    1973

    Color lithograph on angoumois à la main handmade paper  Accession ID  1991.74.58

    Not on view
  • This is a painting of a cow standing on a blue ground with a striped blue background. The cow is rendered in a bold graphic style using the colors blue, white, and black. The blue areas form shapes across the cow's body, outlined in black. The background consists of diagonal blue stripes, contrasting with the white areas. The style is reminiscent of Roy Lichtenstein, showcasing ben-day dots and comic-strip aesthetics associated with Pop Art.

    Bull II

    Roy Lichtenstein, Ron McPherson, Bruce Porter, Ron Olds, Gemini G.E.L.

    1973

    Lithograph and line-cut in blue and black on arjomari wove paper  Accession ID  1981.5.62

    Not on view
  • The image consists of geometric shapes and bold lines, including an arc and a diagonal stripe, set against a yellow background. The shapes and angles evoke mechanical components or parts of an industrial object. In the upper left corner, there are green and blue striped forms.

    Bull Head II

    Roy Lichtenstein, Bruce Porter, Ron McPherson, Jeff Wasserman, Robert Knisel, Gemini G.E.L.

    1973

    Color lithograph, screenprint, and line-cut on arjomari wove paper  Accession ID  1983.71.22

    Not on view
  • The image displays various bold black lines and geometric shapes that intersect. There is a white arc shape across the image, adjacent to blue angled stripes. The lower right section shows a large pale blue block, contrasting the bright yellow area on the left. A green mound with black lines is present. The composition appears abstract, combining mechanical and organic elements, resembling parts of a futuristic setting or deconstructed landscape.

    Bull Head II

    Roy Lichtenstein, Bruce Porter, Ron McPherson, Jeff Wasserman, Robert Knisel, Gemini G.E.L.

    1973

    Color lithograph, screenprint, and line-cut on arjomari wove paper  Accession ID  2015.19.2827

    Not on view
  • The image shows an array of geometric shapes and lines such as rectangles and triangles arranged in an abstract pattern. The shapes overlap and intersect, creating depth and movement. The colors used are muted greens, blues, and earth tones. Some shapes have linear textural details that resemble fingerprints or brushstrokes, adding visual complexity.

    Untitled

    Joyce Kozloff, Bruce Porter, Tamarind Institute

    1972

    Color lithograph on wove rives bfk paper  Accession ID  1974.99.100

    Not on view
  • The image shows a large green rectangular shape with a diagonal line cutting through it, leading to an abstract rectangular pattern on the right side. The rectangle has vertical streaks of purple and green with slightly transparent patches. Thin horizontal stripes of yellow are above and below the rectangular shapes.

    Untitled

    Bruce Porter

    1972

    Lithograph  Accession ID  1974.99.120

    Not on view