Roelandt Savery

Savery, Roeland
Savery, Roelant

Dutch, 1576 - 1639

Roelandt Savery was born in the Flemish city of Kortrijk (Courtrai). During the religious upheavals of the 1580s his family made their way to the northern Netherlands, finally settling in Haarlem, where his older brother Jacques (Jacob, c. 1565–1603) entered the painters’ guild in 1587. Roelandt studied with Jacques and accompanied him to Amsterdam where Jacques became a citizen in 1591. Roelandt’s early landscapes indicate that he also had contact with Bol, Hans, who came to Amsterdam in 1591, and with van Coninxloo, Gillis III, who settled there in 1595. In 1604 Roelandt traveled to Prague to work for Emperor Rudolph II, likely because the Emperor wanted him to work in the tradition of Bruegel the Elder, Pieter, an artist he admired and collected. Following Rudolph’s death in 1612, Roelandt continued to work for his brother, Matthias.

Roelandt was sent by Rudolph in 1606–1607 to the Tyrolean Alps to record the “marvels of nature.” By 1613 or 1614 Savery had returned to Amsterdam. He was to move one more time, however, for in 1619 he settled in Utrecht and joined its painters’ guild. The twenty years spent in Utrecht until his death proved to be very successful for the artist. In 1626, for example, the city of Utrecht paid him 700 guilders for a painting of “all the animals of the air and earth,” to be presented to the wife of the Prince of Orange, Amalia van Solms. Among Savery’s pupils were Everdingen, Allart van, Nieuwlandt II, Willem van, and Gillis d’Hondecoeter (c. 1575–1638).

Savery’s dramatic rocky landscapes often served as the setting for religious, mythological, or allegorical scenes populated by animals and figures carefully drawn from nature. Savery also painted flower still lifes strongly influenced by the work of Brueghel the Elder, Jan.

Bibliography

1753

  • Houbraken, Arnold. De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen. 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976): 1:56-60.

1908

  • Erasmus, Kurt Karl Wilhelm. Roelandt Savery, sein Leben und seine Werke. Halle, 1908.

1958

  • Bialostocki, Jan. "Les bêtes et les humains chez Roelandt Savery." Bulletin des Musées Royaux des Beaux-Arts de Belgique 7 (1958): 69-92.

1979

  • Spicer, Joaneath. "The Drawings of Roelant Savery." Ph.D. dissertation, Yale University, New Haven, 1979.

1982

  • Segal, Sam. "The Flower Pieces of Roelandt Savery." Leids Kunsthistorisch Jaarboek (1982): 309-337.

  • Segal, Sam. A Flowery Past: A survey of Dutch and Flemish flower painting from 1600 until the present. Exh. cat. Kunsthandel P. de Boer, Amsterdam; Noordbrabants Museum, 's-Hertogenbosch. Mijdrecht, 1982: 309-337.

1985

  • Mai, Ekkehard. Roelant Savery in Seiner Zeit (1576-1639). Exh. cat. Wallraf-Richartz-Museum, Cologne; Centraal Museum, Utrecht. Cologne, 1985.

1988

  • Müllenmeister, Kurt J. Roelant Savery: Kortrijk 1576–1639 Utrecht, Hofmaler Kaiser Rudolf II, in Prag: die Gemälde mit Kritischem Oeuvrekatalog. Freren, 1988.

1991

  • MacLaren, Neil. The Dutch School, 1600-1900. Revised and expanded by Christopher Brown. 2 vols. National Gallery Catalogues. London, 1991: 1:411-412.

1995

  • Wheelock, Arthur K., Jr. Dutch Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1995: 359-360.