Luigi Schiavonetti

Schiavonetti, Lewis

Italian, 1765 - 1810

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The image displays faint, swirling lines and shapes on a smooth, dark surface, creating an abstract pattern. The lines crisscross and curve subtly. Light and shadows interact to suggest depth, forming an intricate web that resembles a well-worn, textured slate. The abstract elements allow for interpretation, resembling distant mountains or a hazy, distant forest.
Luigi Schiavonetti, The Day of Judgment, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1752

The Day of Judgment

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1752

Luigi Schiavonetti, The Skeleton Re-animated, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1745

The Skeleton Re-animated

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1745

This is a photograph of an engraved metal plate. The image shows the etched surface of a metallic plate with various textures and patterns. The plate has a matte appearance with scratches and lines visible across its surface. Geometric and possibly organic shapes intertwine throughout the design.
Luigi Schiavonetti, The Reunion of the Soul & the Body, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1755

The Reunion of the Soul & the Body

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1755

This is a photograph of an engraved metal plate. The plate has a worn and aged appearance, with scratches and areas of discoloration throughout. The design on the plate appears intricate, with various lines and textured areas. The edges of the plate are slightly beveled, and there is a visible border around the design.
Luigi Schiavonetti, The Counseller [sic], King, Warrior, Mother &Child, in the Tomb, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1748

The Counseller [sic], King, Warrior, Mother &Child, in the Tomb

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1748

This is a photograph of an engraved metal plate. The image shows a metal surface that has been engraved with fine lines and details depicting an individual. The surface is dark, and the engravings highlight the contours and features of the figure with intricate line work. The lines are meticulously etched, producing a ghostly visage that subtly emerges from the metal's surface.
Luigi Schiavonetti, William Blake, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1744

William Blake

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1744

The image displays intersecting lines and faint shapes, forming an abstract design. Observers may perceive hints of a table scene and figures engaged in conversation. The forms resemble faces and limbs, blending into the abstract. The composition combines abstract artistry with suggestions of human-like interactions.
Luigi Schiavonetti, The Death of The Good Old Man, 1808 and 1813, etched copper plate, Rosenwald Collection, 1943.3.1754

The Death of The Good Old Man

Luigi Schiavonetti · 1808 and 1813 · etched copper plate ·  Accession ID  1943.3.1754

Luigi Schiavonetti, The meeting of a Family in Heaven, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1747

The meeting of a Family in Heaven

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1747

This is a photograph of a textured metal plate. The surface of the plate has faint, indistinct marks that may suggest a figure or abstract form. The lighting creates reflections and highlights on the surface, emphasizing its rugged and scratched quality. The overall appearance is industrial, with a sense of history. The shading and texture provide depth and complexity in a monochromatic presentation.
Luigi Schiavonetti, Death's Door, 1808 and 1813, steel-plated etched copper plate, Rosenwald Collection, 1943.3.1756

Death's Door

Luigi Schiavonetti · 1808 and 1813 · steel-plated etched copper plate ·  Accession ID  1943.3.1756

This is a drawing of abstract figures and forms with a complex composition. The image shows vague outlines of figures amid a patterned texture. The surface is mainly gray and appears to be made of a metallic or subdued material. The figures are abstracted and merge into one another, lacking distinct details, suggesting movement or transformation. There are suggestions of architectural elements, possibly indicating an enclosed space. The intricate detailing of lines and shading encourages viewers to search for definition within the obscured presentation.
Luigi Schiavonetti, Death of the Strong Wicked Man, 1808 and 1813, steel-faced etched copper plate, Rosenwald Collection, 1943.3.1749

Death of the Strong Wicked Man

Luigi Schiavonetti · 1808 and 1813 · steel-faced etched copper plate ·  Accession ID  1943.3.1749

The image is a portrait showing the upper half of a man who is seated, facing slightly to the viewer's left. His head is turned to the side, with a thoughtful expression on his face. His facial features are detailed, with prominent cheekbones, a firm jaw, and eyes that appear deep in focus. The man has short, receding white hair with subtle waves. He is dressed in a formal dark jacket over what appears to be a waistcoat and a high-collared shirt. He is holding a pencil in one hand, poised over a surface. The background is a plain, textured surface that frames the subject without distraction. Loose lines fill the background. The engraving is signed with the name William Blake at the bottom.
Luigi Schiavonetti, Robert Hartley Cromek, William Blake, 1808, published 1813, etching on India paper [proof], Ailsa Mellon Bruce Fund, 2016.175.7

William Blake

Luigi Schiavonetti, Robert Hartley Cromek · 1808, published 1813 · etching on India paper [proof] ·  Accession ID  2016.175.7