L. Angerer

German

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The image shows a man standing facing the camera. He has short hair, a prominent mustache, a slightly rounded face, and a thoughtful expression. He is wearing formal attire with a dark suit jacket and a tie. The background is plain and light-colored.
Edvard Munch, L. Angerer, Otto Felsing, Portrait of Dr. Hermann Seidel, 1898, drypoint and roulette on chine collé, The Epstein Family Collection, 2011.84.5

Portrait of Dr. Hermann Seidel

Edvard Munch, L. Angerer, Otto Felsing · 1898 · drypoint and roulette on chine collé ·  Accession ID  2011.84.5

The image shows a profile view of a person from the shoulders up, facing right. The person has distinct facial features, including a prominent nose and an even gaze. Their hair is neatly styled, pulled back, and secured, emphasizing the facial profile. They are wearing a high-necked garment. The background is plain and neutral, with no additional elements present. A signature is visible in the lower-right corner of the image.
Edvard Munch, Norges Geografiske Oppmåling, L. Angerer, Otto Felsing, Portrait of a Woman (Portrait einer Dame), 1896, drypoint in brown, Rosenwald Collection, 1944.5.248

Portrait of a Woman (Portrait einer Dame)

Edvard Munch, Norges Geografiske Oppmåling, L. Angerer, Otto Felsing · 1896 · drypoint in brown ·  Accession ID  1944.5.248

The image depicts a sketch of two individuals and a skeleton. One individual on the left is standing in profile with arms crossed behind their back, while the other person on the right is facing towards the skeleton and has one hand resting on its rib. Both individuals are nude with no visible clothing or jewelry. The skeleton is positioned between the two individuals on a stand. The background is plain and minimal, emphasizing the figures.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Wilh. Scheels Klisjéanstalt, Edvard Munch, Two Girls and a Skeleton (Die Beiden Madchen das Gerippe), 1896, drypoint, Rosenwald Collection, 1944.14.52

Two Girls and a Skeleton (Die Beiden Madchen das Gerippe)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Wilh. Scheels Klisjéanstalt, Edvard Munch · 1896 · drypoint ·  Accession ID  1944.14.52

The image shows a person lying diagonally across a bed with closed eyes, dark hair, a light top, and a patterned skirt or blanket. Next to the bed on a table are a wine bottle, a smaller bottle, and two glasses. Simple drawn lines imply a wall behind the bed.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, The Morning After (Der Tag danach), 1895, etching and aquatint, Rosenwald Collection, 1943.3.9026

The Morning After (Der Tag danach)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · etching and aquatint ·  Accession ID  1943.3.9026

The image shows a woman sitting in a room, with her full body visible through her silhouette. She is seated on a sofa, in profile, facing left, with her hand resting against her face or chin. Her facial features are indistinct due to the shadowy nature of the image, but she appears to have long hair. The woman is dressed in what seems to be a long dress. There is a round table to the left with an object on top and another object that resembles a glass. The room is dimly lit, with heavy curtains partly drawn open to let in some light from a window in the background. An ornate light fixture hangs above in the center of the room. The overall scene has a soft, sketch-like texture.
Edvard Munch, L. Angerer, Otto Felsing, Moonlight (Mondschein), 1895, etching and aquatint, Rosenwald Collection, 1943.3.9021

Moonlight (Mondschein)

Edvard Munch, L. Angerer, Otto Felsing · 1895 · etching and aquatint ·  Accession ID  1943.3.9021

The image shows a person standing, seen from the knees up. The person is centered, facing forward with their head slightly tilted upward. The facial features are not detailed, and the hair is dark and blending into the background. They are wearing a long-sleeved dress with a high neckline, and their hands are in front of them. In the background, there are tree trunks, abstract shapes, and a circular shape above the horizon. The background has a textured appearance. The artwork is monochromatic and appears to be a graphite or charcoal sketch.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Summer Evening (Sommernacht), 1895, aquatint and drypoint on laid paper, Rosenwald Collection, 1944.14.53

Summer Evening (Sommernacht)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · aquatint and drypoint on laid paper ·  Accession ID  1944.14.53

The image depicts two figures standing side by side, viewing an abstract landscape. Both figures are seen from behind. The figure on the left has long hair and wears a long dress, while the figure on the right is wearing a dark suit with short hair. The background features swirling, abstract shapes resembling a rocky landscape with faint horizon lines and open space.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Lovers at the Seaside (Liebespaar am Strande), 1895, drypoint and aquatint, Rosenwald Collection, 1943.3.9024

Lovers at the Seaside (Liebespaar am Strande)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · drypoint and aquatint ·  Accession ID  1943.3.9024

This is a painting of a seascape with figures on the shore. The image depicts a scene by the sea, where three figures are present near the water's edge. The central portion of the image shows one figure bending toward the ground, while another stands beside it. In the left middle ground, another figure is immersed in the water. The background consists of a soft horizon line with some indistinct terrain and a minimalist sky. The color palette is in earthy tones with touches of ivory and black, creating a sense of movement with line and form. The figures appear stylized and abstract, suggesting an expressive rather than realistic portrayal.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Girls Bathing (Badende Madchen), 1895, aquatint and drypoint, Rosenwald Collection, 1944.14.49

Girls Bathing (Badende Madchen)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · aquatint and drypoint ·  Accession ID  1944.14.49

The image depicts two individuals shown from the waist up, positioned side by side and facing each other. The person on the left has long, flowing hair that cascades down their back. Their facial features are seen in profile, displaying a prominent nose and simple eye details. The individual on the right has short hair, styled close to the head, with distinct, shaded eye areas. They are also shown in profile, facing the person on the left, highlighting their nose and expressionless eye details. Both individuals appear to be wearing simple, dark tops with rounded necklines. The background features an indistinct, blurred setting with a sense of depth, containing a pathway or road that extends into the distance between loosely defined structures. The texture and shading in the image suggest a moody atmosphere.
Edvard Munch, Edvard Munch, L. Angerer, Otto Felsing, Lovers at the Seaside (Liebespaar am Strande), 1895, etching, drypoint, and roulette, Rosenwald Collection, 1943.3.9033

Lovers at the Seaside (Liebespaar am Strande)

Edvard Munch, Edvard Munch, L. Angerer, Otto Felsing · 1895 · etching, drypoint, and roulette ·  Accession ID  1943.3.9033

The image shows a group of individuals sitting around a table, with only their upper bodies visible. Three people are the main focus. The person on the left faces right, with unclear facial features. The center figure has a clearly outlined face and appears engaged in conversation with the person on their right. The third person wears a hat and is turned towards the center figure, holding a small glass. All have short, dark hair and wear dark attire. Items on the table include multiple bottles, glasses, and a round object, possibly a decanter. The background features dark, abstract lines suggesting an indoor setting.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Christiana Boheme, 1895, etching and drypoint printed with plate tone, Rosenwald Collection, 1943.3.9020

Christiana Boheme

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1895 · etching and drypoint printed with plate tone ·  Accession ID  1943.3.9020