Anton Peder Nielsen Kildeborg

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The image displays a portrait of a person from the chest up. They are staring directly at the viewer, with a distinct facial structure, including prominent cheekbones and deep-set eyes. The person has medium-length, wavy hair and is wearing a garment with a high collar and a circular design at the neckline. The background is plain, emphasizing the subject in the center. The portrait is done in a monochromatic style with high contrast.
Edvard Munch, Anton Peder Nielsen Kildeborg, Young Prostitute, 1920, transfer lithograph, Rosenwald Collection, 1952.8.547

Young Prostitute

Edvard Munch, Anton Peder Nielsen Kildeborg · 1920 · transfer lithograph ·  Accession ID  1952.8.547

The image features three sketches on a plain, light background. On the left side is a detailed side profile of a man's head with prominent facial features. The right side shows two smaller sketches of men sitting, engaged in conversation. The men have bowed heads and folded hands. Both are wearing collared shirts with jackets, and one has visible hands. The background is a simple, unadorned surface.
Edvard Munch, Anton Peder Nielsen Kildeborg, Jens Thiis/Two Old People, 1913, lithograph in black on wove paper, The Epstein Family Collection, 2008.20.1

Jens Thiis/Two Old People

Edvard Munch, Anton Peder Nielsen Kildeborg · 1913 · lithograph in black on wove paper ·  Accession ID  2008.20.1

This image shows the head of a person in profile. The facial features are detailed with shadows highlighting a broad forehead, prominent cheekbones, and a strong jawline. The person has dark, wavy hair covering the top of their head and falling across the forehead. The figure is not clothed, and the background is plain. There is a signature in the lower right corner.
Edvard Munch, Anton Peder Nielsen Kildeborg, Self-Portrait (Selbstbildnis), 1912, lithograph, Rosenwald Collection, 1943.3.9034

Self-Portrait (Selbstbildnis)

Edvard Munch, Anton Peder Nielsen Kildeborg · 1912 · lithograph ·  Accession ID  1943.3.9034

This is a drawing of a panther. The image depicts a wild cat in motion with fluid, gestural lines indicating a sense of grace and power. The panther's body is primarily depicted with dark lines against a lighter background, emphasizing contrast. The loose and expressive strokes suggest the fur's texture and musculature beneath, capturing the essence and movement of the animal rather than focusing on detailed realism.
Edvard Munch, Anton Peder Nielsen Kildeborg, Panther Prowling (Schleichender Panther), 1911, lithograph, Rosenwald Collection, 1943.3.9029

Panther Prowling (Schleichender Panther)

Edvard Munch, Anton Peder Nielsen Kildeborg · 1911 · lithograph ·  Accession ID  1943.3.9029

The image shows a landscape print depicted from an elevated viewpoint. In the center is a large house with defined windows, with a second building partially visible to the right. The horizon line is not distinct due to the abstract style. Trees and buildings suggest it lies beyond the main structures. The woodcut technique used features bold lines with white spaces, creating a dynamic, textural effect. The monochromatic palette consists of intense blacks and stark whites, enhancing shadow and light interplay. Faint, ghostly figures are visible, including one in a dress and hat. In the distance, there are additional structures and a suggestion of a sky.
Edvard Munch, Edvard Munch, Anton Peder Nielsen Kildeborg, Stormy Night, 1908-1909, woodcut in black on cream wove paper, The Epstein Family Collection, 2001.7.2

Stormy Night

Edvard Munch, Edvard Munch, Anton Peder Nielsen Kildeborg · 1908-1909 · woodcut in black on cream wove paper ·  Accession ID  2001.7.2

This print depicts a woman's upper body and head. She faces forward, her head slightly turned to the right. She has white skin, large eyes, a thin nose, and thin lips in a neutral expression. Her long hair flows down over her shoulders and chest. She appears to be wearing a dark garment, although her hair covers most of it, with a round pendant or brooch on her chest. The background is abstract with a dark, textured, brush-like effect.
Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, The Brooch (Eva Mudocci), 1903, lithograph in black on paper, The Epstein Family Collection, 2006.51.1

The Brooch (Eva Mudocci)

Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1903 · lithograph in black on paper ·  Accession ID  2006.51.1

This print appears to show two people with their arms around each other. Their faces have no features and appear to blend together, and their dark hair and dark clothes are indistinguishable. The background has a wood grain pattern in vertical gray lines against the beige paper.
Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, The Kiss, 1898, woodcut printed from two blocks in black and gray on heavy brown paper [1902 printing], The Epstein Family Collection, 1990.26.1

The Kiss

Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1898 · woodcut printed from two blocks in black and gray on heavy brown paper [1902 printing] ·  Accession ID  1990.26.1

The image shows swirling and curving lines creating an abstract representation of two intertwined figures. Dark, sweeping strokes form an envelope-like shape around the figures. The central forms suggest two humanoid shapes locked in a close embrace with their details shown through bold lines. The composition evokes familiar forms resembling a protective, natural cocoon or a blooming flower around the figures.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, The Flower of Love (Die Blume der Liebe), 1896, lithograph, Rosenwald Collection, 1944.5.251

The Flower of Love (Die Blume der Liebe)

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1896 · lithograph ·  Accession ID  1944.5.251

The image shows two heads, one angled sideways with red-orange hair flowing straight down and deep grooves on the face, and the other head facing the front with distinct features in bluish-gray tones. The background consists of a dark textured surface, contrasting with the vivid tones of the heads and hair.
Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, Man's Head in Woman's Hair (Mannerkopf in Frauenharr), 1896, color woodcut, Rosenwald Collection, 1944.14.60

Man's Head in Woman's Hair (Mannerkopf in Frauenharr)

Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1896 · color woodcut ·  Accession ID  1944.14.60

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Kristian Emil Schreiner

Edvard Munch, Anton Peder Nielsen Kildeborg · c. 1930 · lithograph in black on brown wove paper ·  Accession ID  1997.93.5