A. Clot Imprimerie d'Arts

Paris

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The image shows an abstract drawing of two individuals, showcasing their upper bodies and heads. They are positioned side by side with their heads slightly turned towards each other. The individual on the left has wavy hair, distinct facial features, and appears to smile gently. The hair is drawn in a light, reddish-orange hue. The individual on the right has shorter hair, similar facial features, and a neutral expression. Their hair and clothing are sketched in a darker tone, creating a contrast with the left figure. Both individuals wear simple, undetailed clothing, with the left figure in a lighter shade and the right figure in a darker shade. The background is plain with a subtle border outlining the image.
Edvard Munch, A. Clot Imprimerie d'Arts, Two Female Heads Against the Moon, 1898, color lithograph on laid paper, The Epstein Family Collection, 2000.42.2

Two Female Heads Against the Moon

Edvard Munch, A. Clot Imprimerie d'Arts · 1898 · color lithograph on laid paper ·  Accession ID  2000.42.2

The image is a portrait of a man from a slightly lower angle. The man's face is prominent, with deep-set eyes, a strong mustache, facial hair merging into a beard, wavy disheveled hair, and a dark collar. The background is textured and dark, emphasizing the man's face. "STEPHANE MALLARME" is inscribed below the portrait.
Edvard Munch, A. Clot Imprimerie d'Arts, Stéphane Mallarmé, 1897, lithograph on japan paper, The Epstein Family Collection, 2014.8.1

Stéphane Mallarmé

Edvard Munch, A. Clot Imprimerie d'Arts · 1897 · lithograph on japan paper ·  Accession ID  2014.8.1

Edvard Munch, A. Clot Imprimerie d'Arts, Funeral March, 1897, lithograph in black, The Epstein Family Collection, 2006.51.4

Funeral March

Edvard Munch, A. Clot Imprimerie d'Arts · 1897 · lithograph in black ·  Accession ID  2006.51.4

The image depicts a portrait of a man from the shoulders up, facing forward. His head is slightly tilted, his facial features are accentuated by strong, expressive lines, and he has a mustache. The man's hair is thick and wavy, appearing somewhat unkempt with a distinctive volume. He is wearing a high-collared shirt. The background is dark, providing a strong contrast to the lighter tones used for the figure's face and clothing. There are no visible jewelry or objects held by the subject.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, August Strindberg, 1896, lithograph, Rosenwald Collection, 1943.3.9032

August Strindberg

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt · 1896 · lithograph ·  Accession ID  1943.3.9032

The image shows parts of three figures. The central focus is on a close-up view of a man's face in the foreground, displaying facial features such as a prominent mustache and beard, with hair blending into the dark background. The man's eyes are open and looking forward. A woman with long hair and a patterned background is partially visible, along with another man dressed in a dark suit. The background features swirling, abstract patterns.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Jealousy I (Sjalusi I), 1896, lithograph on Japan paper, The Epstein Family Collection, 2021.101.8

Jealousy I (Sjalusi I)

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt · 1896 · lithograph on Japan paper ·  Accession ID  2021.101.8

The image is a close-up portrait showing only the person's face. The individual is facing forward, directly at the viewer. The person has a prominent mustache and bushy eyebrows, with visible lines suggesting age and character. The hair is combed back, appearing full and possibly wavy. The portrait is rendered in a monochromatic style that gives it a textured, sketch-like appearance. The clothing is not clearly visible as the focus is primarily on the facial features, appearing as dark shading at the bottom of the image. The background consists of a dense, textured shading, blending seamlessly with the person's hair and face, creating a singular focus on the facial features.
Edvard Munch, A. Clot Imprimerie d'Arts, Stéphane Mallarmé, 1896, lithograph, Rosenwald Collection, 1944.14.58

Stéphane Mallarmé

Edvard Munch, A. Clot Imprimerie d'Arts · 1896 · lithograph ·  Accession ID  1944.14.58

The image is a charcoal drawing of a man's upper body and face. He is facing slightly to the side, with his head turned to the right. The man has prominent cheekbones and a mustache, with short, neat, close-cropped hair. He is wearing a suit with a high-collared shirt and a dark bow tie. The background is plain off-white. The drawing uses shading and lines to create depth and texture.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Gunnar Heiberg, 1896, lithograph, The Epstein Family Collection, 1999.84.2

Gunnar Heiberg

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt · 1896 · lithograph ·  Accession ID  1999.84.2

This is a drawn portrait of a person, shown from the head to the upper torso. The person is in a semi-profile view, facing slightly to the right. They have a full mustache, well-defined cheekbones, and a pronounced jawline. The person's hair is short and styled neatly. They are wearing a suit jacket with a scarf or cravat. The background is plain with brown speckling. The drawing uses shading to highlight the facial features and clothing.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Gunnar Heiberg, 1896, lithograph, Rosenwald Collection, 1943.3.9037

Gunnar Heiberg

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt · 1896 · lithograph ·  Accession ID  1943.3.9037

The image shows swirling and curving lines creating an abstract representation of two intertwined figures. Dark, sweeping strokes form an envelope-like shape around the figures. The central forms suggest two humanoid shapes locked in a close embrace with their details shown through bold lines. The composition evokes familiar forms resembling a protective, natural cocoon or a blooming flower around the figures.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, The Flower of Love (Die Blume der Liebe), 1896, lithograph, Rosenwald Collection, 1944.5.251

The Flower of Love (Die Blume der Liebe)

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1896 · lithograph ·  Accession ID  1944.5.251

The image shows swirling lines and shapes creating an abstract composition with a central figure. An upper face with a delicate outline emerges from a dark background, resembling a face peeking from a hood or veil. Below, lines and forms transform into figures with elongated limbs resembling reclining figures. The scene has a surreal, dreamlike quality with familiar elements like hair, faces, and bodies within an abstract environment.
Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt, The Urn, 1896, lithograph in black on japan paper, The Epstein Family Collection, 2010.56.2

The Urn

Edvard Munch, A. Clot Imprimerie d'Arts, M. W. Lassally Graphische Kunst-Anstalt · 1896 · lithograph in black on japan paper ·  Accession ID  2010.56.2