M. W. Lassally Graphische Kunst-Anstalt

Berlin

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The image shows a full-length depiction of a human figure drawn in red, standing upright with feet close together and arms hanging by their sides. The figure's facial features are minimally detailed, with a simplistic representation of the face and short hair. The figure is drawn without clothing. Beside the standing figure, there is a darker, green-toned sketch of another figure in a horizontal position, with arms and legs stretched out. This secondary figure is more abstract, with less distinction in features. The background is a plain, light beige.
Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Death of Marat (Der Tod des Marat), 1906/1907, color lithograph, Rosenwald Collection, 1943.3.9035

Death of Marat (Der Tod des Marat)

Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt · 1906/1907 · color lithograph ·  Accession ID  1943.3.9035

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Violin Concert (Geigenkonzert)

Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1903 · lithograph ·  Accession ID  1946.21.148

This print depicts a woman's upper body and head. She faces forward, her head slightly turned to the right. She has white skin, large eyes, a thin nose, and thin lips in a neutral expression. Her long hair flows down over her shoulders and chest. She appears to be wearing a dark garment, although her hair covers most of it, with a round pendant or brooch on her chest. The background is abstract with a dark, textured, brush-like effect.
Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, The Brooch (Eva Mudocci), 1903, lithograph in black on paper, The Epstein Family Collection, 2006.51.1

The Brooch (Eva Mudocci)

Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1903 · lithograph in black on paper ·  Accession ID  2006.51.1

The image shows a person with only the upper part of their body visible. The individual is seated or standing upright, facing forward. Their facial features are lightly sketched, including dark eyes, a defined nose, and mouth, framed by dark hair. They wear a dark garment with a faint high collar, and a circular ornament or brooch at the neck. Vertical wood grain lines create a textured effect. To the left, there is a green-toned window with two panes, implying an interior setting. The background features dark tones, vertical striations, and scattered lines and dots in one corner.
Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Moonlight, 1901, color woodcut on wove paper, The Epstein Family Collection, 1999.112.2

Moonlight

Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt · 1901 · color woodcut on wove paper ·  Accession ID  1999.112.2

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Holger Drachmann

Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt · 1901 · lithograph in green ·  Accession ID  1950.17.208

The image is a woodcut print showing a person's head and upper torso. The person is positioned facing forward, with their face being the central focus. Their facial features are depicted with deep lines and exaggerated expressions, including large eyes and a prominent, downward-turned mouth. They have long hair that falls to the sides of their face, and wear a wide-brimmed hat. The person is dressed in what appears to be a simple garment. In the foreground, a hand with extended fingers emerges. The background is filled with vertical lines.
Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, The Old Seaman, 1899, woodcut in black on wove paper, The Epstein Family Collection, 2001.7.1

The Old Seaman

Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt · 1899 · woodcut in black on wove paper ·  Accession ID  2001.7.1

This print appears to show two people with their arms around each other. Their faces have no features and appear to blend together, and their dark hair and dark clothes are indistinguishable. The background has a wood grain pattern in vertical gray lines against the beige paper.
Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, The Kiss, 1898, woodcut printed from two blocks in black and gray on heavy brown paper [1902 printing], The Epstein Family Collection, 1990.26.1

The Kiss

Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1898 · woodcut printed from two blocks in black and gray on heavy brown paper [1902 printing] ·  Accession ID  1990.26.1

This print shows the upper body of a person in profile, facing right. The person's head is slightly bowed and their eyes are closed. Their dark, wavy hair cascades down their neck. Their skin is a solid teal color, with their features outlined in white. They are holding a large, red, irregularly shaped object against their chest with one hand. The background is black with a textured appearance, allowing some of the tan paper to show through.
Edvard Munch, Imprimerie Lemercier, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, The Heart (Hjertet), 1898 - 1899, woodcut in black, green, and red on Japan paper, The Epstein Family Collection, given by their children, David, James, Richard, Miles and Sarah Carianne, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.32.1

The Heart (Hjertet)

Edvard Munch, Imprimerie Lemercier, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt · 1898 - 1899 · woodcut in black, green, and red on Japan paper ·  Accession ID  1991.32.1

The image shows a series of undulating, wavy lines and curves creating an abstract design. The central form resembles the silhouette of a reclining human figure, elongated and flowing with the surrounding lines. Below this form, there is a structure that resembles a face with distinct horizontal features suggesting eyes and a nose. The composition is set against a warm reddish-orange backdrop, evoking the impression of organic shapes or a landscape with flowing patterns enveloping the central figure.
Edvard Munch, Imprimerie Lemercier, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, In the Man's Brain (I mannens gjerne), 1897, black chalk rubbing from woodblock heightened with brush and black ink on red-orange paper, Epstein Family Fund and the Director's Discretionary Fund, 2000.142.1.b

In the Man's Brain (I mannens gjerne)

Edvard Munch, Imprimerie Lemercier, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt · 1897 · black chalk rubbing from woodblock heightened with brush and black ink on red-orange paper ·  Accession ID  2000.142.1.b

The image shows two heads, one angled sideways with red-orange hair flowing straight down and deep grooves on the face, and the other head facing the front with distinct features in bluish-gray tones. The background consists of a dark textured surface, contrasting with the vivid tones of the heads and hair.
Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg, Man's Head in Woman's Hair (Mannerkopf in Frauenharr), 1896, color woodcut, Rosenwald Collection, 1944.14.60

Man's Head in Woman's Hair (Mannerkopf in Frauenharr)

Edvard Munch, Edvard Munch, M. W. Lassally Graphische Kunst-Anstalt, Anton Peder Nielsen Kildeborg · 1896 · color woodcut ·  Accession ID  1944.14.60