Jacopo Bassano

Ponte, Jacopo da
Ponte, Giacomo da

Venetian, c. 1510 - 1592

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Italian painter (1510–1591)

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Jacopo Bassano, The Mocking of Christ, 1568, colored chalks on blue laid paper, Andrew W. Mellon Fund, 1980.30.1

The Mocking of Christ

Jacopo Bassano · 1568 · colored chalks on blue laid paper ·  Accession ID  1980.30.1

At the base of a steep, grassy hill, five shepherds kneel, sit, and recline around and among two cows, several sheep, a goat, and a dog in the lower half of this painting, while a winged angel appears in a golden shaft of light in the upper half of this vertical painting. All the people have pale skin. One brown cow spans most of the composition along the bottom, its head facing our left. In the lower left corner, closest to us, a man smoking a long pipe reclines against a tangerine-orange cloth. He wears a round, brimmed cap, a loose white shirt, tattered gray, knee-length pants, and gray cloth wrapped around his shins above bare feet. He leans on his right elbow and crosses his ankles, as he looks to our right in profile. Next to him, to our right, a woman kneels with her body angled away from us to our right. She bends over, perhaps to milk the cow in front of her with the pail sitting next to her, and she looks back to our left. Her chestnut-brown hair is pulled up and braided or coiled. Her rose-pink dress and the white blouse under it fall off her right shoulder. A slate-gray cloak or scarf wraps around her waist and we see the bottom of one bare foot. On the opposite side of the cow, near its head, a young boy angled to our right, with straight brown hair falling down to his eyebrows, looks down at the animal. Most of his face is in shadow but light catches the tip of his nose and the front of one cheek. To our right, along the edge of the painting, behind the rump of the cow and among the shadows, another young boy is seen from the chest up. He wears with a wide-brimmed, brown hat and reaches his right arm across his body as he looks to our left, toward the streak of light. The head of a second cow stands behind him, only the head visible. The steep, grassy hill rises sharply behind this group and cows.The fifth person leans into the scene from our left, above the reclining man on the orange cloth. He has short brown hair and beard, and a slightly hooked nose. Wearing a rose-pink garment, he looks up at the angel with his right hand shielding his face. A tree trunk rises along the left edge of the painting beyond that man. A dog, sheep, and a goat are tucked in and around the cows. Golden light pours down onto the man in pink from past the angel in the bank of clouds above. Against a night sky with navy-blue clouds, gold and white rays emanate from the parted clouds beyond the angel. Kneeling on a dark, fern-green cloud, the angel leans forward and down, and points down at the shepherd wearing pink with one hand and up with the other. The angel has silvery-gray wings and wears a gray robe. Blond curls lift as if in a breeze. In the landscape below, topaz and aquamarine-blue forms could be mountains or surging waves.
Jacopo Bassano, The Annunciation to the Shepherds, probably 1555/1560, oil on canvas, Samuel H. Kress Collection, 1939.1.126

The Annunciation to the Shepherds

Jacopo Bassano · probably 1555/1560 · oil on canvas ·  Accession ID  1939.1.126

Close to us, six light-skinned men crowd into two small wooden boats that together span the width of this horizontal painting. The bow of the boat to our left overlaps the stern of the boat to our right. In the stern of the boat to our left, along the left edge of the canvas, a man, Jesus sits in profile facing our right. A marine-blue garment drapes around his waist and legs over a rose-pink tunic, and three rays of gold light emanate from the top, front, and back of his head. He raises his left hand toward the other two men in his boat. A bearded, balding man wearing marigold orange kneels with his hands pressed together in prayer in front of Jesus. To our right, at the bow of the boat and near the center of the composition, a younger bearded man with flowing hair steps toward Jesus, his arms outstretched. His pink tunic and emerald-green cape billow around him. Two muscular, bare-chested men bend over the side of the boat to our right, pulling in a fishing net. A balding man with a white beard sits in the bow of that boat, his body facing our left. He looks over his left shoulder toward the water and the half-submerged oar he holds. Blue water stretches into the distance between a distant mountain to our left and the meandering shoreline to our right. The horizon where the blue sky meets the water is close to the top edge of the composition.
Jacopo Bassano, The Miraculous Draught of Fishes, 1545, oil on canvas, Patrons' Permanent Fund, 1997.21.1

The Miraculous Draught of Fishes

Jacopo Bassano · 1545 · oil on canvas ·  Accession ID  1997.21.1

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[Choix des meilleures statues antiques]

Angelo Campanella, Antonio Capellan, Giovanni Volpato, Domenico Cunego, Camillo Tinti, Francois Joseph Lonsing, Giuseppe Sforza Perini, Francesco Piranesi · published 1780/1792 and 1793 · 2 books bound in 1 vol: part 1: ill: 40 etching and engravings (4 double-page, rest full-page, versos blank) all by Francesco Piranesi with 19 after Tommaso Piroli, 14 after Ludovico Carazzari, 3 after Bernardino Nocchi, 2 after Lorenzo Rocchegiani, 1after after Baptiste Gagneraux; part 2: ill: 40 etching and engraving (including title page, all full-page versos blank) after paintings by various artists with 21 by Domenico Cunego, 8 by Giovanni Volpato, 4 by Antonio Capellani, 3 by Camillo Tinti, 1by Angelo Campanello, 1 by François Lonsing, 1 by Joseph Perini ·  Accession ID  1985.61.2615

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Sacre Conversazione (detail from a painting by Lotto), Venus and Cupid (detail from a painting by Veronese), and Spring (detail of two cocks from a painting by Bassano)

Jean-Claude-Richard, Abbé de Saint-Non · 1771 · etching and aquatint ·  Accession ID  1950.1.118.52

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Miracle of Saint Mark [right plate]

John Baptist Jackson · published 1745 · chiaroscuro woodcut in buff, light brown, dark brown, and dark gray ·  Accession ID  1946.11.67.o

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The Descent of the Holy Spirit

John Baptist Jackson · published 1745 · chiaroscuro woodcut in buff, light gray-brown, light yellow brown, and dark brown ·  Accession ID  1946.11.67.a

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Miracle of Saint Mark [left plate]

John Baptist Jackson · published 1745 · chiaroscuro woodcut in buff, light brown, dark brown, and dark gray ·  Accession ID  1946.11.67.n

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Opera Selectiora: Titiani Vecelii, Pauli Caliarii, Jacobi Robusti et Jacobi de Ponte

John Baptist Jackson · 1745 · bound volume with letterpress title page and 24 color chiaroscuro woodcuts on laid paper ·  Accession ID  1946.11.67

John Baptist Jackson, Christ on the Mount of Olives, 1743, chiaroscuro woodcut from four blocks, printed in buff, brown, gray, and dark brown on laid paper [proof impression without final gray]?, Gift of Ruth Cole Kainen, 2012.92.518

Christ on the Mount of Olives

John Baptist Jackson · 1743 · chiaroscuro woodcut from four blocks, printed in buff, brown, gray, and dark brown on laid paper [proof impression without final gray]? ·  Accession ID  2012.92.518