Aris Koutroulis

Greek, born 1938

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The image shows a mix of thick and thin black lines swirling and overlapping against a backdrop of irregular orange shapes. The lines are erratic, bending and twisting across the orange and cream-colored background. The orange shapes resemble broad brush strokes, creating a vivid contrast and adding depth to the composition.
Hugo Weber, Aris Koutroulis, Tamarind Institute, Untitled, 1964, lithograph in orange and black on Arches wove paper, Gift of Bob Stana and Tom Judy, 2019.109.70

Untitled

Hugo Weber, Aris Koutroulis, Tamarind Institute · 1964 · lithograph in orange and black on Arches wove paper ·  Accession ID  2019.109.70
The image shows a series of intertwined and looping lines forming a complex, circular shape against a dark background. The lines resemble a tangled ball of string or a knot, with no discernible beginning or end. The pattern is abstract, reminiscent of intricate lacework or a woven basket.
Anni Albers, Tamarind Institute, Tamarind Institute, Aris Koutroulis, VI from Line Involvements, 1964, one from a portfolio of seven lithographs (including title page) on wove Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.80.7

VI from Line Involvements

Anni Albers, Tamarind Institute, Tamarind Institute, Aris Koutroulis · 1964 · one from a portfolio of seven lithographs (including title page) on wove Arches paper ·  Accession ID  1983.18.80.7
The image shows a sparse, snowy landscape dominated by intricate black ink lines. A tree with gnarled branches stands out in the foreground. The landscape appears empty, with an indeterminate horizon. The tree is detailed with fine brushstrokes, standing out against the open ground. The color palette is monochromatic, with black contrasting against the soft cream of the paper. Faint shadows in the distance suggest more trees.
Peter Takal, Aris Koutroulis, Tamarind Institute, Snow Fields from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.19

Snow Fields from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.19
This image features an ink drawing viewed from a low angle. The scene includes sparse, expressive lines suggesting grass, with thicker strokes closer and lighter strokes in the distance. The drawing contrasts black ink with beige paper, creating a monochromatic palette. The artwork depicts nature through dynamic use of ink.
Peter Takal, Aris Koutroulis, Tamarind Institute, Winter Weeds from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove Arches paper, Rosenwald Collection, 1964.8.1587.11

Winter Weeds from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove Arches paper ·  Accession ID  1964.8.1587.11
The image contains flowing, swirling lines and dots that create an intricate pattern across the canvas. The shapes resemble movement and may evoke imagery of birds in flight or a flowing river. The lines and curves suggest outlines of clouds or smoke drifting through an open space. On the right side, a pattern of tiny dots forms a vertical shape resembling a tree or cascading water down a mountainside.
Peter Takal, Aris Koutroulis, Tamarind Institute, Landscape from Of Nature, Of Man, 1963/1964, lithograph in brown and black from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.17

Landscape from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · lithograph in brown and black from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.17
The image shows an abstract composition with soft, undulating lines and shapes that converge towards the right side of the canvas. The sinuous form suggests the outline of a draped fabric or a flowing curtain. The delicate texture of the lines adds depth, reminiscent of tree bark or a woven textile, creating a pattern that covers the entire surface. The abstract forms draw the viewer's eye in curvilinear paths across the artwork. In the lower right, an elegant script is incorporated into the composition.
Peter Takal, Aris Koutroulis, Tamarind Institute, Title Page from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove BFK Rives paper, Rosenwald Collection, 1964.8.1587.1

Title Page from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove BFK Rives paper ·  Accession ID  1964.8.1587.1
The image shows a pencil and ink sketch of a landscape reflecting in water. The horizon line is subtle, suggesting a calm environment. The viewer sees a mirror-like water surface with intricate reflections of black and brown patterns resembling reeds or foliage. Beyond the reflection is a detailed depiction of dense flora with delicate branches and leaves. The style is minimalist and detailed, with thin lines in black and earthy tones. The color palette is muted, primarily black, brown, and pale tones of the paper.
Peter Takal, Aris Koutroulis, Tamarind Institute, Autumn Lake from Of Nature, Of Man, 1963/1964, lithograph in brown and black from a portfolio of 20 lithographs on wove BFK RIves paper, Rosenwald Collection, 1964.8.1587.16

Autumn Lake from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · lithograph in brown and black from a portfolio of 20 lithographs on wove BFK RIves paper ·  Accession ID  1964.8.1587.16
A large bouquet of flowers in a vase is placed on a wooden table. The image consists of a primarily pencil or ink color palette against a cream background, creating a monochromatic appearance. The vase with flowers is in the foreground on the right, with an open window in the background showing distant trees and a cloudy sky. The window frame and wooden surfaces provide natural texture throughout the composition.
Peter Takal, Aris Koutroulis, Tamarind Institute, Flowers in Barn from Of Nature, Of Man, 1963/1964, one from a portfolio of 20 lithographs on wove Arches paper, Rosenwald Collection, 1964.8.1587.14

Flowers in Barn from Of Nature, Of Man

Peter Takal, Aris Koutroulis, Tamarind Institute · 1963/1964 · one from a portfolio of 20 lithographs on wove Arches paper ·  Accession ID  1964.8.1587.14
The image displays a large, dark rectangular background with brown, thick lines and shapes overlapped across it. The abstract composition resembles a maze or a network of pathways, suggesting a puzzle or schematic map. The interconnected loops and angular shapes may hint at familiar forms like facial features or mechanical components, merging and diverging.
Louise Nevelson, Aris Koutroulis, Tamarind Institute, Untitled, 1963, lithograph in black and brown on Rives BFK wove paper, Rosenwald Collection, 1964.8.2428

Untitled

Louise Nevelson, Aris Koutroulis, Tamarind Institute · 1963 · lithograph in black and brown on Rives BFK wove paper ·  Accession ID  1964.8.2428
The image features shapes and lines in shades of black and white against a contrasting background. On the left side is a shape resembling a spine or ladder with rib-like extensions. The right side displays a textured area suggesting an explosive burst of flowers or splattered paint. The overall image resembles a fragmented collection of mechanical parts or natural elements, blending man-made and organic structures.
Louise Nevelson, Aris Koutroulis, Tamarind Institute, Untitled, 1963, lithograph in black on Rives BFK wove paper, Rosenwald Collection, 1964.8.2426

Untitled

Louise Nevelson, Aris Koutroulis, Tamarind Institute · 1963 · lithograph in black on Rives BFK wove paper ·  Accession ID  1964.8.2426