Jack Lemon

American, born c. 1936

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This is a drawing of a conceptual art stock certificate. The image features a bordered certificate-like design with the heading "ONE SHARE ART STOCK" inscribed at the top. The central part of the image contains text overlaid with stylized blue brushstrokes. The text appears to be an excerpt from the writings of Thomas Hart Benton. The piece is outlined with a decorative border resembling a Greek key pattern.
Roger Brown, Jack Lemon, Landfall Press, One Share Art Stock, 1989, color lithograph on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.8

One Share Art Stock

Roger Brown, Jack Lemon, Landfall Press · 1989 · color lithograph on wove paper ·  Accession ID  2015.115.8

The image shows a grid of ten panels with abstract shapes and lines. Panel one has irregular grey stone-like forms, panel two has a bold red smear, panel three shows a silhouette resembling a handgun, panel four has black lines resembling an outstretched hand, and panel five features an arched form against a textured background. The bottom row includes a sculpture-like figure, large black graffiti-style text, stacked blocks creating shadows, a blank space with dark textures, and vibrant green strokes on a grey texture.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall, 1977, portfolio of ten lithographs, Gift of Bob Stana and Tom Judy, 2016.148.1.1-10

Stones for a Wall

Vito Acconci, Jack Lemon, Landfall Press · 1977 · portfolio of ten lithographs ·  Accession ID  2016.148.1.1-10

The image shows an abstract black outline resembling an oversized hand with elongated fingers on a textured gray background resembling a stone wall.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (4), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.4

Stones for a Wall (4)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.4

The image displays a large irregular shape against a darker textured background. The formation is bordered by mottled textures that give it an undefined, organic perimeter. The darker background features various shades and patterns. Scribbled writing in a handwritten style is visible at the bottom of the image.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (9), 1977, lithograph in gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.9

Stones for a Wall (9)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.9

The image shows a sculpture of a human figure holding a large jug or sack. The sculpture appears to be made of stone or a similar material, with a rough texture and a dark gray color. The figure is partially obscured, with facial features not clearly visible, and is depicted in a side-on view, highlighting its musculature. The sculpture has a weathered appearance, suggesting age and exposure to the elements.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (6), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.6

Stones for a Wall (6)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.6

The image displays overlapping and uneven shapes in shades of deep red and gray. Jagged lines are cutting across the right side. The central red forms resemble stones or boulders interlocked together. The composition has a textured appearance.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (2), 1977, lithograph in black and red on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.2

Stones for a Wall (2)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and red on John Koller HMP handmade paper ·  Accession ID  2016.148.1.2

The image consists of bold, abstract black lines and letters on a textured grey background. The letters are arranged in large, overlapping strokes blending into the background. The text appears like graffiti with the words "HELP CAN'T STOP KILL" visible. Smaller scribbled text lines the bottom of the image, creating a layered, urban mural effect.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (7), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.7

Stones for a Wall (7)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.7

The image displays irregular shapes and textured lines intersecting and overlapping, creating an abstract composition resembling a stony surface. In the center, an arch-like shape emerges, suggesting a doorway or passage in a weathered stone structure. The elements in the image evoke a sense of a portal or entrance, hinting at hidden temples or historic ruins.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (5), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.5

Stones for a Wall (5)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.5

This is a photograph of a handgun superimposed on a textured stone surface. The image is primarily in grayscale tones. The background is composed of rough-textured, irregular stones. In the foreground, a dark silhouette of a handgun stands out prominently, placed diagonally across the stone background. The entire composition is overlaid with handwriting, scribbled across the bottom.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (3), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.3

Stones for a Wall (3)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.3

The image displays dynamic, jagged lines in green and gray, forming an abstract composition. The lines sweep across the canvas, resembling sharp edges. The colors interact in a swirling motion, with green dominating and gray providing depth and contrast.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (10), 1977, lithograph in gray and green on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.10

Stones for a Wall (10)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in gray and green on John Koller HMP handmade paper ·  Accession ID  2016.148.1.10