Jean Milant

Milant, Jean Robert

American, born 1943

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The image shows a large, fluffy white cloud in the center of a deep blue sky. There is no visible horizon, and the composition is entirely filled with the sky. The clouds have a soft, rounded appearance with subtle gradients. The color palette consists of rich blue for the sky and pure white for the clouds. A small cloud is also present. The image conveys a serene and minimalistic atmosphere.
Jean Milant, Tamarind Institute, Untitled, 1969, lithograph (aluminum and stone) in three blues on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.344

Untitled

Jean Milant, Tamarind Institute · 1969 · lithograph (aluminum and stone) in three blues on German Etching paper ·  Accession ID  1984.34.344

Irregular cloud-like shapes splattered with shades of teal against a muted gray background. The composition resembles a scattered sky of puffy clouds. Speckles within the shapes add texture.
Jean Milant, Tamarind Institute, Untitled, 1969, lithograph (zinc and aluminum) in blue-green, silver-blue and two silvers on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.345

Untitled

Jean Milant, Tamarind Institute · 1969 · lithograph (zinc and aluminum) in blue-green, silver-blue and two silvers on German Etching paper ·  Accession ID  1984.34.345

The image shows a symmetrical shape resembling a wide, shallow bowl or vessel created by flowing curvaceous lines. In the center, there is an abstract composition with a green rectangle and bright, curving lines. The scene is bordered by a blue frame.
Clinton Adams, Jean Milant, Tamarind Institute, Figure in Green, 1969, color lithograph on German Etching wove paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.61

Figure in Green

Clinton Adams, Jean Milant, Tamarind Institute · 1969 · color lithograph on German Etching wove paper ·  Accession ID  1983.18.61

The image shows two large, irregular white shapes with smooth, curvy edges against a sky-like gradient background transitioning from pale yellow to soft blue. The composition is abstract, with the white forms resembling clouds. The colors and shapes create the impression of depth and movement, reminiscent of a serene sky captured in minimalist art.
Jean Milant, Tamarind Institute, Untitled, 1969, lithograph (aluminum and stone) in blended blue, yellow and white on German Etching paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.343

Untitled

Jean Milant, Tamarind Institute · 1969 · lithograph (aluminum and stone) in blended blue, yellow and white on German Etching paper ·  Accession ID  1984.34.343

This is a photograph of a title page. The title page features text that reads "VENUS IN CIBOLA TEN LITHOGRAPHS BY CLINTON ADAMS LOS ANGELES 1969" set against a light, textured background. The text is printed in a subtle, faded blue-grey color that blends with the beige or off-white paper. The design is minimalist, focusing on the arrangement and typography.
Clinton Adams, Manuel Fuentes, Donald Kelley, Jean Milant, Kenjilo Nanao, Robert Rogers, Dan Socha, John Sommers, Tamarind Institute, Venus in Cibola, 1969, portfolio of 10 lithographs with title page and colophon, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.33.1-10

Venus in Cibola

Clinton Adams, Manuel Fuentes, Donald Kelley, Jean Milant, Kenjilo Nanao, Robert Rogers, Dan Socha, John Sommers, Tamarind Institute · 1969 · portfolio of 10 lithographs with title page and colophon ·  Accession ID  1983.18.33.1-10

The image shows irregular cloud-like shapes on a square canvas. The shapes are abstract and resemble soft, fluffy forms like cotton or marshmallows. They are scattered against a gradient background transitioning from light beige to pale green. The forms create a sense of movement similar to clouds drifting in the sky.
Jean Milant, Tamarind Institute, Untitled, 1969, lithograph in two blended blues and white on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.342

Untitled

Jean Milant, Tamarind Institute · 1969 · lithograph in two blended blues and white on Copperplate Deluxe paper ·  Accession ID  1984.34.342

The image displays a series of curved lines and shapes forming an abstract composition in the center, surrounded by a bold orange frame. In the center of the artwork is a square section depicting wavy, vertical yellow lines. The surrounding areas are filled with soft, flowing shapes in shades of beige and gray.
Clinton Adams, Jean Milant, Tamarind Institute, Figure in Yellow, 1969, color lithograph on German Etching wove paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.62

Figure in Yellow

Clinton Adams, Jean Milant, Tamarind Institute · 1969 · color lithograph on German Etching wove paper ·  Accession ID  1983.18.62

The image presents an abstract form consisting of a light gray shape with flowing lines placed on an orange rectangle. The shape bears a resemblance to an abstract mountain peak or perhaps the outstretched wings of a bird in flight. The contrast between the gray and orange enhances the abstract design.
Clinton Adams, Jean Milant, Tamarind Institute, Venus in Cibola I, 1968 (published 1969), color lithograph on German Etching wove paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.33.1

Venus in Cibola I

Clinton Adams, Jean Milant, Tamarind Institute · 1968 (published 1969) · color lithograph on German Etching wove paper ·  Accession ID  1983.18.33.1

The image depicts an abstract blue curved "V" shape on a brown rectangular background.
Clinton Adams, Jean Milant, Tamarind Institute, Venus in Cibola IV, 1968 (published 1969), lithograph in blue and green on German Etching wove paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.33.4

Venus in Cibola IV

Clinton Adams, Jean Milant, Tamarind Institute · 1968 (published 1969) · lithograph in blue and green on German Etching wove paper ·  Accession ID  1983.18.33.4

The image shows short, slightly curved lines in various colors arranged on a white background. The lines transition from yellow to orange and then to light green, suggesting movement. The composition resembles swaying grass or flowing wind.
Jean Milant, Tamarind Institute, Sunshine, 1968, lithograph (aluminum) in blended pink, yellow and blue on Rives BFK paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.339

Sunshine

Jean Milant, Tamarind Institute · 1968 · lithograph (aluminum) in blended pink, yellow and blue on Rives BFK paper ·  Accession ID  1984.34.339