Robert Rogers

American, born 1944

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  • This is a photograph of a title page. The title page features text that reads "VENUS IN CIBOLA TEN LITHOGRAPHS BY CLINTON ADAMS LOS ANGELES 1969" set against a light, textured background. The text is printed in a subtle, faded blue-grey color that blends with the beige or off-white paper. The design is minimalist, focusing on the arrangement and typography.

    Venus in Cibola

    Clinton Adams, Manuel Fuentes, Donald Kelley, Jean Milant, Kenjilo Nanao, Robert Rogers, Dan Socha, John Sommers, Tamarind Institute

    1969

    Portfolio of 10 lithographs with title page and colophon  Accession ID  1983.18.33.1-10

    Not on view
  • The image shows smooth, curved lines and shapes intersecting to form an abstract composition. The dominant form is a blue silhouette on a warm orange background. The blue shape funnels downwards, creating balanced symmetry. The top of the blue form arcs outward slightly. The color palette is simple, enhancing the bold, abstract design.

    Venus in Cibola X

    Clinton Adams, Robert Rogers, Tamarind Institute

    1969

    Color lithograph on german etching wove paper  Accession ID  1983.18.33.10

    Not on view
  • The image shows a brown curved shape resembling the body of a turtle with a round top and a handle extending from it, combined with the abstract form of a coffee cup. It moves against a blue background with small white circular shapes resembling air bubbles. The turtle's head and flippers have realistic textures similar to those found on real turtle shells.

    Sea Turtle Cup

    Ken Price, Robert Rogers, Tamarind Institute

    1969

    Lithograph in blue and brown on german etching wove paper  Accession ID  1984.34.629

    Not on view
  • ""

    Hard Edge Image at Least 22" x 30" in Size

    Robert Rogers, Tamarind Institute

    1968

    Lithograph (aluminum) in yellow, green and pink-gray on german etching paper  Accession ID  1984.34.729

    Not on view
  • The image shows a rectangular canvas with an intricate pattern of soft, light-colored, overlapping brushstrokes. The abstract composition suggests the texture of a cloudy sky or frosted glass. Each brushstroke blends into the surrounding space, offering a sense of depth and subtle movement, akin to rippling water on a calm day.

    Sample

    Robert Rogers, Tamarind Institute

    1968

    Lithograph (aluminum) in yellow-white on white nacre paper  Accession ID  1984.34.728

    Not on view
  • The image displays vertical lines and intersecting geometric shapes in a symmetrical pattern. At the center is an abstract white silhouette. The surrounding details suggest a grid-like structure resembling windows and fabric-like objects. The overall composition has an abstract quality, resembling a distorted mirror reflection of a room.

    Studio Views I

    Michael Mazur, Robert Rogers, Tamarind Institute

    1968

    Lithograph in black on german etching wove paper  Accession ID  1984.34.269

    Not on view
  • The image shows horizontal lines of varying thicknesses arranged tightly in rectangular bands. The lines alternate between light and dark, creating a textured effect. The pattern is reminiscent of wooden panels or stacked layers of books, and may also evoke the look of lined paper or music scores.

    Tablet Litho 26

    Eleanore Mikus, Robert Rogers, Tamarind Institute

    1968

    Lithograph in black and purple on two sheets of adhered nacre wove paper  Accession ID  2008.115.3521

    Not on view
  • ""

    Acrobatic Frog Cup

    Ken Price, Robert Rogers, Tamarind Institute

    1968

    Color lithograph on german etching wove paper  Accession ID  1984.34.622

    Not on view
  • The image depicts a monochromatic interior sketch of a room. In the center is a window with multiple panes. To the lower left is a bed or couch with dark striped fabric, and to the lower right are cushions or pillows. The color palette is mainly shades of grey. Two humanoid silhouettes are visible on either side of the window against the wall.

    Studio Views III

    Michael Mazur, Robert Rogers, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.271

    Not on view
  • The image shows an arrangement of geometric shapes and straight lines with a predominant grid of a window structure. The window is divided into smaller panes, creating an abstract composition that gives the illusion of looking in and out. The surrounding forms have irregular lines and shading, resembling textures of fabrics and furniture. Light and dark areas play with the abstract impression of a room.

    Studio Views II

    Michael Mazur, Robert Rogers, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.270

    Not on view
  • ""

    L.A. 737

    Robert Rogers, Tamarind Institute

    1968

    Lithograph (stone) in blue-black and orange on copperplate deluxe paper  Accession ID  1984.34.730

    Not on view