Thom O'Connor

American, born 1937

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  • The image shows a detailed pattern of interwoven lines on a dark textured background. The design looks like a tangle of strings or cords, similar to knotted yarn or spaghetti. The artwork invites viewers to navigate its maze-like composition, connecting visually to everyday objects entwined in an artistic form.

    V from Line Involvements

    Anni Albers, Tamarind Institute, Tamarind Institute, Thom O'Connor

    1964

    One from a portfolio of seven lithographs (including title page) on wove arches paper  Accession ID  1983.18.80.6

    Not on view
  • The image displays two vertical lines composed of intricate, intertwining loops and knots set against a textured background with a brushed effect.

    III from Line Involvements

    Anni Albers, Tamarind Institute, Tamarind Institute, Thom O'Connor

    1964

    One from a portfolio of seven lithographs (including title page) on wove arches paper  Accession ID  1983.18.80.4

    Not on view
  • The image shows bold black lines and smudges on a textured light background. In the center, there is a circular shape surrounded by chaotic strokes.

    Head

    Thom O'Connor, Tamarind Institute

    1964

    Lithograph (zinc) in black on white arches paper  Accession ID  1984.34.458

    Not on view
  • The image depicts an abstract portrait with a visible head, centrally placed. The head is facing forward, but the features are blurred. The hair is softly indicated on the top and sides. The focus is on the face, with no discernible clothing or surrounding items. The background is light gray with smudges and strokes for an abstract effect. There are no details of jewelry or objects held by the person.

    Father Damion

    Thom O'Connor, Tamarind Institute

    1964

    Lithograph (stone) in black on j. green paper  Accession ID  1984.34.461

    Not on view
  • This is a sketch of a person's face and a partial upper body. The drawing focuses on the person's head, shown in a quarter-turn position to the right. The facial features are outlined with dark lines for the eyes, nose, and mouth. There is indication of facial hair on the chin, and the hair on the head is suggested by faint lines. The person's clothing is loosely sketched, with shadowy strokes hinting at a jacket or coat. There are no visible accessories or objects in the person's hands. The background is plain, with the sketch against a light, textured surface.

    Ezra Pound

    Thom O'Connor, Tamarind Institute

    1964

    Lithograph (zinc) in black on natural nacre paper  Accession ID  1984.34.459

    Not on view
  • The image shows a close-up of a person's face in a side profile view. The person's face is slightly angled downwards, eyes closed or softly focused downward. The facial features are delicately sketched, and the hair falls gently around the head. No clothing is visible, and the background is a textured surface with gradations of light and dark. No jewelry or objects are visible in the image.

    Henry's Anne

    Thom O'Connor, Tamarind Institute

    1964

    Lithograph (zinc) in black on white arches paper  Accession ID  1984.34.460

    Not on view
  • This is an image of a blurred circular shape on a dark background. The drawing features an indistinct, amorphous shape that stands out against a completely black backdrop. The central form is circular and predominantly white. The play of light and shadow suggests a subtle texture, as if the drawing was softly rendered with charcoal or softly applied graphite, adding a sense of motion. The edges of the circular figure dissipate into the surrounding darkness.

    Little Head

    Thom O'Connor, Tamarind Institute

    1964

    Lithograph (zinc) in black on rives bfk paper  Accession ID  1984.34.462

    Not on view
  • The image displays bold black and beige lines on a light tan background. A solid black area is located in the top left corner, while streaks of beige and muted golden tones sweep across the image. The brushstrokes convey a sense of movement, resembling wind or sand dunes.

    Summer Shower

    Thom O'Connor, Tamarind Institute

    1963

    Lithograph in four colors  Accession ID  1984.34.466

    Not on view
  • The image displays a collection of softly drawn, overlapping lines and shapes. The abstract artwork evokes a sense of motion, with curved lines suggesting the outline of a reclining figure. The forms blend into each other, creating an indistinct human form that might be reclining or seated.

    Figure

    Thom O'Connor, Tamarind Institute

    1963

    Lithograph in black and white  Accession ID  1984.34.464

    Not on view
  • The image displays bold brush strokes and layered lines creating an abstract composition. A central form resembles a distorted face with curved lines indicating a forehead and darker shades suggesting eyes. The right side features fragmented grid-like patterns and scattered textured areas resembling landscapes or skies. The overall look is weathered and textured like a sculpture.

    Portal

    Thom O'Connor, Tamarind Institute

    1963

    Lithograph in black and white  Accession ID  1984.34.465

    Not on view
  • The image showcases irregular shapes and dynamic lines that fill the canvas, creating movement and depth. These abstract forms and dark tonal variations swirl across the composition. In the upper portion, certain sections suggest faint outlines reminiscent of a human silhouette or a bird in flight.

    Morning Snow

    Thom O'Connor, Tamarind Institute

    1963

    Lithograph in black and white  Accession ID  1984.34.463

    Not on view