Paul Henry Brach

American, 1924 - 2007

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  • The image shows nine circles in a 3x3 grid pattern on a textured background. The circles vary in shades of grey, giving the image an abstract quality.

    Silver Series

    Paul Henry Brach, Tamarind Institute

    1965

    Lithograph (stone) in three grays on rives bfk paper  Accession ID  1983.18.354

    Not on view
  • The image displays a large, dark circle on a nearly black background. The circle is round and unobstructed, with subtle variations in darkness enhancing the contrast.

    Dark Vessel

    Paul Henry Brach, Tamarind Institute

    1965

    Lithograph (stone) in two grays on rives bfk paper  Accession ID  1983.18.355

    Not on view
  • The image displays a large, dark circular shape in the center against a dark blue background, with a textured pattern forming a square around it. The circle is surrounded by a border that resembles a misty halo. The surrounding area has intricate detailing resembling brushstrokes or soft fur, adding depth to the image.

    Vessel

    Paul Henry Brach, Tamarind Institute

    1965

    Lithograph (stone) in dark gray and white on rivesbfk paper  Accession ID  1983.18.353

    Not on view
  • The image displays a large, subtle embossed half-circle partially divided by a vertical line, resulting in two mirrored semi-circles. The abstract composition alludes to a sliced fruit or a cut-open dome, with the canvas texture enhancing the minimalist shapes. The delicate geometrical outline stands out against a blank surface, resembling a gently traced silhouette, simple and somewhat elusive.

    The Negative Way

    Paul Henry Brach, Tamarind Institute

    1964

    Portfolio w/ 10 lithographs (zinc and stone) in blue-green and gray plus title page and colophon on white arches paper  Accession ID  1983.18.342.1-10

    Not on view
  • The image shows a large, dark, circular shape centered within a square frame. The composition has a deep, monochromatic color palette. The smooth edges of the circle contrast with the dark background.

    The Negative Way 1

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and gray on white arches paper  Accession ID  1983.18.342.1.a-b

    Not on view
  • The image features curved lines intersecting to form a central, symmetrical diamond-like shape on a monochromatic teal background.

    The Negative Way 7

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and dark gray on white arches paper  Accession ID  1983.18.342.7.a-b

    Not on view
  • The image features a large, dark, and opaque expanse with subtle circular shapes emerging from the background. The composition hints at the shapes of celestial bodies or shadows cast by overlapping objects. It recalls the sight of distant planets against the void of space or round objects submerged in water.

    Oracle

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc) in two green-blues and blue-green on white arches paper  Accession ID  1983.18.352

    Not on view
  • The image depicts a large circle bisected by a vertical line slightly off-center, creating an abstract design.

    The Negative Way 10

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and silver on white arches paper  Accession ID  1983.18.342.10.a-b

    Not on view
  • The image features a series of concentric circular shapes, with the inner circle being more prominent. The abstract design consists of intricate lines and textures that radiate outwards from the center, creating a sense of depth. The composition resembles a target or the pupil of an eye.

    The Negative Way 4

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green, black and gray on white arches paper  Accession ID  1983.18.342.4.a-b

    Not on view
  • The image includes a large circular shape within a square background. The circle has a soft texture against the darker square, with overlapping textures inside the circle creating depth and complexity.

    The Negative Way 5

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and light gray on white arches paper  Accession ID  1983.18.342.5.a-b

    Not on view
  • The image displays geometric shapes including two large rectangles with two circular forms within each. The design has interplay of dark and light hues creating a visual effect against the overall composition.

    The Negative Way 9

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in two blue-greens and two grays on white arches paper  Accession ID  1983.18.342.9.a-b

    Not on view
  • The image features a large rectangular shape in a deep teal color. There are vertical rectangular lines within the main shape in slightly varying hues. The artwork has a minimalist style and creates a sense of depth, resembling a dimly lit room. The shading variations give a layered dimension to the image.

    The Negative Way 8

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green andtwo grays on white arches paper  Accession ID  1983.18.342.8.a-b

    Not on view